Wow, that deal I linked you on HF was a god damned steal then! Good to know that they're the real deal. I'm kinda interested in the Fischer FA-04 that Music's been raving about recently as well. But... I've kinda lost interest in most other things now that I've got
Wow. Wow. and Wow. These things are just stunning and my favorite pick out of all the TOTL kilobuck phones I've heard/owned.
I've listened to these for about 10 hours now. Very impressed with the sound right now. Very. It sounds quite linear from top to bottom, and nothing appears to be missing, or sticks out as being harsh or overly boosted to me.
Bass is very controlled with a perfect ratio of mid/sub bass presence, decay on the bass is on the quicker side but it's very satisfying all the same, as it lingers enough to not sound thin but is fast enough to establish texture. The bass is always poised and clearly delineated from the rest of the spectrum. I'd say it's of reference quality. With that said, it can kick in with a surprising degree of heft and impact when needed, making for an exciting listening experience. It's very similar to the 1Plus2's bass response but I want to say that this perhaps has more a bit more sub bass quantity than what I remember the 1P2 doling out.
Mids are spectacular. There's some extreme clarity to it, but it doesn't sound clinical. It sorta reminds me of the Ocharaku phones, but even cleaner. It's capable of resolving details in some songs that I didn't even know existed til now, so it's definitely in the upper echelon in resolution. I want to say that these phones may even be slightly mid forward, as the sound is just very full, but everything is perfectly delineated; it remains composed on even the most busy passages. For this reason, I enjoy these phones a lot more than the 1Plus2 due to that particular phone's slightly recessed midrange coupled its oddball presentation.
The K3K is very open sounding with some great lateral width, surprisingly great width even, great height and great depth, with some really pin point placement. It just sounds really big in general. It shares this quality with the 1plus2 except it isn't prone to splaying the entire image seemingly 7 feet in front of you, which tended to make that phone sound sort of detached and aloof. I dunno, it sounds bigger than the 1plus2, but that's me talking from memory. On some live/orchestral/ambient/electronic tracks, the size of the stage is just immense, and it just feels like you are engulfed in the sound.
Highs are quite smooth without being rolled off up top, it's probably the best implementation of the TWFK I've heard to date as it largely sidesteps the issue of sibilance. The highs are extended enough that you really do get a sense of how large a space is from the reflections captured; the K3Ks allow me to take in the ambience of a recording better than anything I've heard to date. I think that those who are sensitive to brighter phones might find it to straddle this sort of line between comfort/discomfort, but with well recorded albums it isn't an issue. Even with some hotter recordings it's quite tolerable
Tonality sounds great to me, guitars have the proper crunch and bite, drums are punchy and snap with clearly distinguishable tones, cymbals have that brassy tone and reverberant, shimmery quality, bass guitar is very clean sounding, (I probably prefer the G-2's more ballsy handling of this instrument...), pianos are very coherent throughout the range and vocals are very true to life; just stunningly detailed and eerily present (at least on a par with the 334 if not better)... horns, woodwinds, strings all very convincing... and rendered with the proper weight and texture. There's not really much to complain about so far. The timbre seems every bit as likable as the 334 so far, and eclipses it with some instruments. As I said, I'm very impressed that this is coming from a TWFK set up as it doesn't sound thin at all, the note weight is quite convincing on any instrument/vocal you throw at it, nothing sounds off.
Lastly, I think the thing that impresses me most is the sheer headroom the K3K has. I was playing this version of Beethoven's 9th that has an entire orchestra and choir and with that song, you can clearly tell that other phones I had was compressing it as it struggled to keep it together when the entire ensemble hit a crescendo. I queued up the same performance on the K3K expecting it to all fold like a house of cards, and to my surprise when the music hit that peak, they didn't acquiesce and plateau, but soared ever higher. Very impressive indeed. The K3K just sounds positively gigantic on some of these orchestral pieces, you close your eyes and it's like. whoa. Very scientific, I know. The dynamic range is up there with the Ocharaku's as some of the best I've heard, it's capable of oscillating between extremely delicate and ethereal sounding to explosive at the drop of a hat. Very impressive.
Since I can't exactly compare these to any TOTL full sized cans, I do have on good authority of a fellow K3K owner (and HD800 owner) that it sounds very similar to the HD800 with a better bass foundation. These things also sound brilliant straight out of an iPhone. I think at this point, I just may be done... MAYBE LOL