So yeah, penultimate episode tonight!
Why are these seasons so damn short? It's a half hour series for crying out loud!
Honestly, I think 13 for hour long episodes would suffice, with 20 or so for half hour shows. HBO used to produce 13 episode seasons until they started expanding their concepts with shows like Deadwood and Carnivale. I wish HBO and Showtime could produce 16 episode seasons and then split them up like AMC has done with the Walking Dead these past 2 seasons.
Honestly, I think 13 for hour long episodes would suffice, with 20 or so for half hour shows. HBO used to produce 13 episode seasons until they started expanding their concepts with shows like Deadwood and Carnivale. I wish HBO and Showtime could produce 16 episode seasons and then split them up like AMC has done with the Walking Dead these past 2 seasons.
Oh, I was referring exclusively to this show. Though I too wish the standard 13 model still applied to HBO. In Enlightened's case however, I think 10 or 12 episodes is perfect for it. With Mike writing every single episode, I think the length of the season probably lends well to him keeping the show tighter and of such high quality.
That being said, 8 episodes is definitely too short and I know Mike White even wanted more from watching a Q&A he did.
amy was being really two-faced like season 1 krista & friends for most of this episode it was so frustrating, but then the last five minutes where she has a moment of realization, talks about how she was deluding herself because of her own belief in everyone's goodness and the ensuing break up and meltdown just broke me. man. this show and laura dern are so good.
levi's scene in the cafe too ;_;
eight episodes is a crime. there's really loads of plot they need to fit into the finale, and i hope he can effectively maintain the feel of the show. especially if, god forbid, it's the last time we see the characters.
one thing i'd like to have seen is more of the other cogentiva employees' reactions to being laid off.
The real fundamental clash comes in what could have been a showcase showdown between Charles End Times Szidon and Amy Rebirth Jellicoe but ends up a still revealing barrage of one-shots. Their conversation begins innocuously enougha Loyalty is all here, a strained fake laugh therebut these two arent playing around. Charles tells Amy that Abaddonn does good via charitable contributions. Amy calls bullshit and says her proposal is about choosing to make ethics a priority. He tells her, If the rain stops falling and the crops die, the king will be killed. Hes been hanging out with Dougie. She responds, Youre not gonna be killed. Youre gonna get a $50,000,000 parachute and move to Pebble Beach or something. Already its mesmerizing, at least conceptually. Heres this laid-off worker in grand debate with her CEO, making him face up to lies the rich tell themselves. It could be a national catharsis. But then the conversation gets more Enlightened as Charles tells Amy what he really thinks: He looks out his window and sees a post-apocalyptic wasteland, a dog-eat-dog world of people fending for themselves. Amy sees an equally corrupt world, but she wants to change it. Charles Szidon just gives up and hoards wealth. And then he goes into this Everything I did, I did for this family kind of speech, which is a sharp rejoinder to the history of workplace sitcoms telling us offices are big, happy families as well as an obvious contradiction. Best of all, Charles tells Amy that accepting responsibility is important. Which promises to be a nice, little moral for both of them this season.
have to thank gaf for pointing me at this show.
i'm a peep show fan (watched all the episodes) and never felt bad at all about the characters getting into awkward situations like other fans said they do. i think this has been the only show that has caused an uneasy and stressful feeling in me, especially when i watch krista and amy talk to each other.
i like how all the episodes are tightly self contained too. her friend is great. nope she's not so great. or, rehab sucks, but it turns out it's not so bad. very basic but fulfilling storytelling that feels like something "got done" each episode.
Empty said:
It's my fault for clicking the thread, but I haven't seen tonight's episode yet, and after reading your earlier post, there were some details I wish I didn't read.Lunch, what'd we spoil??
Guys, you could spoiler tag some stuff.
Goddamn, I guess Enlightened fans like the Oscars:
Enlightened (HBO)
-9:31 PM: 0.126 million viewers, 0.05 A18-49
-10:31 PM: 0.131 million viewers, 0.07 A18-49
Goddamn, I guess Enlightened fans like the Oscars:
Enlightened (HBO)
-9:31 PM: 0.126 million viewers, 0.05 A18-49
-10:31 PM: 0.131 million viewers, 0.07 A18-49
HBO already canceled their best show, Luck.
So I wouldn't be surprised if the dumb fucks in charge of this stuff cancel enlightened also.
Such a damn good show...
HBO already canceled their best show, Luck.
So I wouldn't be surprised if the dumb fucks in charge of this stuff cancel enlightened also.
Such a damn good show...
Blame PETA, not HBO.
The first season was like a series of meditations. The second has a lot more plot. It’s not any less contemplative, but there’s a propulsive quality that wasn’t there before. What led to that?
Well, originally the first season was going to have the whistleblower stuff, but then I got caught up in the meditations. Then I realized as far as people coming to the show, it did have this take-it-or-leave-it quality. It wasn’t like, “I need to see what happens next week!” They were stand-alone episodes, there were digressions — I like all that, but I felt from a narrative point of view I needed to do my part to bring more people to the tent. Even though there were a lot of good reviews of the show, too, I felt like the encapsulation of it was “A character study of a polarizing kind of person.” Obviously there were a lot of people who, I don’t know, that was a turn-off for. I didn’t want to get away from that, but I wanted to figure out if there was a way to graft it together with something more serialized. From a writing point of view, it felt like a cool challenge.
HBO ordered eight episodes, and last year you had ten. Do you wish you had gotten those extra two?
In a moment like this when we’re still trying to get more viewers, it sucks that we have eight. Because we’re going to end and we could keep building. But at the time? I had months before we started shooting the first season to write all the scripts, and when they picked us up for season two they waited until the last minute. There was a really short window to write it all before shooting. So at the time I thought it was for the best because there wasn’t a lot of time for more.
I’m being totally honest because I’m in this anxious place, but I’m afraid this will be the best thing I ever do. I think it will be. That it might be over is sad.
Why do you feel that way?
Well, the things that I like about the show are the way you can go deep on a character, the melancholy aspects. Whatever the show is, it’s very me. It’s what I’m into writing. And you can’t really do that in movies. You can’t keep deepening and deepening. You can make a deep movie, but you don’t have much time. If I had five more hours of The Good Girl it would be even cooler in my opinion. I’m worried because this was the best situation.
How so?
I mean, no one was telling me what to do. It’s like art or something. It sounds weird to say, but Enlightened’s more of a personal expression. And the conversation with HBO was never “Is this what people want? Is this appealing?” But even now, if I did another show with them, I feel like they might push me toward something more, I don’t know, not-Enlightened. Maybe down the road in another cycle I’ll be able to pull off something like this out there on this big a platform, but I’ve been doing this a long time, and it doesn’t happen often. You know what it’s like? It’s like I have this great shrink and now I’m having to switch. I don’t wanna have to start over and explain everything to a new shrink! I want to keep going deeper with this shrink.
"Im being totally honest because Im in this anxious place, but Im afraid this will be the best thing I ever do. I think it will be. That it might be over is sad."
Gosh this is so depressing. :/ Poor Mike White.
I think it'd be pretty fucking stupid of HBO not to renew it at this point. I mean, wouldn't it speak poorly for their reputation in providing the unrated and unconventional corner for quality programming if they cancelled what isdefinitelyarguably their best show?
And I don't mean to sound ungrateful and/or entitled, I know Enlightened could only exist because of its amazing platform. But with the buzz and acclaim finally catching up to the show, cancelling it now seems really counterproductive in one way or another.
I agree. I feel like the first season was renewed just by the skin of it's teeth (I'm not sure if that even makes sense), with only a tiny fraction of critics saying anything about the show at all, good or bad. And even then, that was apparently enough for HBO to renew.
But now the amount of critics lauding the show has increased tenfold (and they're not just lauding the show, they're lauding the show) and overall viewership is up. (HBO couldn't have been expecting much better anyway, considering that they aired the first season on a fucking Monday and this season Girls, which isn't very high rated to begin with, is its lead in) And on top of that I doubt it costs that much to produce. I realize that television is a business and not a charity, and that after a point it's just not worth it to keep producing content that loses money (if that is indeed the case. I don't know) but HBO has tons of money and I think that they can afford to keep a show like Enlightened - a show that adds a high level of prestige to their programming lineup - on the air. For at least one more season.Maybe two. ;p