cj_iwakura
Member
One of my favorite shows, so I enjoyed this article.
(Damn, it's an old article, but that slacker Edgar Wright just RTed it today.)
https://www.vice.com/en_uk/article/...ynes-katy-carmichael?utm_source=vicetwitteruk
(Damn, it's an old article, but that slacker Edgar Wright just RTed it today.)
https://www.vice.com/en_uk/article/...ynes-katy-carmichael?utm_source=vicetwitteruk
BEGINNINGS
Simon Pegg (Tim): Jess and I were singled out by a producer for a show we had worked on called Asylum. They said to us, 'If you can think of a format we'd like to make a vehicle for you.' Jess and I were a bit wet behind the ears, so we boldly said, 'Oh yeah, we'll do it, but you've got to let us write it' like we had any leverage at all. But they fell for it.
CHARACTERS
Nick Frost: Mike was an amalgam of two guys I worked with in a Mexican restaurant. One was a cook who was a giant, but also a big baby; he'd get pissed and, at 4AM, he'd call his mum and she'd come out and get him to take him home. He sadly also had a penchant for Nazi memorabilia and hard punk music. He wasn't a Nazi he was a nice guy but he just owned things like a fucking Hitler Youth dagger. The other guy would bullshit us about his time in the Territorial Army and all the weird shit he would do to people, and I never believed him for a second. About two years ago I picked up a newspaper and there's a picture of David Cameron in Helmand Province, and standing behind him is this guy, stood there with a M4 carbine and body armour on so it turns out it wasn't bullshit at all; it was all true.
THE PRODUCTION
Edgar Wright: People had no expectations for it because they didn't know who we were. I think as soon as we started editing it together, I was very excited about it. It felt really different; it felt out there. I think it was such a small budget show that nobody ever really passed too much comment from the network. All I remember is getting notes about language that we could only say "fuck" twice and we could not say the word "cunt", and that was it. In a weird way I prefer the restriction because it makes your "fucks" count if you only have two of them.
Simon Pegg: In the episode where we watch the three Star Wars films, we could use the ewok celebration music from the end of Return of the Jedi, but we weren't allowed to use the original, so we had to re-record it ourselves and sing it. So if you watch that episode and listen to that music, that's me, Jess and Edgar doing ewok singing.
Nick Frost: I think, for me, it's done. I just don't know how you'd do it; we're all so fucking old and decrepit now. Maybe I could get out of it by saying Mike made it to Afghanistan but he stepped on a mine out there or that he fell out the back of a plane.
Edgar Wright: I don't know. I think, for me, it would be a no. I think with Spaced it would be a bit of a lose-lose; I don't know if people would ever be entirely happy. Maybe if Simon and Jessica came up with a really brilliant script, but I just feel because we're all different people now it would be hard. Would you want to see those characters older, or is the beauty of the show in that the last time we ever saw Tim and Daisy was sitting on that beanbag in front of the TV with Colin, and to leave them there in this beautiful time capsule of that era? I would tend to say don't risk it. It's a beautiful 14 episodes, and maybe we could have done more at the time, but I'm very proud of what we did and I don't really want to spoil it now.