Did this quick warm up sketch analogue, but figured I'd put it here anyway so I at least feel like I've done something if I go ballistic on what I'll be drawing next.
Day 57, ~25min.
I just remember that either near or far, Death lurks hard. My time on earth is precious, and I want to spend it drawing and making art more than anything else.
Or I just browse Instagram or FFFFOUND! for an hour.
Also, I'm back. Doing two-a-days till I catch up.
.8/18/13-bottle opener:
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About 1hour.
About 1hour.
That's lovely...
~1.8 hours
Having a hard time with the trees and making the foreground less soft and muddy
That's lovely...
~1.8 hours
Having a hard time with the trees and making the foreground less soft and muddy
Is that Art Rage? I think it is really difficult software if you don`t have intuos tablet. Pen rotation and tilt seem really needed for the best results.
I just want to say I really enjoy this piece, and maybe I could help you out.
When a painting is challenging me, the first thing I typically do is think of the simplest problem and the most common issue with a painting: composition. Specifically, in terms of value. As you know value is how light or dark any given color is.
Thankfully, in this day and age, you can easily take your painting and look at it in black and white in a matter of seconds to determine how your paintings are suffering compositionally, like so:
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This is a very crude example, but it illustrates the following point. I typically (not always) follow a simple rule when it comes to composing scenes like this:
The foreground should have more contrast, especially if it contains the focal point of the work. The background should have little value contrast.
I don't mean to insult your intelligence, it's apparent that you understand this concept! But if you look at your image in black and white, it becomes clear in which areas you need to push your value contrasts or pull contrast back to make your image more organized.
Also, if you want to paint in color, it's best to start out by limiting your palette very strictly so you don't get your values confused, even when you do studies of photographs.
Hope this helps!
I feel kind of cheap posting the same thing in artsnfarts and in this thread, but, i managed to kind of finish something in a day
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about 2/3 hours on the glass, and I'm kind of genuinely happy with it...for now. The rest of the actual image is kind of slacking atm to be honest haha. Curse my slow burner attitude and lack of studying properly.
Looks nice so far. One small thing, the fingers are pretty much same length.
Good shading, especially on the hand. Can`t wait to see rest.
messin' around.
Here are some older drafts of the same character I drew earlier.
Yep, ArtRage 3.5, it came bundled with my tablet (Wacom Splash), it is the cheapest model afaik.
Since I've been drawing just for 7 months, I think I´m more limited by my current skills than the features of the tablet/program, I wish I could move to Photoshop though.
Thanks so much for this, I will try to increase the contrast on the foreground. I also use too much values but this is because I don´t like to pick colors from references
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I'm around 3 hours now, I've been drawing without the reference after the 1st hour.
You should maybe consider using this.
http://mypaint.intilinux.com/?page_id=6
It is really fast, has good painting tools and it is free. I am really impressed with it.
Hey guys, I'd quite like to contribute to this thread but don't currently have any way to scan my drawings. Any recommendations for a good affordable scanner?
I like to draw the torso first so I have a thing to connect everything else to, instead of drawing heads (and limbs) first and then trying to correct the torso to "fit" onto it like I used to do.
Day 62, ~2hrs.
Day 62, ~2hrs.