I don't know that you want a mario movie that is not what you expect. If you leave a Mario movie and leave with I didn't expect that, you probably end up with the original Mario movie.
As someone who unwillingly watched the first few films and hated them, I watched one of the more recent ones on a boat trip a few years ago and actually enjoyed it. It was so cliched and over the top that it was impossible not to laugh.I'm gonna put Fast and Furious here too but I've never actually watched one
Aren't you the guy who defends Marvel to deathWouldn't be the first shit film to cross that particular line and given recent history I doubt it will be the last.
As someone who unwillingly watched the first few films and hated them, I watched one of the more recent ones on a boat trip a few years ago and actually enjoyed it. It was so cliched and over the top that it was impossible not to laugh.
That is the most amazingly terrible amazing idea ever.Escalating from stealing DVD players to drifting a car into a satellite is why the series is great. The franchise has a solid cast with good chemistry and a willingness to embrace absurdity. I'm half convinced that the end of the series is going to be the prequel to the Riddick franchise now that the cast is in space. Riddick's race being Furyan has to be part of the most elaborate setup ever.
That is the most amazingly terrible amazing idea ever.
..nah its a pretty good movie. Not deep but funny and well casted and a good time.. Sometkmes thats all a movie needs to be....and it's awful. I took my daughters. It's definitely 2023 where anything that requires more than 30 seconds of attention span is disregarded for flash and chaos.
It’s clear that Nintendo has to make more movies. Even creating their own “Nintendo Studios”, but they should always stay in animation. I’m really afraid if they decided to go live action.
They should recruit different animation studios for different franchises. I’d love a Nintendo movie from Studio Ghibli, but which franchise?
I don’t know how they’ll manage the huge success they are having with the Mario movie, but Nintendo has become a movie production company too.
It's a hit and fuck all of the people that are still trying to convince themselves it isn't. You've lost this one.
The same animation studio gave us these obnoxious merchandise-pandering little shits who also make a ton of money, doesn’t mean I have to enjoy them.
But I’m happy you had fun with it apparently, maybe just don’t get THAT frustrated when people think it was bad or even just okay.
I just copied the OP word for word from a post in TLOU viewer count thread to see who would be corrected faster. My money was on this post. GAF is like clockwork.
So you’re being disingenuous, and think that proves something?
Oh the sentiment of the post I agree with. Both TLOU and Mario are successful and to say otherwise is contrarian at this point. I'm laughing at how somebody showed up like clockwork, gifs and all, to correct the tone of this post first. I don't really need to prove the bias; look which forum the threads for this movie were modded to.
I mean, telling anyone “fuck you” here seems extreme, I frequently see people here act like every MCU film of the past two years is a box office dud, but there’s no need for me to go at them like that. Sorry if that’s a hot take.
Did those people forget that there are millions of Nintendo fans who eat up everything Miyamoto says? It’s not surprising this meh movie made so much money, it’s Nintendo and it’s animated, two popular combinations.
It was less predictable and cliche than The Force Awakens, which literally copy and pasted an entire other movie to thunderous applause.That's correct. I'm not the target demographic for the Mario movie. My kids loved it, and that's all really what matters. However, it doesn't change that fact that it's predictable and cliché.
It was less predictable and cliche than The Force Awakens, which literally copy and pasted an entire other movie to thunderous applause.
just bought mine
Square must be so jealous
They pay for all their artist to Transition......Just read that this movie had a production budget of $100 million while Disney's animated movies always seem to be around $200 million, what the hell is Disney spending so much money on?
Just read that this movie had a production budget of $100 million while Disney's animated movies always seem to be around $200 million, what the hell is Disney spending so much money on?
Like I said in a previous thread, people who echo the sentiment you’ve quoted, won’t get why this is worrying until that same minions studio writing team touches Zelda or Metroid.
The same animation studio gave us these obnoxious merchandise-pandering little shits who also make a ton of money, doesn’t mean I have to enjoy them.
But I’m happy you had fun with it apparently, maybe just don’t get THAT frustrated when people think it was bad or even just okay.
Like I said in a previous thread, people who echo the sentiment you’ve quoted, won’t get why this is worrying until that same minions studio writing team touches Zelda or Metroid.
Speculation only but I'd guess celebrity salaries given CG animators tend to not make very much as they did before the Pixar acquisition. Licensing and distribution is another thing which eats into budget. Still not sure that justifies it...but it's Disney.Just read that this movie had a production budget of $100 million while Disney's animated movies always seem to be around $200 million, what the hell is Disney spending so much money on?
Speculation only but I'd guess celebrity salaries given CG animators tend to not make very much as they did before the Pixar acquisition. Licensing and distribution is another thing which eats into budget. Still not sure that justifies it...but it's Disney.
I mean, Illumination has great animation detail, but even it‘s not on Disney’s level. Like, the first teaser for Frozen 2 had people in the comments debating if the beach Elsa was at was just an actual real beach and the animators just inserted Elsa on to it, that’s how crazy detailed it looked.
I remember when Big Hero 6 released, it was mentioned the animation team utilized a cutting edge program that allowed far more animation of each background individual in massive crowd shots (useful for the film since it’s set in a city) and for 2014 it was pretty mind blowing to look at.
As for the rest of the budgetary differences, well Disney hires screenwriters normally while Illumination‘s hiring ad for screenwriters probably says, “looking for people who can churn out a script in a day, maybe two if we’re being generous. Must excel at fart jokes, tons of secondary plots that have no relevancy to the main plot, pop culture references and character stereotypes that were outdated a decade ago, and merchandise-pandering side characters who are generically juvenile and scream a lot. Also must be open to adapting Dr. Seuss books, and by “adapt”, we mean go to the cemetery where Dr. Suess is buried, give his tombstone the middle finger, and use that moment to inspire your “adaptation” of a beloved author’s work. Also, you are allowed one or two legit funny moments maximum per film that anyone above 7 would laugh at, but don’t push it.”
Yes this, the dude has legitimately way more hits than misses.The number of people who are just straight Miyamoto zombies is not THAT high and not enough for this kind of performance. When he makes bad decisions there is a fan reaction, don't forget the last Star Fox.
Most people ACT like Miyamoto zombies because most of his projects are just that legitimately great, like this movie.
Wouldn't be the first shit film to cross that particular line and given recent history I doubt it will be the last.