Inceptional
Member
Really hope 2049 ends on a new version of "End Titles"
That's my only disappointment from the album, it doesn't. But in all fairness, it is the greatest end theme to a film ever. There's no coming close to that magic again. Ever.
Really hope 2049 ends on a new version of "End Titles"
You can't help but think Hollywood should leave some films alone.
Blade Runner 2049 is the sequel we didn't need, a film that mimics the original's style, but falls short of capturing its danger and romance.
Yeah let's not forget that the original movie wasn't that well received when it first came out and it's one of the few movies that you'll have to watch multiple times. Heck I just re-watched it a week ago and didn't quite feel it although I already watched like a decade or more ago so I re-watched it again two days later and it captured me, plus it also depends on what your mood is and Blade Runner isn't really a movie you could watch anytime.
Interesting. The reviewer on ABC news breakfast said it was great this morn. All this makes me pine for is a review from Margaret & David!
The visuals were spectacular, -the palette, cinematography and editing outstanding...that's it. It was disquietingly 'comforting' to revisit Scott's beloved dystopia...for about 30 minutes. Unfortunately, the script and characters lacked dimensions and depth, and the storyline (simple) was drawn out inexorably. It lacked the rawness of emotion and the moments of delightful 'whimsy' of its predecessor, and the all-important soundtrack was jarring, repetitive and monotonous. While all the major characters were set up to have a lot of potential -none of them realised it. Jared Leto in particular was just rammed home as "Very bad guy"..absolutely no conflicts or ambiguities to make his character any more than a ho-hum antagonist. Harrison/Deckert at least had some colours in his character -but I'm not sure I didn't overlay most of them from my memories of the original. I walked out saying 'Hmmmm', definitely nothing like 'wow'
well, the first time i saw BR, it blew me away. This new version is very slick looking but I dont think its as effective or deep a movie.
*snip* Especially because modern remakes are usually so boring, sterile and anodyne.
Thankfully, 2049 is supposed to trump it in story and pacing. I'll know for sure next week.
Lol no.
I liked 2049 and it certainly doesn't. Whoever is trying to push that is lying.
I just came back from a late screening. Overall, despite a few nitpicks, I really enjoyed the film. Its not going to be an iconic movie. I dont think the cinematography is on par with Cronenweths work, and the score, aside from the brief reprises from the original, is a completely forgettable follow-up to Vangelis legendary soundtrack, but the tone and pace of 2049 are unlike any other sci-fi film Ive seen theatrically. The effects are inspired, and its packed with fantastic set pieces, which the clever story supports well. Low-key and serious in the best possible way.
While its a strong sequel, this is a Villeneuve work through and through, so I would keep that in mind. Ill definitely watch it again.
I didn't expect the reception to be this lukewarm. But I guess it's good to lower my expectations a bit. I'll see it in 30 hours.
You seriously cant decide if this will be iconic and classic or not.
9/10 movie. Good marketing.
Lukewarm just because some people say it isn't the greatest thing ever made because there is no such thing?I didn't expect the reception to be this lukewarm. But I guess it's good to lower my expectations a bit. I'll see it in 30 hours.
I hope this post isn't in reference to me, because I was pretty clear that it's a strong film but not an iconic work like the original.
well, the first time i saw BR, it blew me away. This new version is very slick looking but I dont think its as effective or deep a movie.
I just came back from a late screening. Overall, despite a few nitpicks, I really enjoyed the film. Its not going to be an iconic movie.
Time is the ultimate judge.![]()
You can't tell a movie is iconic or not if you've just seen it. You have to digest it first, give it a few years to put some distance and re-watch it a couple times to see how it holds up.
Wrong.
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You can't tell a movie is iconic or not if you've just seen it. You have to digest it first, give it a few years to put some distance and re-watch it a couple times to see how it holds up.
Just got out.
Villeneuve is the real deal. There are very few directors working as hard as he is in this movie to create a tangible, seamless world. The production design in this thing is insane. I felt like his evolution of the future that Scott created was a logically cynical leap 'forward'. At times, the aesthetic tones on screen felt like he had mixed the original film with the oppressive atmosphere of Fincher's Se7en.
The plot is much more nuanced and intricate than the original's somewhat threadbare narrative by comparison. That being said, for all the blood, sweat and good intentions that went into it, it was - for me, missing the beating heart - that underlying sense of human emotion that the original resonated despite its honestly empty protagonist in Deckard. It's super weird. This film does a much better job characterizing its players (including Deckard) than the original film, but it doesn't quite tap into that same sense of existential musing and soul. And I think the obvious reason for that is that so much of what gave the original that feeling was Vangelis' masterpiece of a score - which it's honestly unfair to try to live up to, but there it is.
It's well-worth seeing. There are some excellent ideas and visuals on display. Even for a ruminating, noir piece, it could have used some tightening up in the pacing. The sound design is excellent, whilst some of the dialogue mixing in the first half of the film had my ears doing the sonographic equivalent of squinting.
Wait, I have to wait a few years and re-watch a film at least twice to determine whether it possesses iconic qualities? What's the criteria for selecting a film in the first place? You're not suggesting you do this with every movie, surely?You can't tell a movie is iconic or not if you've just seen it. You have to digest it first, give it a few years to put some distance and re-watch it a couple times to see how it holds up.
What unique element of 2049 can you see becoming iconic, something that will pass into culture's collective cinema history, and will be reflected upon across other media?It was referencing people that decide that on the day the movie released. So yeah, I also meant you. I would never dare to say something this fresh will be, or is not, iconic or classic.
No offense, though.
Wait, I have to wait a few years and re-watch a film at least twice to determine whether it possesses iconic qualities? What's the criteria for selecting a film in the first place? You're not suggesting you do this with every movie, surely?
shit I just googled the cinematographer of Blade Runner since I recognize that name, his son has been shooting for David Fincher (Social Network, Dragon Tattoo, Gone Girl)
strong genes.
What unique element of 2049 can you see becoming iconic, something that will pass into culture's collective cinema history, and will be reflected upon across other media?
Jesus. Just looked the DOP up; http://www.imdb.com/name/nm0005683/?ref_=ttfc_fc_cr20
:O
dammmmnnnn. This guy is a legit fucking maestro. Skyfall was some next level shit.
I mean "iconic" is a cultural thing. Star Wars is deemed by decades of consensus and culture to be "iconic". Singing in the Rain is deemed by decades of consensus and culture to be "iconic"... It's not a point on a review scale, it's something bigger than that.
You serious? Iconic doesnt work like that. Its like classic; its measures are time and influence. Its not something you can judge based on quality or critical reception or box office performance or whatnot.Wait, I have to wait a few years and re-watch a film at least twice to determine whether it possesses iconic qualities? What's the criteria for selecting a film in the first place? You're not suggesting you do this with every movie, surely?
What unique element of 2049 can you see becoming iconic, something that will pass into culture's collective cinema history, and will be reflected upon across other media?
Serious props to the marketing department barely giving anything important away. The film surprised me in a lot of ways and certain parts in the trailers were even deliberately altered from how they are in the final film to stop you from guessing things, which was cool.
shit I just googled the cinematographer of Blade Runner since I recognize that name, his son has been shooting for David Fincher (Social Network, Dragon Tattoo, Gone Girl)
strong genes.
You serious?