Ape Gone Insane
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Spoiler free. I came across a big spoiler in one review unfortunately but removed it for you guys. The spoiler tagged line in this one is a minor.
The Hollywood Reporter
Technically, Prometheus is magnificent,” wrote Todd McCarthy at The Hollywood Reporter, praising the film’s “graceful and vivid cinematography,” convincing effects and judicious use of 3D. The trouble is, McCarthy said, that Prometheus “caters too much to imagined audience expectations when a little more adventurous thought might have taken it to some excitingly unsuspected destinations.”Initially, the film has a philosophical, thoughtful tone, but when the aliens arrive, things become rather less thoughtful – and considerably more gruesome.
Variety.
"Ridley Scott's first sci-fier in three decades since Blade Runner remains earthbound in narrative terms, forever hinting at the existence of a higher intelligence without evincing much of its own" ...
"Yet a key difference between this film and its predecessor is one of volume. Incongruously backed by an orchestral surge of a score, the film conspicuously lacks the long, drawn-out silences and sense of menace in close quarters that made Alien so elegantly unnerving. Prometheus is one chatty vessel, populated by stock wise-guy types who spout tired one-liners when they're not either cynically debunking or earnestly defending belief in a superior power."
Scott and his production crew compensate to some degree with an intricate, immersive visual design that doesn’t skimp on futuristic eye-candy or prosthetic splatter… Also providing flickers of engagement are the semi-provocative ideas embedded in Jon Spaihts and Damon Lindelof’s screenplay. The continual discussions of creation vs. creator, and the attitude of one toward the other, supply the film with a philosophical dimension that its straightforward space-opera template doesn’t have the bandwidth to fully explore.
Screen Daily.
"It has been three decades since Ridley Scott last dipped his directorial toe in science-fiction territory (with 1982’s Blade Runner), but with his fantasy epic Prometheus it is clear his striking sense of vision, drama and excitement fits perfectly with the genre. While Prometheus has some striking chilling moments it never plays the all-out horror card, instead developing the science alongside the action and punctuating the film with moments that jolt and amaze. And he has delivered a film that is already one of the most anticipated titles of the summer and should thrill, challenge and provoke audiences ready for his signature brand of intelligent and visceral film-making."
Ridley Scott is a master when it comes to visualisation of the environment his stories are set against, and it is clear from the majestic opening scenes of Prometheus as his camera traverses an alien planet (in truth a blend of Icelandic vistas with more than a little CGI).
One thing that Prometheus isn’t is an Alien-clone. Alien – despite that it may feel slowly-paced set against current editing styles – was a film that embraced its horror-in-space format, and after a slow-burn set up and magnificent central gore moment as the mini-alien bursts from John Hurt’s chest settled into a brilliantly shot monster movie before Sigourney Weaver’s final memorable battle. While Prometheus has some striking chilling moments it never plays the all-out horror card, instead developing the science alongside the action and punctuating the film with moments that jolt and amaze.
…Alienfans will be on the look out for horror scenes that are variations on the theme of the ‘chest-buster’ or ‘face-hugger’ in the original film, and while in Prometheus things are never played for pure horror, there are some brilliantly staged scenes that will make audiences jump and squirm.
The effects are brilliantly woven into Scott’s film, with cinematographer Dariusz Wolksi delivering some beautiful moments (the 3D is also very easy on the eye, and never too dark), while the production design from Arthur Max and Janty Yates’s costumes help give the film that real sense of a sci-fi epic. A Ridley Scott film is always perfectly shot, intelligently edited and easy on the eye, and Prometheus is no different.