Finished rewatching Man of Steel. Ready for maximum damage tomorrow.
It's pretty interesting seeing Man of Steel again with totally different expectations. I still totally want a movie that actually embodies the third trailer instead, but knowing that it doesn't exist, what the movie actually is works better than I thought. There are still some serious flaws in the plotting though, and it's a sign of how lazy Goyer's screenplay was. I don't think it's really worth my time to go into detail about the same stuff I already said before, so I'll address some changes in my opinion since the original viewing instead.
The editing and pacing isn't as poor knowing what to expect. This should weird, but this feels like a movie where not knowing what is actually is hurts it. Having the right expectations removes a lot of the initial dissonance and hang ups I had with the way the flashbacks were structured. That's not to say they were totally the right choices to make, but as a fan of most of the themes in the film, I think this falls under "I'll take what I can get".
But being able to enjoy the film for what it is also emphasizes the more serious flaws in the film. I still don't like Pa Kent's "maybe" response to Clark asking if he should have just let everyone die. A better way to frame that scene would have been "I don't know". But actually, that scene itself isn't the main problem, it is that this scene thematically leads to Clark deciding to hold back when Pa Kent does his famous "no" scene. That's straight up garbage, and is the first in a series of really bad decisions in the movie. The entire way the scene was done is nonsensical, unconvincing, and hurts the film. If they wanted to achieve the same outcome, it would have been much better to just have him die after getting stuck in the car so Clark never had a chance to save him.
Then there's Lois being brought with Superman on Zod's ship. That's nonsense too. It was clearly written backwards because they needed her to be free to upload the command key and to escape with the knowledge of how to stop Zod's plan. There is no other reason for her to be taken with him. Zod doesn't even do anything meaningful with her, and she isn't acknowledged at all. In terms of bad plotting, this bugs me more than anything else in the film. The last point is of course Superman killing Zod. It's a stupid scene. Not because Superman kills, but because the situation was manipulated in such a lame way. Even the way it was shot was lame. I've said this many times before, so I'll just leave it as that. Rewatching it didn't change a thing.
But even in all this bad plotting, there's a ton of good in the movie. I love the tone, simply because it's such a unique and bold way to reboot Superman. Is it a bit too edgy? Yeah. It is trying too hard at times? Definitely. But I would say for most of the film it works. It feels almost real. A -super- man among us. A god looking for direction. And the action? It's brilliant. The way the Kryptonians zero-teleport around in the fights when they face humans. The sonic booms when things are punched. The effortless leaps and tossing of huge objects. Anime action in live action. Beautiful.
One thing I feel pretty strongly about after watching it again though, is that the final fight with Zod wasn't really needed at all. It was cool as shit, but if he was tossed into the Phantom Zone with everyone else, and there was no final fight, no Superman killing, no contrived shit at the end, I think the movie would have achieved all the same things it wanted at the end and been better for it. Even the dialogue between Zod and Superman in the final fight hurt the messaging of the film. Early on in the fight Zod says "there's only one way this can end, either I kill you, or you kill me". That's what crazy villains say and heroes are supposed to prove them wrong by coming up with another solution outside of their binary psycho choices. What sort of message is the film sending by making the villain right? That's dumb!
The epilogue though, was perfect. Probably the best transitions from Superman the enigma to Clark Kent the secret identity. I even dig the cheesy inside joke at the end when Lois goes "Welcome to the Planet". It just worked so well.
I think I'm going to go into BvS with zero expectations of anything from the trailers. Not sure if that's going to help. Just hoping I don't go deaf from the Atmos track. Lol.