Star Trek Into Darkness - Official poster revealed, teaser trailer now online

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Benedict Cumberbatch sounds like the name of some over-the-top villain. (Not familiar with his works :/)

Trailer looks decent, bit too much going on for me to get a proper impression though. Loved the first one.
 
While it was known that there were other galaxies outside our own by scientists since the 20s, in SF writing knowledge of that seems to have lagged by quite a bit. It's a pretty safe bet that in any SF from the 60s when they say 'galaxy', what they mean is what we now call 'universe', with very different ideas about what the boundaries of that universe would be like. So in Where No Man Has Gone Before they're not just talking about the edge of the Milky Way. They're talking about something far more significant.

They didn't seem to have a problem understanding the term "galaxy" a season and change later when the Kelvans popped in for a visit.


The writer of that particular episode didn't really have any SF experience. And, frankly, the story is more fantasy than SF. I think they meant "galaxy" when they used that term, and I think the writer simply had a very early case of Braga syndrome.


(that is to say "hey, it's a spacy thing, lets make it do something magic!")
 
For those of us who have not cared to see the four disk extra rich double chocolate shit edition, you could actually explain how it exonerates the writer.

There were a lot of words spilled on it in one of the Prometheus threads (I believe it's the one about Jon Spaiht's original draft) but it comes down to this: Studio wanted the film to be less xenomorph-related. Ridley agreed. Studio wanted someone with more experience than Spaihts to be on the picture. Ridley agreed. Ridley grabbed Lindelof.

Ridley then, as he had done throughout the majority of pre-production (as seen in a LOT of the footage from the 3hr documentary on the making of) spent most of his time getting sloshed on wine and spewing shitty ideas into the ether. Lindelof then had to take those ideas and rewrite enough of Spaiht's script with them so as to secure the credit he'd been hired to provide.

All that aside - movies don't work like books in that the storytelling is largely dependent on the written word. More often than not the directors/actors are applying their own changes once its out of the writer's hands, and editing can even further change the storytelling intent. Prometheus isn't broken because Lindelof wrote a broken script. Prometheus is broken because Scott asked him to write that broken script to his specifications, signed off on it, and then directed an even MORE broken movie based off that skeleton.

Look at Orci/Kurtzman and the difference between Transformers and Star Trek. The scripts are, honestly, not too different in quality. Now give one to Michael Bay, and watch what happens. Give the other to JJ Abrams and Damon Lindelof. Vastly different result.

Side note: I'm wondering if the shot of the Enterprise coming up out of the water came from the writers looking to top the moment from Star Trek where the Enterprise rises through planetary rings. Because that was probably the single prettiest shot of the whole movie.
 
1) Garth was part of Pike's generation, Cumberbach is way too young.

2) Having weapons of mass destruction doesn't make you a "one man weapon of mass destruction"

3) What personal score to settle?

It's not Garth it's Mitchell.

Oh I agree it's Mitchell. Just saying it's not a bad guess.

And they could always makes him younger, and explosives and his super powers might eb enough for the marketing department, and he could be pissed as Kirk for sending him on the mission he was wounded on or any number of other things they could make up.
 
They didn't seem to have a problem understanding the term "galaxy" a season and change later when the Kelvans popped in for a visit.


The writer of that particular episode didn't really have any SF experience. And, frankly, the story is more fantasy than SF. I think they meant "galaxy" when they used that term, and I think the writer simply had a very early case of Braga syndrome.


(that is to say "hey, it's a spacy thing, lets make it do something magic!")

I overstated it, but confusion over the terms solar system, galaxy, and universe was absolutely common at the time. And very little contemporary SF was much more than fantasy anyways. Some were better than others at it, though, obviously.

I had forgotten about that episode though.
 
I would love for this to be unrelated to the original series, rather than an adaptation of existing stories. Seems like it is just cribbing and adding cgi.
 
I am going in with no expectations. The first Abrams Star Trek film was very far from pefect but it got the job done so I can't complain too much.

Oh shit, didn't know Nazneen Contractor was in this too. Nice.

I remember her from the final season of 24, she looked incredible. (´・ω・`) Does she have a big part in this?
 
Visuals were fantastic; trailer was decent enough. I hope the big theatrical trailer before release can come close to matching Star Trek 09's. That's one of the best movie trailers in recent memory.
 
So what's with Alice Eve's horrible, horrible scream in the trailer? Her face looks all wrong when she's screaming. Is she just a bad actress or is that not supposed to be a scream of fear?


Alice+Eve+in+Star+Trek+-+Into+the+Darkness
 
From a few pages back

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That's what I was trying to find but forgot where it was. Yes, this scream looks so awkward. I really hate it. It ruins the trailer for me because she's clearly going to be a major character and if this is what we can expect from her, that's bad.
 
maybe the villian is a fresh take on Picard
It's picard from the mirror universe;

At the end Patrick Stewart shows up and fights him

Movie of the century!

That's what I was trying to find but forgot where it was. Yes, this scream looks so awkward. I really hate it. It ruins the trailer for me because she's clearly going to be a major character and if this is what we can expect from her, that's bad.
The scene itself seems a little reminiscent of very old horror movies. The woman sees the monster and lets out a huge scream. I wonder how it will be implemented into the movie.
 
I think I'm in the perfect position to enjoy these movies.... I've probably watched every Star Trek episode ever, but I never considered myself a "fan" in that sense. If they change things, or make it more populist, I don't care. I'll enjoy whatever new thing they do with Trek, and at the same time understand what was referenced/what was changed.
 
The scene itself seems a little reminiscent of very old horror movies. The woman sees the monster and lets out a huge scream. I wonder how it will be implemented into the movie.

It would be a cool reveal if the villian is actually the leader of the talosians. Wouldn't that make people's jaws drop
 
I loved the first movie. Never was a huge Trek fan but I know the universe thanks to my dad watching that stuff 24/7 when I was a kid.

Cant wait for this.
 
Benedict Cumberbatch sounds like the name of some over-the-top villain. (Not familiar with his works :/)

Trailer looks decent, bit too much going on for me to get a proper impression though. Loved the first one.

Watch Sherlock on Netflix.
 
So what's with Alice Eve's horrible, horrible scream in the trailer? Her face looks all wrong when she's screaming. Is she just a bad actress or is that not supposed to be a scream of fear?
Based on past work I believe that she is a horrible actress, but I do not think this image is her fault.

That specific awkward scream would have had to have been a decision by someone behind the camera. 1) The position of her body and neck would have to have been chosen in advance of capturing the shot and 2) that take of that shot was chosen as part of a very short teaser.

The first film had its share of wonky angles as well. Who knows why, but Abrams seems to be pro-awkward scream.
 
Why would anyone want godly powers? Why wouldn't they? Also, you'd think more aggressive species would send some of their people to get superpowers to be used as weapons of war.

Why is there a galactic barrier anyways? Do we have one in real life?

I scanned the replies but I didn't see if anyone gave you this answer.
In the (non cannon) star trek novels, the barrier was placed there by the Q to prevent an immensely powerful, evil, and completely insane entity from getting in. It's the non canon reason but I always liked it the best.
I believe another non canon explanation is a similar one in which an ancient race put it there because the milky way is an extremely resource rich and valuable galaxy and there are a lot of very nasty forces in other galaxies trying to take it over. So they wanted to give the races in the milky way a fighting chance by protecting them with a barrier.
 
I love this scream. The shot looks like something out of a Rami film.

Also, I find it oddly arousing. I think there is something wrong with me.


Someone needs to find a comparison shot of B-Batch's hands.

Nah there's not. You can totally imagine her ramming herself with some futuristic dildodic device or vibrating tribble.
 
I overstated it, but confusion over the terms solar system, galaxy, and universe was absolutely common at the time. And very little contemporary SF was much more than fantasy anyways. Some were better than others at it, though, obviously.

I had forgotten about that episode though.

It depends on the writer, regardless of the show, with the time being much less of a factor than one would think. Firefly, which just celebrated its tenth anniversary, had a major problem of this sort in its opening voiceover, repeated every episode.

In televised science fiction, convenience very often trumps accuracy and continuity. That's just how things are.

"Hey, lets take that temperate, rocky planet near the edge of the galaxy from the TV show and turn it into a cold, icy planet co-orbiting with the hot, desert planet Vulcan!"
 
Honestly, what part of "alternate timeline" is making it so impossible to believe that this is, indeed, Gary Mitchell, but the circumstances surrounding his conflict with Kirk and the Federation are altered because, you know, "alternate timeline" and all...

Gary doesn't have to have "godlike" powers in this timeline. Not everything in this timeline has to play out like they did in the other timeline.
 
There were a lot of words spilled on it in one of the Prometheus threads (I believe it's the one about Jon Spaiht's original draft) but it comes down to this: Studio wanted the film to be less xenomorph-related. Ridley agreed. Studio wanted someone with more experience than Spaihts to be on the picture. Ridley agreed. Ridley grabbed Lindelof.

Ridley then, as he had done throughout the majority of pre-production (as seen in a LOT of the footage from the 3hr documentary on the making of) spent most of his time getting sloshed on wine and spewing shitty ideas into the ether. Lindelof then had to take those ideas and rewrite enough of Spaiht's script with them so as to secure the credit he'd been hired to provide.
I don't want to drag this conversation too far off topic but I find it entirely plausible that many of the bad ideas came from Ridley, even if the film was competently shot and directed. I actually liked the atmosphere. The fact remains that the script was still unforgivably bad.


Honestly, what part of "alternate timeline" is making it so impossible to believe that this is, indeed, Gary Mitchell, but the circumstances surrounding his conflict with Kirk and the Federation are altered because, you know, "alternate timeline" and all...

Gary doesn't have to have "godlike" powers in this timeline. Not everything in this timeline has to play out like they did in the other timeline.

There would be absolutely no point to having it be Mitchell without god powers. The character is defined by those powers.

And the canonical comics already confirm that he got those powers so yeah.
 
I don't want to drag this conversation too far off topic but I find it entirely plausible that many of the bad ideas came from Ridley, even if the film was competently shot and directed. I actually liked the atmosphere. The fact remains that the script was still unforgivably bad.




There would be absolutely no point to having it be Mitchell without god powers. The character is defined by those powers.

And the canonical comics already confirm that he got those powers so yeah.

That's all well and good, but it still doesn't change the fact that this is an alternate reality, where events can be tweaked and adjusted.

Mitchell doesn't need godlike powers to become a formidable one man army that Kirk must face, so seeing him jump around, wielding weapons, and being physical with Kirk isn't as impossible to me.

Sure, I guess Gary is "defined" by his powers, despite the fact that he was kind of a throwaway character in the first episode of the show that most people, even Trek fans, barely recall, yeah.

If Abrams can do something to make Mitchell interesting, I don't see the point in arguing over the minute details such as how "godlike" he is. But then, the comic has addressed Mitchell and his powers, so I'm curious as to what they plan on doing with that. It's very possible that Mitchell gets resurrected by some means, and does not have all of his powers from before, who knows.

I'm eager to learn more. I'm not in the "It's definitely Mitchell!" camp, nor am I in the "It's definitely Khan!" camp. To be honest, I don't actually care. I'm just eager to see Cumberbatch ham it up as a villain in a cool sci fi movie, whoever the villain may be.
 
That's way more Ridley Scott than it is Damon Lindelof. The 4-disc set makes that painfully, PAINFULLY clear.

Bro, didn't you buy Ridley Scott's Prometheus Collector's Edition on Blu-Ray™ Disc?

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There were a lot of words spilled on it in one of the Prometheus threads (I believe it's the one about Jon Spaiht's original draft) but it comes down to this: Studio wanted the film to be less xenomorph-related. Ridley agreed. Studio wanted someone with more experience than Spaihts to be on the picture. Ridley agreed. Ridley grabbed Lindelof.

Ridley then, as he had done throughout the majority of pre-production (as seen in a LOT of the footage from the 3hr documentary on the making of) spent most of his time getting sloshed on wine and spewing shitty ideas into the ether. Lindelof then had to take those ideas and rewrite enough of Spaiht's script with them so as to secure the credit he'd been hired to provide.

All that aside - movies don't work like books in that the storytelling is largely dependent on the written word. More often than not the directors/actors are applying their own changes once its out of the writer's hands, and editing can even further change the storytelling intent. Prometheus isn't broken because Lindelof wrote a broken script. Prometheus is broken because Scott asked him to write that broken script to his specifications, signed off on it, and then directed an even MORE broken movie based off that skeleton.

Look at Orci/Kurtzman and the difference between Transformers and Star Trek. The scripts are, honestly, not too different in quality. Now give one to Michael Bay, and watch what happens. Give the other to JJ Abrams and Damon Lindelof. Vastly different result.

Side note: I'm wondering if the shot of the Enterprise coming up out of the water came from the writers looking to top the moment from Star Trek where the Enterprise rises through planetary rings. Because that was probably the single prettiest shot of the whole movie.

New news = new thread? Everyone was at fault, it seems. I really wish there was no connection to Alien like the stupid ending, the Engineers were cool enough on their own.
 
The alternate timeline is a stroke of genius for Abrams Trek as a whole. It gives the writers carte blanche to make any additions or modifications and create any inconsistencies they want, and it can all be handwaved away as timeline differences.
 
Look at Orci/Kurtzman and the difference between Transformers and Star Trek. The scripts are, honestly, not too different in quality. Now give one to Michael Bay, and watch what happens. Give the other to JJ Abrams and Damon Lindelof. Vastly different result.

Abrams can polish a turd, but it's still a turd.
 
The alternate timeline is a stroke of genius for Abrams Trek as a whole. It gives the writers carte blanche to make any additions or modifications and create any inconsistencies they want, and it can all be handwaved away as timeline differences.
Well, the alternative to that would be to simply reboot the franchise entirely. Then they would have no restraints at all.

I'm still sort of torn about which option I would have preferred. I kind of prefer the timeline branch vs. a clean reboot just because this sort of incentivises them to tie the new movies into specific events from the original series.
 
Well, the alternative to that would be to simply reboot the franchise entirely. Then they would have no restraints at all.

I'm still sort of torn about which option I would have preferred. I kind of prefer the timeline branch vs. a clean reboot just because this sort of incentivises them to tie the new movies into specific events from the original series.

It was an incredibly Star Trek solution. No other franchise could have done this. Well, except for the Terminator films/show, which seems to do it regularly. Doctor Who doesn't count, as it more just tosses continuity away like an old handkerchief and doesn't need to temporal it up per se.

This was the kind of solution that made me think "Wow, it's like Geordie is in charge of storyline development at Paramount's Star Trek wing".



Good sex should have some screams in it. Maybe you aren't doing it right?

Usually the screams have — you know — emotional content, not blank stares.
 
I just hope the movie is good. I hope the full trailer is as good as the ST09 2nd trailer. That ST09 trailer was one of the best trailers ever made.
 
I just hope the movie is good. I hope the full trailer is as good as the ST09 2nd trailer. That ST09 trailer was one of the best trailers ever made.

Is that the one that starts with the kid (which I think is an amazing trailer except specifically for that part) or the other one?
 
Well, the alternative to that would be to simply reboot the franchise entirely. Then they would have no restraints at all.

I'm still sort of torn about which option I would have preferred. I kind of prefer the timeline branch vs. a clean reboot just because this sort of incentivises them to tie the new movies into specific events from the original series.

Exactly. I never really understood the need for the alternate timeline bullshit. Just have Star Trek 2009 be a new vision for the classic characters. I don't understand why there needed to be an in-universe explanation for why events differ from the TV show. Creative differences should've been explanation enough.
 
Exactly. I never really understood the need for the alternate timeline bullshit. Just have Star Trek 2009 be a new vision for the classic characters. I don't understand why there needed to be an in-universe explanation for why events differ from the TV show. Creative differences should've been explanation enough.

It was done that way as a nod to the fanbase. Besides, Star Trek and time travel go together like PB & J.
 
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