Longer series are a rarity these days. The Natural History Unit have settled on a 6-8 episode average and will continue this with the flagships of 2015; Oceans and One Planet.I'm well gutted there's only 6 episodes.
I'm well gutted there's only 6 episodes.
LinkWatching a cheetah chase its prey may feel heart-poundingly compelling, but wildlife documentary producer Mike Gunton thinks it's a cliche of natural history filmmaking. "The chase is always the same," he says. "In slow motion, a cheetah races at great speed after an antelope, catches up with it and pounces."
But in Life Story, the latest BBC nature series to be fronted by David Attenborough, Gunton's team successfully reframes a genre staple. The six-part series observes animals, birds and insects from across the globe as they undergo various rites of passage from birth to death - moments that define their unique character, such as the maiden voyage of a black-footed albatross who will open her young six-foot wings and fly out to sea, unaware that she will not touch ground again for three years.
The cheetahs appear in episode two as a pair of sisters face the toughest task of their young lives - making their first big kill. The only survivors of a litter of five, the sisters have roamed hungry for weeks after being kicked out by their mother. "It's a tough time. Cheetahs are delicate and super-lightweight, their only tool is speed really," says Gunton. The machinations of the ambush are extraordinary. "These sisters improved their chances by collaborating. Cleverly they waited until a male impala was tired from rutting. One sister spooked him and chased him while the other hid. At the right moment, she ambushed him."
The only reason the crew was able to catch this narrative on camera is because of plucky cameraman Kim Wolhuter. He spent a long time getting to know the mother whom he believed was showing remarkable indifference to his presence. Over time he gained enough trust to film next to her and her cubs. "It was a unique situation," says Gunton. "The cubs looked on him as a sort of running tree. He had to literally run around to keep up with them. We devised a camera that smoothed out the jiggling.
"What's different about the sequence is that it [was filmed] so close to the action. It's less God's perspective, it's your perspective. It's exactly like being in Rocky's boxing ring. I genuinely thought that was an un-filmable thing."
The 56-year-old Gunton has worked on all of Attenborough's major series since 1987's The Trials of Life and has been the BBC's Natural History Unit's Creative Director since 2008. He believes, however, that this latest series is particularly illuminating. As well as the cheetahs, the team pinned down a specific troop of chimps that were rumoured to have adopted sophisticated tools for hunting. "The behaviour reported is so rare that in fact the academic scientific community didn't believe the scientist who first reported it. They thought it was too extreme. One of the good things about being able to film it was to be able to provide concrete evidence," he says.
Gunton describes the moment a young chimp learned to use his intelligence at the end of a brutal dry season. "It was mindblowing," says Gunton. "He suspected a rodent was hiding in a dead tree trunk, so he broke off a branch, made it into a sharp spear with his hands and teeth, and started spearing it into the hole. He kept checking the end to see if it was wounded, if there was any blood on it. You can see him thinking, 'Have I got anything?'
"It was a weird window on our own past - like looking back two million years in human history."
The journey towards documenting such extraordinary behaviour often begins with hearsay in the scientific community, or through a show researcher stumbling upon an obscure Japanese website. This was the case with the tiny puffer fish seen in this series making a perfect "crop circle" in the sand to get itself noticed. Until they found it, the team suspected the creature's perfect underwater creations would prove to be a mere internet hoax.
It takes real dedication for a crew to capture these moments. For those like Gunton, the ultimate highs come from those moments of what he calls "sheer fieldcraft". Gunton's particularly proud of following the chase of a pack of African wild dogs, which they've never been able to do before because the creatures maintain speeds of over 40mph for around 20 minutes in very rough terrain. "We were able to take our helicopters much lower than in [previous series] Planet Earth. You feel you're looking over their shoulder."
New technology is also responsible for offering a greater definition of animals' facial expressions. When one of the cheetah sisters eventually pins the impala to the ground and performs the death bite, closing the windpipe to suffocate it, the camera lingers on her face. Is it ridiculous, I wonder, that I read triumph in her eyes? "That's music to my ears," says Gunton. "Anthropomorphism is a curious thing. Many people still have old-fashioned views about it. Animals are cognitive - they're aware, they make choices. That is a rite of passage moment. That cheetah knows she's had a success in that moment, there's no question."
Linkt would have taken something truly mind-boggling for last nights second episode of David Attenboroughs Life Story (BBC One) to have topped the first: the footage of those barnacle goslings throwing themselves from 400 feet up has been the talk of social media for a week and is probably already being inked in as a suitable subject for a future Pixar movie.
And no, nothing in episode two did boggle the mind in such brutally emotive style, but if those goslings are already the stand-out stars of the series then the arctic fox doing a Tom Daley in order to catch a lemming is a welcome understudy.
The behind-the-scenes Diary they like to tack on at the end of the show told of how one woman had spent three years trying to track an animal which is known for its cunning and palpably had no interest in being tracked. But when she did get her shot, it was worth it. They always say the best television should show, rather than tell. And indeed this was excellent television that showed a white-furred mammal pinging up in the air so high it left the shot, then reappeared in a nose dive and plunged through the snowy crust, leaving its legs wriggling like a cartoon character. There was not much the venerable Attenborough could add to that.
My only complaint was that this stunning shot had already been trailed to death for weeks before the programme actually aired. I am calling the thorny hinterland between trailer and spoiler a troiler, and the campaign to stamp out troilers starts here.
That same feeling of wafty déjà vu hit me when it came to the prospect of cheetah hunting an impala: OK, these were adolescent cheetah so they served the series over-arching narrative of animals at crucial life stages fighting to survive, but come on, these days you get cheetah hunting impala on telly almost as often as you get Bargain Hunt.
Yet Attenborough admitted at the launch of this series a few weeks ago that most great sights of the natural world have been filmed already. Here, the cheetahs were filmed in such close-up that it could only have been done by someone sitting practically next to them with a camera. (I checked; it was. I also checked to see whether he is still alive; he is.) Life Story is thus proving groundbreaking in another way - when it cant find an arctic fox or a barnacle gosling, it will show you the same things, but just do it better.
Edmond Dantès;140329153 said:The Blu-ray is due for release on 1 December.
http://www.bbcshop.com/science+nature/life-story-blu-ray/invt/bbcbd0281
The music is by Murray Gold of Doctor Who fame.Anyone know the composer for this? I assume they're bringing back George Fenton but can't find anything online that credits him (or the composer period).
The Blu-ray is due in the new year. It's unknown if it will be broadcast in the US as the BBC and Discovery have ended their partnership.Any wod on the US release?
The pufferfish and last scene were beautifulI. I cracked up at the peacock jumping spider part. Only one episode left...
Does anyone know when the next BBC nature documentary is planned? This and Wonders of the Monsoon were really great.
Edmond Dantès;135267766 said:
In terms of 2015, four region specific documentary series, three Attenborough specials, a 4K shark series and the two flagship series; Oceans and One Planet which are billed as sequels to The Blue Planet and Planet Earth.The pufferfish and last scene were beautifulI. I cracked up at the peacock jumping spider part. Only one episode left...
Does anyone know when the next BBC nature documentary is planned? This and Wonders of the Monsoon were really great.
They are robust little creatures, not many actually survive this 'right of passage' and even those that survive are very prone to predators. A previous family that the production crew filmed was subject to an attack which resulted in one of the cliff jumping chick's death.how the fuck did it live? i almost feel like they presented two baby goose..
2015 can't come soon enoughEdmond Dantès;140342140 said:In terms of 2015, four region specific documentary series, three Attenborough specials, a 4K shark series and the two flagship series; Oceans and One Planet which are billed as sequels to The Blue Planet and Planet Earth.They are robust little creatures, not many actually survive this 'right of passage' and even those that survive are very prone to predators. A previous family that the production crew filmed was subject to an attack which resulted in one of the cliff jumping chick's death.
fixedMountain Goats are THE GOAT
yeah david's narration is just beyond words, i can revisit his docos and it's always amazing.The Wild Dogs pack and the BTS footage are probably my favourite moments so far, but the whole series has been great, as usual.
I honestly find it kind of hard to watch other wildlife shows after seeing hours upon hours of the BBC's narrated by David Attenborough. Nothing else comes close.
in a way he'll live forever, what an amazing legacy he will leave behind and such an inspiration for anyone to follow onI'm in. The old boy can't have too many left in him unfortunately. In a perfect world he would live to 300.
In the final episode of Life Story, animals attempt to rear their offspring. This takes extraordinary commitment, and a parent may even need to risk its own life for its offspring. A female turtle, returning to the island where she was born 30 years ago, hauls herself up the beach to lay her eggs in a safe place above the tide line. But her commitment may prove her undoing. The low tide traps her on the island behind a wall of coral. If she cannot climb over it the heat of the sun will kill her.
A mother bonobo chimpanzee lavishes care on her son for five years, deep in the Congo forest. Their bond will endure for the rest of her life. She will teach him how to survive in the jungle. One of her most important lessons is showing him a hidden forest pool where they harvest lilies rich in minerals essential for their good health.
A mother zebra must decide where to lead her young foal across the Mara river so that they can reach new grazing grounds. Should she cross where they will face predators such as crocodiles? Or should she lead her foal through treacherous rapids? Her foal's life may rest on the decision she makes.
In a touching scene elephants delicately stroke the bones of an ancestor. We cannot know what they are thinking, but perhaps like humans they have a sense of a shared history? It is a communal experience that appears to draw the family members closer together.
Edmond Dantès;140342140 said:In terms of 2015, four region specific documentary series, three Attenborough specials, a 4K shark series and the two flagship series; Oceans and One Planet which are billed as sequels to The Blue Planet and Planet Earth.They are robust little creatures, not many actually survive this 'right of passage' and even those that survive are very prone to predators. A previous family that the production crew filmed was subject to an attack which resulted in one of the cliff jumping chick's death.
LinkThere are few sights in the animal kingdom more moving than elephants in mourning. As an extended family padded across the Kenyan savannah in Life Story (BBC One), they chanced across the bones of a dead female and seemed to stop to pay their respects.
They touched the skull tenderly with their trunks, gathered around in quiet contemplation, their wise eyes blinking with emotion. The experience seemed to bring the herds three generations closer together and they embraced (in a sort-of trunk cuddle) before thoughtfully plodding on their way. Were lucky to live in an age where such rare occurrences private moments taking place 8,000 miles away can be beamed so handsomely into our homes.
This final episode brought things full circle, with a look at parenthood and David Attenboroughs exemplary series signed off by putting us through the emotional wringer. On the Great Barrier Reef, a green turtle struggled up the sand to lay its eggs, flippers failing, wheezing like Darth Vader in a shell, only for the tide to trap it behind a wall of coral. It grunted and groaned, close-ups making it resemble a dying dinosaur, before getting stuck between two rocks. Oh no, Sir Dave, not a mother turtle death. In the nick of time, the waves lifted her free. Phew.
There were similar narrow escapes elsewhere. A mother bison bravely fought off three wolves trying to kill her calf. A mother zebra led her foal, its Bambi-like legs slipping and sliding, across a treacherous river. Mothers, as if we needed reminding, are pretty extraordinary. Ill be buying mine an extra big present this Christmas to say thank you.
This has been a spectacular series, studded with memorable moments: the cliff-jumping barnacle goslings, the snow-diving Arctic foxes, the hermit crab housing chain, last weeks reunited albatross lovers.
Here the highlight was the first ever footage of bonobos harvesting lilies, as mother patiently taught her infant son essential survival skills. Deep in the Congo rainforest, these endangered apes are our closest relatives and the scenes looked for all the world like a human mother weaning her little darling onto solids. Lifes great story was complete. Bravo to the committed camera crews, to Attenborough himself but most of all, to the real star: Mother Nature. Lets buy her a big present too. Socks? Bath salts?
Planet earth was the first blu ray I got, imported day 1 from the US. Blew my mind.
Highly accomplished and very well received and features a lot of material never filmed before. The score too received plaudits, although some found it slightly overbearing.How was last years' big documentary, Africa?
Essentially it comes down to the increased amount of detail.dafuck. I've watched every episode and I had no idea they were shot in 4K.
Now I'm wondering if the Blu-Ray will be in 4K?
Can someone explain the reason 4K looks better even on lower resolution screens? I'm not denying it, just interested in the technical reasons?