This is some suffering tier donationsCreated by
Visualnoveler
180 backers pledged $8,105 to help bring this project to life.
This is some suffering tier donationsCreated by
Visualnoveler
180 backers pledged $8,105 to help bring this project to life.
At least I can see why people said watch Future-Despair-etc.
And apparently the JP voice was changed too. Still, blech. Sadly I think only the first dub episodes are available without a subscription, anyway.
So according to some tweets by a disgruntled animator (warning: ads on the linked page are NSFW), who worked as an in-betweener for P.A. Works for three years, P.A. Works requires in-between animators to pay the studio 6000 yen (~$60) per month to rent a desk in the studio building for them to use to animate, on top of paying the usual very low wages. Sounds like a pretty shady practice.
FWIW, here's a full translation of her tweets: Female Animator Pays Studio 6000 Yen a Month to Work for Them
What an industry.
Yeah, it's well known by people who have paid attention to the industry that the burnout rate among young animators is high, and Kyoto Animation is the only studio that actually treats its animators humanely. There was just recently a series of tweets from another animator complaining that veteran animators perpetuate poor working conditions and tell people who complain that they aren't good enough. It's rough, and there's a lot of factors in play, both factors specific to the animation industry and the general culture surrounding work in Japan. Unfortunately I don't see conditions getting any better unless the bottom fully falls out of the anime market and the number of anime productions (and hence the number of studios and number of animators) is drastically reduced, forcing studios and other involved companies to rethink how they do things.
That's some apologism.I.... actually don't see this as some terrible example of how the anime industry treats employees terribly. I mean, I'm sympathetic to anyone who struggles with employment and it's certainly not a nice thing to do where you tell someone they have to pay rental for a workspace to even work there. But in the end it is a business.
Inbetweening is entry level work, and it is by far the most widely available resource in the industry, and something you can pretty easily outsource if need be. Studios in Japan have inbetweening staff because it is a stepping stone for introducing new animators to their studio culture and cultivating them to become key animators - which are is the actual resource the industry needs.
If you work for a studio for 3 years as an inbetweener and are unable to handle key animation, what reasons are there for a studio to really keep a person around? In most industries, if you can't advance from a junior position in a few years, and the company wants more fresh blood for those positions, you're gone. Here it seems like Japan still has a stigma on firing people officially, so they come up with rules to encourage people to "get good or leave". Definitely not a nice thing, but inbetween animation is a shitty entry position that never gets better until you get promoted beyond it.
That's some apologism.
If you think that is a justifiable way to filter talent, I would not want to work for a business run by you.
Bootleg Shirobako: The Game.
I overreacted a bit. I missed that 6000 yen is ~60 USD, which puts things a bit more in perspective. That does seem like it would be 5% of an already shit salary.It's not apologism, it's an analysis of the situation presented and looking at why it would happen. How would you handle it? To begin with, I would not run a Japanese animation studio as a business. It's not a good business to run at all. Like I said, this is a result of Japan's unwillingness to actually fire people whose work is not satisfactory. Inbetweening is seen as a temporary stepping stone in the industry. It's grunt work. No one is supposed to like doing it and aspire to it as a career because it pays so badly it isn't a career option.
Think of it as interning and junior temp positions. If you're on contract and after a few years you are unable to qualify for a full position at the company doesn't that suck? If they decide not to continue the contract would you think that is horrible of them? And if they offered you the option to pay 50 bucks to rent the desk to continue working at that same position offering shit pay, would you accept it? It's a shitty situation no doubt.
There are lots of actual horrific things about the industry. Terrible workload for terrible pay, poor working environments, harsh schedules with no concern for work life balance. Making people who cannot make it in the industry pay to continue working in it sounds odd, but the harsh reality is that they probably shouldn't be working in this industry and would do better for themselves getting another job. It's not for everyone. Is that an unreasonable way to look at it? I don't think so at all.
I think that attitude facilities further exploitation of workers. Of course it is minor in the greater picture, which you acknowledge is not good.Making people who cannot make it in the industry pay to continue working in it sounds odd, but the harsh reality is that they probably shouldn't be working in this industry and would do better for themselves getting another job. It's not for everyone. Is that an unreasonable way to look at it? I don't think so at all.
I think that attitude facilities further exploitation of workers. Of course it is minor in the greater picture, which you acknowledge is not good.
I.... actually don't see this as some terrible example of how the anime industry treats employees terribly. I mean, I'm sympathetic to anyone who struggles with employment and it's certainly not a nice thing to do where you tell someone they have to pay rental for a workspace to even work there. But in the end it is a business.
Inbetweening is entry level work, and it is by far the most widely available resource in the industry, and something you can pretty easily outsource if need be. Studios in Japan have inbetweening staff because it is a stepping stone for introducing new animators to their studio culture and cultivating them to become key animators - which are is the actual resource the industry needs.
If you work for a studio for 3 years as an inbetweener and are unable to handle key animation, what reasons are there for a studio to really keep a person around? In most industries, if you can't advance from a junior position in a few years, and the company wants more fresh blood for those positions, you're gone. Here it seems like Japan still has a stigma on firing people officially, so they come up with rules to encourage people to "get good or leave". Definitely not a nice thing, but inbetween animation is a shitty entry position that never gets better until you get promoted beyond it.
Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
KyoAni seems to have managed to develop a model where 2D animation can be done within decent working conditions, but their model is not easily replicated by anyone else.
KyoAni is anime porn. Sure there's a story, but that's just in the background so the scenes at least tie together. You only really watch their shows for the visuals.Sound! Euphonium S2 05
In spite of the production accomplishments this episode kind of exemplified just how weak the text is. I understand that characters will live and breath music in this situation, but the cast does not feel like they have lives built out in any meaningful way. Elements of the lives of these characters do not bleed into the picture at all really, and everything is so directed towards the performance that the emotion really does not carry when the cast speak with anything other than their instruments.
As it is now the story basically checks off boxes on its way to delivering the competition and that is almost all this episode did. I enjoyed the backstage stuff because of how well it captured the location tucked off just to the side of the stage, but as a whole this series is just exceedingly insular when it comes to the band and competition, and the message at the end of it all is just far too simplistic. The author's inexperience and youthful absence of wisdom wound up being the strong lingering impression after the flash of the production wore off.
What do they do with staff when they underperform?
I have 5 show I'm fully invested in, +5 others that I find enjoyable, and that doesn't count the simuldubs. So nope, it's a great season with many good shows.Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
I keep hearing this but do we really know anything about their hiring practices? I'm sure the working conditions are better than average but it's hard to say much more without knowing how many people they employ and what their passing standard is for the entrance tests. What do they do with staff when they underperform?
Anyone else feel that this season lacks really any shows that really pull you in and keep you there? Or am I not watching enough?
Personally I'm watching more stuff this season than in the two past seasons combined.
I overreacted a bit. I missed that 6000 yen is ~60 USD, which puts things a bit more in perspective. That does seem like it would be 5% of an already shit salary.
So according to some tweets by a disgruntled animator (warning: ads on the linked page are NSFW), who worked as an in-betweener for P.A. Works for three years, P.A. Works requires in-between animators to pay the studio 6000 yen (~$60) per month to rent a desk in the studio building for them to use to animate, on top of paying the usual very low wages. Sounds like a pretty shady practice.
You get it wrong, they charge you 6000yen if he/she can't move up to animator after 3 years(for comparison, IG will charge you 10000yen per month).
Because they're simply telling leave the industry since you can't good enough to become animator after 3 years.
Yeah, I figured that out by now. Sorry for spreading unclear and inaccurate information; there have been a lot of reactions to and interpretations of this swirling around the Internet.
I didn't know that about Production IG though; do you have a source for that? If so, I'd like to link to that on Twitter.
There was a thread in 2ch talked about that, though can't find it anymore.
But like i said, they just telling you leave, and serious at least he/she still young after 3 years, go find some better job and just sit at home watch anime lol.
Bootleg Shirobako: The Game.
Best summary of Re: Zero I've seen yet. (spoilers duh)
I know there are plenty of beisbool animes. Which ones out there are the best overall?