I'm shivering here, you've seen through me.
* Orientalisation -- there's orientalisation in the original by virtue of being cyberpunk of its era, not so much in 2049; it's much more of a LA setting, with references to both the original and AI's dystopian interpretation of Asimov (AI's Pleasure City -> 2049's Las Vegas). Check out K's apartment complex scenes - this is present-day LA ethnos. No enough Asians for that article's author taste? Well, too bad, lady, it's not a Chan-wook Park's movie.
* 'Person of color can't see themselves in speculative futures' -- again, what person of color was missing from that speculative-future LA? Maoris? Uzbeks? Arabs? She would've had a point if the setting was non-LA, but it is LA.
The issue I have with such articles is that Blade Runner 2049 has its highs and lows, but such articles don't bother with those. They are 'above' the actual artistic merits and demerits of the work, no sir, they are about the misrepresentation of ethnicities in dystopian futures.. This is what you write about when you have nothing else to say on a subject.