Erik Larsen, Jeph Loeb on Rulk, Fred Perry, Zeb Wells seemed okay from those three issues of Avenging Spiderman. Brian Azzarello, Garth Ennis when he's not phoning it in, Darwyn Cooke. Peter Milligan is a crap shoot.
It's a tough call.
On action superhero comics I want action and fun characterization. On corporate properties like X-Men/Spiderman I want a voice that rings true to the shit I read as a kid, so stopping at Claremont and picking up at Whedon felt natural.
It's hard to follow the writers market of comics because they often get paired with bad artists. Say the allegedly good Morrison run on X-Men, which I cannot reach because Frank Quietly is shoving broken glass and razorblades in my eyeballs.
If you're not going to work with a competent artist, go write a novel. You're not needed here!
You could say my preference is the funnybook auteur like Walt Simonson / Erik Larsen. One man, one mission. One vision. :3