theatrical OVA series sounds like it will take some time until people outside of Japan can watch it.
Just till the Japanese DVD hit. But yeah, I wish Crunchyroll was picking up these things.
theatrical OVA series sounds like it will take some time until people outside of Japan can watch it.
theatrical OVA series sounds like it will take some time until people outside of Japan can watch it.
Just till the Japanese DVD hit. But yeah, I wish Crunchyroll was picking up these things.
In this regard we are all Canadians.
Girlish Number 6
GN just solidified its superiority over Shirobako for me. Shirobako was always missing that human element that would've pushed its characters past their job descriptions and into the realm of real people. I can't remember the last time I was so impressed by characterization in an anime.
With so many pictures of what looks like a single continues scene , why not just use a gif instead, lol ?
or a webm!
Please, that assumes people actually read impressions.One could also just copy the lines.
One could also just copy the lines.
This might be the birth of a new subgenre of cute girls doing cute things: Cute girls doing real things
Hopefully with those two vermin dead the season will be set back on track but my expectations have been set low after that mess.
Just till the Japanese DVD hit. But yeah, I wish Crunchyroll was picking up these things.
Girlish Number 6
GN just solidified its superiority over Shirobako for me. Shirobako was always missing that human element that would've pushed its characters past their job descriptions and into the realm of real people. I can't remember the last time I was so impressed by characterization in an anime.
o;9 5-6
Even watching episodes back to back it still feels jumpy ass random. I feel if they had a director, the show could have been fun to watch, unfortunately they forgot to hire for that somewhat crucial role. It feels they want to ape monogatari style too and it's failing miserably at that.
Ep6 has one awful scene that literally makes your head spin, they want you to look away from screen I guess, like why are you even watching this? seizure alert.
Well we all know that no-one outside of Japan watches anime.
o;9 5-6
Ep6 has one awful scene that literally makes your head spin, they want you to look away from screen I guess, like why are you even watching this? seizure alert.
Girlish Number 6
GN just solidified its superiority over Shirobako for me. Shirobako was always missing that human element that would've pushed its characters past their job descriptions and into the realm of real people. I can't remember the last time I was so impressed by characterization in an anime.
Interludes? I'm not even sure I know what you mean.
Cant talk on the comparison since I haven't seen Shirobako, but its really just the MC who's an untalented insufferable smug ass, and the show's already smacked her down for it and she's responded by doing some actual growth. I personally wouldn't hold the show to a gold standard of characterisation, but it is the focus of the show and is a step above your typical 'cute girls doing cute things' deal. It is very cynical but I think people oversell that aspect of it since the art style is so cutesy it almost feels like a subversive parody, when it's actually very straight.I can't say I ever felt that. I don't want to make a complete judgment without having seen Girlish Number myself, but the sense that I get from reading other people's impressions is that people like it because everyone in it is incompetent, untalented, and/or downright evil, and everyone hates their job and their life. Is that really what it takes for people to think something is realistic? It makes me kind of sad. Correct me if I'm off-base here.
The Great Passage Episodes 4-5
Episodes 3-4 made me think that while I appreciate having a more seinen anime this season, it was being actually pretty pedestrian. The shy, awkward lead whose *special talent* somehow makes hid admirable for others (uh?), the social new friend that will help him in his conquest of love, the office politics that feel put there not because they are important for the story but because well, the story occurs in an office so they feel like unavoidable trappings, in a way it's all very standard, maybe not standard in the world of anime, but in the world of fiction at large.
But episode 5 felt solid enough in direction, characterization and little details to subtly elevate this work as something a bit more notable. Focusing more on the secondary character and the small ups and downs of his professional and personal life in a very natural way was a good choice.
Lol that phrasing puts a very sinister slant towards the show in my mind.
I dunno how to feel about Majime's character at all but i do think he's the shows weakest aspect. I get the show wants to make him out as cute shy, awkward but things like writing a 15 page confession and waiting for someone to come home comes across a bit stalkerish and just plain weird. His character really asks you to suspend your disbelief at times as it is excessively twee sometimes. At least compared to the other lead, Nishioka, which as you say feels far more grounded and natural.
This is basically my problem with Shirobako, so I'm glad Girlish Number tries.Girlish Number 6
GN just solidified its superiority over Shirobako for me. Shirobako was always missing that human element that would've pushed its characters past their job descriptions and into the realm of real people. I can't remember the last time I was so impressed by characterization in an anime.
I think Shirobako was closer to The Newsroom, or if I want to be more generous, The West Wing in terms of showing people in a work place who care about their jobs. I think that's fine, but speaking for me personally, anime seems like such a dark and depressing industry that I find it a bit too convenient that it just ignored any of these aspects.I can't say I ever felt that. I don't want to make a complete judgment without having seen Girlish Number myself, but the sense that I get from reading other people's impressions is that people like it because everyone in it is incompetent, untalented, and/or downright evil, and everyone hates their job and their life. Is that really what it takes for people to think something is realistic? It makes me kind of sad. Correct me if I'm off-base here.
People just can't stand the fact that Shirobako is a sincerly attempt of showing people why people in the industry want to make anime.
That's not the spider girl.Monster Musume OVA 1
Finally the monmusu anime is worth a shit.
That's not the spider girl.
well, it's less about episode director and more about series director I guess. It is an incoherent mess.
The only reason I watch it is because I like the colors in the show pretty much. If there is any talent working on this, they're not concerned about whether it's watchable or not. It sure looks nice enough for the most part but this is not anime mirai and such, this is a TV show!
and let's not pretend FotW was well directed, it was pretty bad actually...
The short segment with the cutesy personified dictionaries that plays after the commercial break.
Lol that phrasing puts a very sinister slant towards the show in my mind.
I dunno how to feel about Majime's character at all but i do think he's the shows weakest aspect. I get the show wants to make him out as cute shy, awkward but things like writing a 15 page confession and waiting for someone to come home comes across a bit stalkerish and just plain weird. His character really asks you to suspend your disbelief at times as it is excessively twee sometimes. At least compared to the other lead, Nishioka, which as you say feels far more grounded and natural.
Specifically I was thinking in the Nishioka's scene where he internally praises Majime's passion and capacity of focus in the work. It felt as if the writers put it there because, basically, that's the only positive noteworthy thing someone could say of Majime, and even then it's was a reach: it was like saying 'I wish to be an autism-like person like Majime, that way I could get into the work like him!'. Not very realistic.
I think Shirobako was closer to The Newsroom, or if I want to be more generous, The West Wing in terms of showing people in a work place who care about their jobs. I think that's fine, but speaking for me personally, anime seems like such a dark and depressing industry that I find it a bit too convenient that it just ignored any of these aspects.
Then again, you have something like Spotlight, which can both show competent, optimistic people working while also dealing something tragic like child abuse, so I assume it'd be possible to make an anime about making anime that can both have depth in terms of realism but also have a more positive outlook.
That was probably part of a plan that it is now on hold, as Craig Rogers also mentioned tackling restoration projects for the rest of Animerama works too as a priority.I wonder if Cinelicious will be picking up anymore anime films? I could see them picking up the other two Animerama films.
Tezuka Productions must be busy... curating the upcoming exposition planned for December that showcases the 'ero-furry' stash full of sketches made by the master and found in 2014.On the topic of Tezuka and anime, I wonder when his son will get around to finishing the last part of Legend of the Forest? Part 2 was released around two years ago, I think.
That's the mechanics of anime production though, and I'm talking about the personal ethics. Like isn't there an anime where girls wrestle each other with their butts or something this season? Or what about that incest harem anime from a few years ago? I just can't imagine getting up each day being proud of the fact that you get to draw the key frames of girls butt wrestling each other, and I assume these people do it in hopes that they get promoted and can do something "better" in the future, but how often does that happen?It didn't ignore any of those aspects. It was constantly dealing with the challenges anime creators face: animator overwork, tight schedules, production collapses, lack of outsourcing oversight, anime adaptations treating the source material with a lack of respect and ticking off the original author, personal conflicts derailing a production, etc., etc. It just didn't make those aspects dominate the entire tone of the story. If you really think everyone working in the anime industry actually hates anime and hates their jobs and hates everyone around them but keeps working because of the nonexistent money they're getting, I think you have a misconception of reality.
That's the mechanics of anime production though, and I'm talking about the personal ethics. Like isn't there an anime where girls wrestle each other with their butts or something this season? Or what about that incest harem anime from a few years ago? I just can't imagine getting up each day being proud of the fact that you get to draw the key frames of girls butt wrestling each other, and I assume these people do it in hopes that they get promoted and can do something "better" in the future, but how often does that happen?
GITS trailer https://www.youtube.com/watch?v=hxeR9Nu0nQs
huh, lots of stuff from the Oshii movie in it. Trailer makes it look like they might've gotten it right but have to wait to see ofc