Yep, pigeonholing criticism and normal discussion about the good and bad points of a show with black and white "haters" reductionism is always annoying.
Saying the other thread is "basically a Moffat hate-fest" implies that to me. Yes, there are posts with negative points like mine, Red Arremer's and Technomancer's (and a lot of neutral and positive ones too), but I didn't see anyone being unreasonable with their arguments. APZone was just doing his thing and posting a specific analysis article, same way he'd post one praising Moffat if he had just read a good one. The rest was just the usual lists and normal conversation about the Christmas special.I agree. Good thing that's not what I said.
I loved Osgood.
Why did they kill Osgood?
Mush mad. Mush angry.
All I'm really looking for is some high quality science fiction. Some stories that actually make sense and don't have quick, mangled endings. I'd rather give up an overarching mystery that is peppered across episodes to achieve that.
All I'm really looking for is some high quality science fiction. Some stories that actually make sense and don't have quick, mangled endings. I'd rather give up an overarching mystery that is peppered across episodes to achieve that.
Sorry to break this to you, but a Time Machine containing its own series of pocket dimensions that can move in time and space doesn't make any sense. Go elsewhere.
It's coming to the end of Moffat's era, and people are getting tired of it. Same happened to RTD, and the same will happen to future showrunners.
In the Specials Year, you could barely find a positive opinion of what RTD had done, and the pendulum has swung back the other way since. The critical reappraisal of the Moffat era will happen eventually.
Big Finish stories say otherwise, sorry.
The scripts that have been turned in over the last few years rarely work within one 45-minute episode. That's not going to change any time soon.All I'm really looking for is some high quality science fiction. Some stories that actually make sense and don't have quick, mangled endings. I'd rather give up an overarching mystery that is peppered across episodes to achieve that.
It's coming to the end of Moffat's era, and people are getting tired of it. Same happened to RTD, and the same will happen to future showrunners.
In the Specials Year, you could barely find a positive opinion of what RTD had done, and the pendulum has swung back the other way since. The critical reappraisal of the Moffat era will happen eventually.