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‘Jason Bourne’ Scores With $60 Million Debut, ‘Bad Moms’ Hits Big
Audiences turned out in force to see Matt Damon in “Jason Bourne,” pushing the spy sequel to a sterling $60 million debut.
The film marked the actor’s return to the action franchise after a nine-year hiatus, during which he repeatedly hinted that he might be done with his most popular role. He and director Paul Greengrass argued that 2007’s “The Bourne Ultimatum” had brought the character full circle by filling in him on the shadowy bureaucratic maneuvers that transformed him into a killing machine. What was left?
Be it creative spark or big paydays, the pair were somehow lured back to the series. That’s good news for Universal, which ran the risk of losing a Tiffany franchise without Damon’s involvement. In the interim, the studio had made an ill-conceived attempt at cinematic universe building with “The Bourne Legacy,” introducing Jeremy Renner as another amnesic ass-kicker dubbed Aaron Cross. The crowds didn’t exactly flock to see this sub-Bourne, and the film grossed about $150 million less than “The Bourne Ultimatum” globally.
“Jason Bourne” marks the series’ second highest opening, behind “The Bourne Ultimatum’s” $69.3 million debut. When adjusted for inflation, however, it trails all but “The Bourne Legacy’s” opening weekends. Universal spent $120 million to make the latest installment and released it in 4,026 theaters.
Even with Bourne’s resurgence commanding most of the attention, the weekend’s other major new wide releases managed to score a respectable debut. STX Entertainment’s “Bad Moms” opened to a healthy $23.4 million and a third place finish. That’s a strong return on the film’s $20 million production budget. It also gives STX Entertainment a much needed win after its other summer release, the Civil War drama “Free State of Jones” collapsed at multiplexes.
“Bad Moms” originally was set up at Paramount Pictures and was intended to star Leslie Mann with the actress’ husband and frequent collaborator Judd Apatow producing. But Mann dropped out and the project migrated to STX. It stars Mila Kunis, Kristen Bell, and Kathryn Hahn as women who reject the pressure to be perfect parents, and instead indulge in hard partying and a more relaxed approach to child-rearing.
STX is the brainchild of Robert Simonds, the producer of “Cheaper by the Dozen” and “The Pink Panther” films. Armed with backing from the likes of TPG, Hony Capital and Huayi Brothers, the studio has ambitions to spend as much as $1.1 billion annually on producing, marketing and self-distributing its films by 2017. So far, its early efforts have been mixed. It scored with low-budget horror films such as “The Gift” and “The Boy,” but lost money on the thriller “The Secret in Their Eyes” and the point-of-view action film “Hardcore Henry.”
Lionsgate also fielded “Nerve,” a $20 million thriller about a digital truth or dare-style game that takes a deadly turn. The film stars Dave Franco and Emma Roberts. It opened Wednesday in order to get a jumpstart on the competition, earning $15 million over its first five days and $9 million over the weekend.
Among holdovers, Paramount’s “Star Trek Beyond” slipped roughly 60% in its second weekend to gross $24 million and nab second place. That brings the sci-fi sequel’s domestic haul to $105.7 million. With a hefty $185 million budget, the film needs to resonate overseas if it wants to make a profit.
Universal’s “The Secret Life of Pets” continues to be one of the biggest hits of the summer. The animated offering took fourth place with $18.2 million. The look at what pets do when their owners are at work has earned $296.2 million and seems destined to inspire sequels.
“Lights Out,” a horror film from New Line, rounded out the top five, picking up $10.8 million to bring its total to $42.8 million after two weeks.
More to come…
*click pic for full list/source*
*click pic for full list/source*