Violence Jack
Member
How did Mad Max turn out so good?
George Miller wouldn't put up with WBs shit, so I'm guessing they left him alone.
How did Mad Max turn out so good?
I'll add to that that I've heard Fantastic Beasts isn't that great either.
Friend of mine saw a test screening in Chicago. General impressions but I'm gonna spoiler tag anyways:
There's a good movie in there, but the movie's dragged down by a confusing plot, and too much focus on minor details / callbacks. If they cut like 15 minutes of screen time, it would be a lot better
Blasphemy! WW is going to kick all kinds of ass.
Every major is wallowing in 95% commercial eight-to-eighty year old consumer shit though so can anyone blame them? That's what they're competing against, correct?WB is making plenty of shit now, and doing so for entirely commercial reasons. This ain't the filmmaker driven WB anymore.
EDIT: Also, why is everyone calling the author a guy? Unless we think it's a dude using Kim Cattrall's old character.
Every major is wallowing in 95% commercial eight-to-eighty year old consumer shit though so can anyone blame them? That's what they're competing against, correct?
You think another Jungle Book is a good idea.
I saw this on HBO. Was alright.Not Fury Road... THIS
I mean, he's totally burning his bridge in Hollywood (who is gonna work with him again), but: He's completely right. How the fuck does Snyder still have a job on the DC universe after Batman vs Superman?
I don't believe any movie Disney creates is "filmmaker driven".Disney's killing it this year, I'd give them a 60/40 or 65/35 hit/miss ratio right now.
A bad CEO can increase revenue and profit in the short term by cutting costs. When shit hits the fan, they can move on and leave a company that's tanked.
Might want to be more specific in your definition.
Wow, I really brainfarted on that.
Edited the OP to trim what I believe is enough. I can do more if not.
I don't believe any movie Disney creates is "filmmaker driven".
Maybe Wonder Woman wouldn't be such a mess. Don't try to hide behind the great trailer. People inside are already confirming it's another mess.
I was responding to the idea of WB floundering because they don't make "filmmaker driven" films with ingenuity and creative risks, but also, let us agree to disagree about what constitutes a "good movie overall". Call me crazy, but I don't watch Pixar, comic book movies, franchise wannabes, or event tentpole films. I'll watch and support ten Neon Demons if it gives us a Bronson and Drive.Well sure, but I'd rather take a good movie overall than a shit 'filmmaker-driven' film.
Another Jungle Book?
The question should be expanded to "How the fuck does Snyder still have a job on the DC universe after Batman vs Superman, Owls of Gohull (sic), Watchmen, Man of Steele and Sucker Punch? "
Believe it or not.
It's really silly. I hope Disney some how finds away to get the rights before WB start filming.
But Scorsese has to struggle for years to get The Departed, Shutter Island, and Wolf of Wall Street made because they're R-rated dramas and executives don't think he has the pull with audiences.Part of Warner's "Filmmaker-Driven" philosophy seems to be that once you've made them a successful film, you're in with them forever, no matter what colossal failures you put out.
(See: The entire post-Matrix career of the Wachowski sisters)
It's a mo-cap film. It's been in production for a long, long time. And it's not a matter of rights. The Jungle Book is public domain at this point, it was published in 1894 for fuck's sake.
It's really silly. I hope Disney some how finds away to get the rights before WB starts filming.
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
Yes, and it was also the most expensive film ever made, films have to make double their budget back to just be considered a good return, they need to make way more to really be considered a success
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
Eh....he did 300. Maybe not as big as The Matrix but I'd argue it's almost as influential on a pop culture level. Especially these days.
Nope. It's weirder for a public domain property to be locked up.
Why? For one, it's a public domain property. Besides, the approach Warner Bros. is taking with it sounds really promising, even to someone who somewhat enjoyed Disney's approach. The vitriol -- both in here and in the letter -- is a little ridiculous. Warner Bros. is in a creative rut and Disney has had a tremendous year. Doesn't mean a WB Jungle Book can't be good, especially when it has much more talent both in front of and behind the camera and isn't beholden to being a family-friendly adaptation of the animated musical.
I'd prefer to err on the side of artistic freedom than letting corporations lock up the rights to things they have no right to, personally.
If Serkis' Jungle Book is great, then cool, we get two awesome Jungle Books. If it's bad? Oh well, we can all ignore it. Doesn't seem like a big deal to me.
It is weird but wanting Disney to get the rights? Nah. Naaaaah. Nobody should want Disney of all companies to further mess with public domain.
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
I look forward to the day that Disney owns DC also.
Part of Warner's "Filmmaker-Driven" philosophy seems to be that once you've made them a successful film, you're in with them forever, no matter what colossal failures you put out.
(See: The entire post-Matrix career of the Wachowski sisters)
Snyder's movies have either broke even or made a shit ton of money. Yeah, lets fire him just because rotten tomato scores. And Suicide Squad at the end of the day is going to do a lot of money, It will even make more then a good chunk of DC/MCU non sequel movies.
Nolan in the safe zone for eternity and beyond.
Snyder's movies have either broke even or made a shit ton of money. Yeah, lets fire him just because rotten tomato scores.
Thinking like this is the reason Corporation's can now indefinitely hold the rights to IP's. It used to be the rights would become public 50 years after the death of the creator. But corporations can now legally be named the creator of works, which means they can hold the rights forever.Believe it or not.
It's really silly. I hope Disney some how finds away to get the rights before WB starts filming.
shitting the bed with best movies of the summer 3 years in a row.
I know it's public domain. I just wish some how some way Disney actually own the rights to the movie. Seeing two Jungle Book films by two different company's is weird don't you think?
Well, being the best movie this summer means very little to be honest. I should probably get on that Nice Guys thang, which I assume you're talking about.
It's a mo-cap film. It's been in production for a long, long time. And it's not a matter of rights. The Jungle Book is public domain at this point, it was published in 1894 for fuck's sake.
Relative to budget, I don't think so. Man of Steel was really expensive, $225 million production and adding marketing to that with $150 million gives a hefty price tag of $375 million, in other words, $750 million as a break-even point.
So 'box office failure' is apt if you consider box office revenues alone weren't nearly sufficient to cover the costs. Home market sales were $100 or so million, but that's just gross. So maybe they broke even or were very close to it.
EDIT: What's the deal with Gracie Law? Who is she?