Technically Luke Cage is just plain old 70's Blaxploitation. The character was literally made to capitalize on the popularity of Blaxploitation at the time. Straight Outta Compton is an autobiographical drama that tells the story of the early years of N.W.A. That isn't Blaxploitation.
"Blackness" isn't a thing. Nor is "Whiteness", or "Pinkpolkadotness". It is absurd to think that skin color defines your culture.
Luke Cage was created as a blaxploitation character, correct. However, my reference to the character was toward the Netflix series, that is based upon his re-imagining with the New Avengers.
Just as we might be re-imagining Buffy here.
You said
neo-blaxploitation, which is why Straight Outta Compton qualifies, as it comes from the tradition of films like
A Rage in Harlem,
Boyz N the Hood, and
Juice.
You were starting to make progress, but then you seem to hit a double-think ideological snag with
"Race swapping is blaxploitation. Racism!"
"Blackness isn't a thing."
And contradict yourself. Like, you can't say "whiteness isn't a thing" and then talk knowledgeably about blaxploitation film, let alone films (or TV shows) that are intentionally cast as predominantly black, to tell black stories (in contrast to a show like The Office or a movie like Rough Night, which might be
unintentionally cast as predominantly white, because whiteness is the status quo).
I feel like you're not being intentionally contrarian, but that there are some gaps in your knowledge on the topic. So once that ends, you fall back on conservative ideological underpinnings.
I pulled this one from my own collection just for you. It is the most seminal text on
BLACKNESS as portrayed in film, from
Birth of a Nation to
Malcolm X.