Final Crisis is the best.
Based on the show, I'm certain they only had Ra's, Nyssa, Maseo, Sara, Malcolm and that one mook Sara and Oliver had to take out together.How much is left of the league anyway? They regularly got their ass kicked by Team Arrow wandering into their HQ, Malcom was burning them at a whim, then this internal struggle things. The league can't have possibility have tens of thousands of trained assassins. The HQ should've just been called Mookland.
Regarding the league noting makes sense about it. The writers went on record saying that their end goal for S3 was to have Malcom at the head of the League (without knowing how to get there) only to do absolutely nothing with that idea in S4, and then throw them away. It was an absolute waste of everyone's time.
How much is left of the league anyway? They regularly got their ass kicked by Team Arrow wandering into their HQ, Malcom was burning them at a whim, then this internal struggle things. The league can't have possibility have tens of thousands of trained assassins. The HQ should've just been called Mookland.
Kreisberg and Berlanti both have a background in monster of the week type shows, which is where they really shine. Guggenheim and Mericle have backgrounds in drama and romcoms. They really aren't fit for showrunning.While I do like this season a little more than S3 (and didn't hate 3 the way a lot of people did anyway), it is becoming more and more clear that Guggenheim and Mericle are really poor showrunners. If Kreisberg and Berlanti had a similar approach to plotting, they did a much better job of hiding it.
Kreisberg and Berlanti both have a background in monster of the week type shows, which is where they really shine. Guggenheim and Mericle have backgrounds in drama and romcoms. They really aren't fit for showrunning.
Betlanti was a producer on Pan. I can never forgive him for that.You're stretching here... Guggenheim has solid credentials alongside Kreisberg and Berlanti. Mericle only became a showrunner in S4. And Kreisberg and Berlanti are still EPs. Let's not pretend we know who's contributing what until they tell us, they're all working on this universe together.
Also Berlanti has six shows on the air and a pilot for a seventh, that workaholic.
You're stretching here... Guggenheim has solid credentials alongside Kreisberg and Berlanti. Mericle only became a showrunner in S4. And Kreisberg and Berlanti are still EPs. Let's not pretend we know who's contributing what until they tell us, they're all working on this universe together.
Also Berlanti has six shows on the air and a pilot for a seventh, that workaholic.
That doesn't mean they're involved in the nitty gritty of plotting and writing -- and given the notable difference in quality between S1/2 and S3/4, they clearly aren't.
Kreisberg is the Flash showrunner and, like you said, Berlanti produces a half dozen shows, so neither can possibly have the time to have a meaningful influence on Arrow now.
http://www.hollywoodreporter.com/live-feed/greg-berlanti-juggling-six-shows-828398I try to be where I feel like I can impact the most change qualitatively. For me that's participating in crafting what the stories are. ... There are still plenty of days where I'm huddled in a room with a bunch of writers, breaking a story. Or I'm giving notes on a script, doing a pass on a script or in the edit bay. If anything, I probably spend less time on set. ... That's probably where most of my time gets eaten into. The truth is, the more you're doing, the more you end up being where you can help predict what problems are going to happen ... and then in post, when you're sort of figuring out what you have. But if I'm not working with writers or editing at least half my day, I feel like I'm not impacting the shows in the way I would like to. That's just what works for me.
Berlanti has Story By credits on 16 Arrow episodes, Kreisberg has 8 Story By Credits and 2 written episodes. By all accounts, they are not the main writers and they never were. Although, Berlanti does interfere still a lot on the different shows when it comes to writing.
http://www.hollywoodreporter.com/live-feed/greg-berlanti-juggling-six-shows-828398
Maybe he should just hire whatever.Malcolm takes over HIVE, renames it The League of Assassins
Why was malcolm titled "the magician"
As a supporting writer, he might be involved in any capacity, that is true. But it is also something where the existence of six shows doesn't really matter, as their writers rooms are probably all in one spot. LoT writer Sarah Nicole Jones posted on February 12th she was flying up to Canada, a day after Guggenheim tweeted her episode started filming.Those credits don't tell the full story Joni. Often EPs/showrunners partially (re)write scripts and just give the credits to other writers. We have little to no idea who contributed what, especially since the shows like to credit multiple writers.
Like I would assume Kreisberg has written way more on Flash than he's credited for. His sole writing credits seem to be because he likes Trickster.
( ͡° ͜ʖ ͡°)Merlyn losing a hand is pretty tragic, considering his quick hands are how he got his League of Assassins name.
Nah, he'll call it the League of Shadows.Malcolm takes over HIVE, renames it The League of Assassins
He should call it the LoA.
League of Assholes.
Because that's all what Merlyn is these days.
Ollie is still feeling bad because he can't be there for his own kid.The problem is the writers bending completely over the line of logic as to why they should keep Malcolm alive. Oliver has looked not only like an idiot, but also like a damn psychopath in a way of doing so. His only excuse of why he can't kill Malcolm is what it will do to Thea. Given that Malcolm manipulated Thea into killing Sara to save his own neck and was willing to let her die just because he didn't want to give up the ring, I think Thea might be okay if her asshole father was killed after all that happened.
Yeah I'm not sure why Oliver keeps trotting out the "he's Thea's father, they could still have a normal relationship" line when Thea clearly gives no shits about Malcolm.The problem is the writers bending completely over the line of logic as to why they should keep Malcolm alive. Oliver has looked not only like an idiot, but also like a damn psychopath in a way of doing so. His only excuse of why he can't kill Malcolm is what it will do to Thea. Given that Malcolm manipulated Thea into killing Sara to save his own neck and was willing to let her die just because he didn't want to give up the ring, I think Thea might be okay if her asshole father was killed after all that happened.
I hope not. Season 3's thread was the most miserable, unreadable, joyless thing I've ever come across on Neogaf.
You should Bleach GAF. "Well, I guess it wasn't absolute shit this week" is as positive as it gets.I hope not. Season 3's thread was the most miserable, unreadable, joyless thing I've ever come across on Neogaf.
SECRETS AND LIES Oliver (Stephen Amell) and team uncover HIVEs plan to take out Team Arrow once and for all. With HIVEs next attack imminent, Lance (Paul Blackthorne) wonders if Donna (guest star Charlotte Ross) is safer without him in her life. Meanwhile, with the wedding fast approaching, Oliver begins to feel guilty that he hasnt told Felicity (Emily Bett Rickards) about his son or multiple STDs. (#414). Original airdate 2/17/16.
What fun things are in store for Felicity in tonight's new episode?
#4.14 "Code of Silence"
Extended Promo
I find that topic still enjoyable, because we wallow in our misery there.You should Bleach GAF. "Well, I guess it wasn't absolute shit this week" is as positive as it gets.
You clearly forgot the part where Felicity dies her hair pink.What fun things are in store for Felicity in tonight's new episode?
What fun things are in store for Felicity in tonight's new episode?
#4.14 "Code of Silence"
Extended Promo
See you guys in two hours to talk about how this was the best episode ever
I'm excited!Guess nobody is excited for tonight lol
I'm excited!
Ready for some shenanigans!