Review time! Reading some good stuff this weekend. Read a bunch of Abe Sapien which I might bring up later & some BPRD, but what I really want to write about, because it's a volume 1 and it hasn't been discussed too often around here, iiiiiis...
Harrow County vol.1 - I really liked this! Bunn may not be loved currently for his superhero work, but he knows how to spin a creepy yarn that has a lot of heart. The story, a coming of age tale told under the shadow of the legend of a witch whom is said to have been hung 20 years ago on the hill overlooking the lead character Emmy's family farm, is pretty much like the initially fairytale-esque woods the lead character roams. Bar the prologue which is admittedly pretty creepy, it starts out pretty light and whimsical as it introduces us to Emmy's life with just a few inkling of what's to come. However, the deeper down the path Bunn leads the reader, the more twisted and weird the creatures are uncovered get, and the more unsettling truths are dragged into the light of day. Over the 4 issues collected, a lot of strange things are encountered, some explained here, some set up for later, but it's all in service of the core narrative, exploring the corner of maturity that Emmy & we all turn at some point where you realise that maybe you shouldn't have been in such a rush to shed your innocence (& ignorance); that somethings can't be unseen or taken back; that your parents aren't these black and white figures before you that always make the right decision, and so on.
One thing worth mentioning is that there is a fair deal of narration from Bunn, and not everyone is going to love it. I can be put off VERY quickly by comics where I feel like the writer is using narration or inner monologue to tell where they could have shown, or where the artist has shown, but the writer was too overbearing to leave well enough alone. Now I personally think he has an ear for this style of writing and that he manages to weave in and out of the art, backing off when need be, and adding to the story when he does step in, but I'm just saying I wouldn't assume it to be everyone's cup of tea. The trade was a meaty trade with a lot of reading as a result, and I know not every goes in for that.
I haven't mentioned the art at all so far, and for good reason. Tyler Crook in my mind, was a good artist. I've enjoyed his stuff on the BPRD but nothing mind blowing. His move here to handle the whole art process by himself - pencils, inks, colours and even the lettering - is somewhat of a revelation. I'm not a great art buff, so it's hard for me to break down the actual technical aspects, but I just know the end product is literally stunning, particularly because of the use of watercolours, and how vivid they are. He pours detail and mood into every panel, and it's just exceptional stuff. He makes Harrow County a real breathing world that you can settle into , and over 120 odd pages despite the horrible things that are lurking around the edges, he makes it a place you don't want to leave.
In terms of the actual trade paper back collection, it's the usually high high quality I've come to expect from Dark Horse, and easily worth the cash.The actual paper stock is of great quality, nice and thick with no warping of anything. Binding is perfectly adequate for a paperback, no danger of the pages falling out. There is a really nice sketch section at the back with features comments from the team, showing some of the art process, initial character designs. There eventual a map sketch with a funny anecdote from Tyler Crook about how he started a map to build a sense of place for himself as to where the various locations are in relation to each other, but quickly gave up as he was effectively planning himself into a corner. On the next page, Bunn declares how much he's like a fully illustrated map now haha. it's definitely the kind of book you might expect a map to be on the inside cover. I bought volume 2 & 3 alongside this volume, and can also say they have maintained a really nice consistent trade dress over the three books, and they look really nice as a set on the shelf. Overall, if you've bought a Hellboy trade before, you probably have a pretty good idea of the quality on display.
Overall, the book is just a really great engaging read, and worth your while if you're a fan of this kind of stuff. I don't think it's necessarily the kind of book that will convert people that the description of a "southern gothic fairytale" does nothing for, but if that does entice you it's the perfect type of book to pick up this time of year when the autumn leaves are falling and the nights are getting earlier. It's a really nice volume in it's own right but also set-up pieces that hint towards a larger mythos to be unveiled as the series goes forward. Looking forward to reading the other two books
Bonus shot: One of the first proper looks at the farmstead in the book by night, and just gorgeous. Also, Crook does some real fun drops of the title card into the art.
I loved Harrow County-really great comic.