How much of you is in Amy? Do you ever find it difficult to get into her headspace?
No. I completely sympathize with her. I'm used to it now, because it's happened in other stuff I've done -- people judging the character, then ending up in a place of rejecting the character. To me it's always surprising. I don't understand some of the reactions to her. To me, when I'm writing her, I see myself in her for sure. But I see myself in the other characters, too. To me the fun of writing fiction is to hopefully, from the humanistic perspective, to try to identify with someone that maybe you originally thought of as the other, and finding compassion for parts of yourself you want to disown.
How much do you see Amy as being aware of these qualities in herself within the world of the show? There are times when it seems like everyone in conversation with her always looks to be rescued.
That is her big black hole. She has her enthusiasms, she's reaching out to people like Krista (Sarah Burns) or Tyler. She wakes up with an agenda for the day, she has a super positive attitude, but it's not necessarily welcomed. She's not a psycho bitch on the loose, you know? The thing that's annoying about her is her chipper obliviousness.
You've had some great directors on these episode -- Nicole Holofcener, David Michôd of "Animal Kingdom," Todd Haynes, who I don't recall having directed episodic television before...
He never has. Todd's awesome. He's got such a great eye -- I'm jealous of his eye. I would look at the dailies when that stuff was coming in, and would be like, that set we shoot on all the time, why does it look so different here? He's such a master of framing. What was cool about it for us was that all these people were fans of the show -- James Bobin, who did "The Muppets," and Todd.
It's such a diversity of aesthetic, but they all liked the show and wanted to do the show, and it was elastic enough to allow them to do what they do. It's the coolest part of doing a show, honestly, being able to collaborate with so many people. You do your movie, you don't get to have that many cool people come in through the revolving door and see how they work and how they talk to actors and designers. It was such a learning experience for me, because I have less experience directing.