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Doctor Who Series Seven |OT| The Question You've Been Running From All Your Life

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Kuraudo

Banned
it's great that it looks like Matt is staying on. There's no way Series 8 is broadcast before late summer 2014....

I'm okay with that if it means we get the full series in Autumn 2014. If it's split between Autumn and the following Spring then it's all kinds of lame.

Edit: On second thought it's kind of rubbish either way. Means there's about fifteen months between series seven and eight :(
 
I was really hoping for Matt to go, mainly because I'm finding him and Jenna to be a pretty boring TARDIS team, really. I'm not sure how much of that is down to Clara being flat, though, and he really is a fantastic Doctor, so it's still great news.

Pissed off about what all this means for scheduling, though.
 

Fuu

Formerly Alaluef (not Aladuf)
Man, I like Matt but I was really looking forward to a regeneration. Hopefully they somehow shake things up next season.
 
I still think there's no smoke without fire, and I think that maybe he was considering going at Christmas - thus him saying "I'll be back for Christmas" repeatedly but refusing to confirm Series 8, and Jenna saying she'd be back but dodging to comment on Matt.

A proposal: I think maybe he and Moffat had a negotiation and made a leaving pact as Tennant and RTD did, and will both go at the end of next year, allowing for a clean sweep on a new regime.
 
Sounds like a fall 2014 start at best for Series 8 if they start filming at the beginning of the year. If they start shooting Series 8 before Christmas, there's a chance they might put a few up at Easter. Doubt it though.
 
I still think there's no smoke without fire, and I think that maybe he was considering going at Christmas - thus him saying "I'll be back for Christmas" repeatedly but refusing to confirm Series 8, and Jenna saying she'd be back but dodging to comment on Matt.

A proposal: I think maybe he and Moffat had a negotiation and made a leaving pact and Tennant and RTD did, and will both go at the end of next year, allowing for a clean sweep on a new regime.

Seems likely. Also, if Series 8 airs towards the end 2014, would give a good amount of time for the new show runner to get up and running in 2014 with Series 9 airing end of 2015.
 
Hilarious to read about people wanting rid of Moffat. Does no one remember how bad RTD episodes got in s4? Journey's end might be the single worst episode of Who to exist. Its like bad fan fiction.

I've been watching them through with my son who has just turned 5. He has just really started to get into Who and Virgin media has them on demand. It's interesting to go back now and watch them again after a few years. most of them still stand up to a second viewing, mostly the ones RTD didn't write. The only RTD episode that stands out for me is Utopia. Mainly for the last 10 mins or so.

Thought Rose was a good companion, although I actually liked Micky more than her, and it was a shame we didn't see more of him. Martha I didn't like, mainly because of the bad acting.

I would have like to have seen tenant in the moffat era, just to see what that combination would have been like.

I'm in the same situation-my daughter is 5 and we've been watching the RTD series on Netflix. The quality is jarring-much worse than I remembered. I think some people might have Rose-colored glasses (no pun intended) about that era.

And yes-Utopia is great-one of the best cliffhanger endings ever. Amazing.
 
The thing I think is crazies is we're coming up on 10 years and no one is even blinking an eye that the show WILL continue. It's just a question of with who and in what format. For most shows at the ten year mark you really need to justify your continued existence. (See, e.g. How I met your mother)
 

TrueBlue

Member
Is it bad I'm mostly excited for the Smith/Tennant clip being released tomorrow? I've been wanting to see their two Doctors communicate forever.
 

Diablos54

Member
For most shows at the ten year mark you really need to justify your continued existence. (See, e.g. How I met your mother)
The difference is, Who can go anywhere and do anything, it's not tied to a certain place or set of characters (Asides from the Doctor of course). And as long as the ratings are steady, it's not going anywhere.
 
Yeah, I think a lot of people don't think of it as 10 years, but 1 year followed by 4 years followed by 5 years. Basically, the fact you recast the main actor every so often essentially breaks up the show into chunks, to the point where people think of each Doctor as their own show, as opposed to one 10 year show that keeps recasting.
 

FillerB

Member
I've been wanting to see their two Doctors communicate forever.

The meeting:
"What?" "What?" "What!?"

Yeah, I think a lot of people don't think of it as 10 years, but 1 year followed by 4 years followed by 5 years. Basically, the fact you recast the main actor every so often essentially breaks up the show into chunks, to the point where people think of each Doctor as their own show, as opposed to one 10 year show that keeps recasting.

Yeah, this is pretty much the big secret to keeping the show feel fresh. Though the limited amount of episodes compared to an US show also helps.
 

RedShift

Member
Guess: Regeneration announced after/during the 50th to happen at the end of series 8. Moffat announces he's leaving and announces his successor, who then gets a 2 parter to set up some connecting plot threads like he got with River in the Library. And it's either Whithouse (pretty cool I guess) or Gatiss (Fuck).
 
Guess: Regeneration announced after/during the 50th to happen at the end of series 8. Moffat announces he's leaving and announces his successor, who then gets a 2 parter to set up some connecting plot threads like he got with River in the Library. And it's either Whithouse (pretty cool I guess) or Gatiss (Fuck).

The two parter idea is nice, but who knows - when Moffat was commissioned for a two parter in Series 4 and begin writing SiTL/FoTD he didn't know RTD wasn't doing series 5/hadn't been offered the job. That sort of happened while those episodes were evolving, but River was always there from the start anyway, as a future encounter. That said, it was known knowledge by the time the episode was shot, and he had a hand in casting Kingston and so on. That wasn't planned - you can see why they might want to replicate that, though.
 

CorrisD

badchoiceboobies
I'm in the same situation-my daughter is 5 and we've been watching the RTD series on Netflix. The quality is jarring-much worse than I remembered. I think some people might have Rose-colored glasses (no pun intended) about that era.

Yea, I get the same, some of the leaps in quality between series 1-4 and 5+ just makes some of those older episode hard to watch, Some parts are just cringe worthy watching now to the point of changing the channel.
 

The Technomancer

card-carrying scientician
Yea, I get the same, some of the leaps in quality between series 1-4 and 5+ just makes some of those older episode hard to watch, Some parts are just cringe worthy watching now to the point of changing the channel.

Man, I just don't know what some people use as a metric for quality. 5 and 6 are both chock full of truly mediocre stories that I barely remember.
 

CorrisD

badchoiceboobies
Man, I just don't know what some people use as a metric for quality. 5 and 6 are both chock full of truly mediocre stories that I barely remember.

Just general stuff, from cringe worthy aliens to 10 over acting some terrible script he's been given to general effects across the series. Stories in general for Doctor Who are all a bit cheesy, it's what you expect going in.

A lot of people might really like Tennant but I've never really found him to be that great of an actor, at least generally in what I've seen him in, which was just made worse by what they had him saying and doing sometimes. Even with some of the nonsense we've gotten across 5-7 I personally prefer Matt as an actor and find him to be far more credible.
 
Man, I just don't know what some people use as a metric for quality. 5 and 6 are both chock full of truly mediocre stories that I barely remember.

For a lot of people it's the difference in effects budget it seems. I like 5. 6 bugs me a lot. 7 is somewhere in between. I like pretty much all of RTD better than 6 and 7. 5 definitely beats 3 and then the rust it gets muddy.
 
For a lot of people it's the difference in effects budget it seems. I like 5. 6 bugs me a lot. 7 is somewhere in between. I like pretty much all of RTD better than 6 and 7. 5 definitely beats 3 and then the rust it gets muddy.

Wow. Are you me? I think you might be. ...Though 2 beating 5 is probably a bit mental even for me, even with The Impossible Planet/The Satan Pit, as those two and Tooth and Claw aside that's just a really middling series.
 
I like the Silurians and I like the ending-but that fucking human family was bad. Should have been one episode.

The ending was excellent, but it could have been attached to any other episode. That felt like Moffat wrote that and slapped it onto a blank space he'd forced Chibnall to leave.

Kinda amazing that I enjoyed Chibnall's episodes this series after that poor display, really.
 

The Technomancer

card-carrying scientician
For a lot of people it's the difference in effects budget it seems. I like 5. 6 bugs me a lot. 7 is somewhere in between. I like pretty much all of RTD better than 6 and 7. 5 definitely beats 3 and then the rust it gets muddy.

Yeah, effects really never bothered me outside of, perhaps, one or two particularly atrocious examples. I dunno

5 doesn't have a bad episode in it. Even WWII Daleks weren't thaaaat bad.

Silurians didn't have nearly enough content for a two parter and didn't really do anything interesting, WWII Daleks was pretty bad (although not "really bad"), I strongly disliked Time of Angels and the Vampires of Venice just left me cold.

Finale was great, Amy's Choice was pretty great, Beast Below was nice, The Lodger was funny and Vincent and the Doctor was alright.
 
I still can't understand how anyone can hate spitfires in space. It's like hating puppies.

Like almost all Gatiss episodes (The Idiot's Lantern aside) there's a really good episode in there, and the Dalek dialogue and stuff is great, the play between the old and new types, etc. I even really like the 'love is the answer' solution to the Bracewell plot.

The biggest stain on that story is the horrid Dalek redesign, really.
 

The Technomancer

card-carrying scientician
The biggest strike I have against it is that it had to serve as the Dalek reintroduction episode, which meant that it couldn't really do anything else. Its plot basically amounts to "hey, look, Daleks!"

Bad may not be the right word. I feel the episode was empty
 
The characters of the professor and Churchill just felt so forced.

Plus the multicolored Daleks are fucking unforgivable.

Especially since they were never really put to use again.
 
The characters of the professor and Churchill just felt so forced.

Plus the multicolored Daleks are fucking unforgivable.

Especially since they were never really put to use again.

Well, they were meant to entirely replace the RTD 'Time War' Dalek - they talked about how them exterminating the 'impure' old-style ones created from Davros' DNA was meant to be symbolic - but the backlash to that rank design was such that they backpedaled and now have only featured them in the background in Asylum and such.

It is the only thing the series has done that I felt smacked a bit of a toy cash-grab. I still wonder.
 

Petrichor

Member
Yeah, effects really never bothered me outside of, perhaps, one or two particularly atrocious examples. I dunno



Silurians didn't have nearly enough content for a two parter and didn't really do anything interesting, WWII Daleks was pretty bad (although not "really bad"), I strongly disliked Time of Angels and the Vampires of Venice just left me cold.

Finale was great, Amy's Choice was pretty great, Beast Below was nice, The Lodger was funny and Vincent and the Doctor was alright.
I just cant understand how anyone can dislike the angels two parter, it might not be blink, but those episodes contain more edifying and interesting narrative elements and ideas than all of RTD's episodes put together, for me anyway. The only think I didnt like was seeing the angels move but its a peccadillo. Moffat is firing on all cylinders in those episodes.
 
Image of an angel can go fuck itself.

That only made them scarier.

...until we saw them move, anyway. Personally, my least favourite addition to the Angel lore was them speaking through the dead soldier. It was neat, but also pretty lame when you think about it- monsters aren't usually improved by an ability to communicate with the protagonist.
 
Skaro is a political minefield.

The Seventh Doctor supposedly destroys it during Remembrance of the Daleks, but then in the introduction to the 8th Doctor TV Movie it talks about The Master being handed to the Daleks as part of some sort of peace treaty (which could, one supposes, easily be retconned to be a part of the war that nobody at the time realizes is such - wibbly wobbly - as Genesis was.

New Who decides to continue from the last mention of Skaro, the TV movie, ignoring Remembrance - but does talk about Skaro getting devastated in the war. They never say destroyed, though, unlike Gallifrey - just devastated.

So that'd tally with it being a wreck in Asylum, really. Still doesn't clean up the Remembrance thing, though. It's a shame that modern continuity poo-poos that story a bit, as it's one of McCoy's better stories.

That only made them scarier.

...until we saw them move, anyway. Personally, my least favourite addition to the Angel lore was them speaking through the dead soldier. It was neat, but also pretty lame when you think about it- monsters aren't usually improved by an ability to communicate with the protagonist.

I think Time of Angels/Flesh and Stone are bloody magnificent, but what you just said is really the greatest proof of all that the Angels aren't effective in the traditional Who villain role, and thus can't carry a two-parter as well. Some of Angel Bob's dialogue is downright amazing, and that guy's voice performance is brilliant, but they were still much better in Manhattan, silent once again.
 
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