MetroidPrimeRib
Banned
Imagine how disapproving he'd be if they were cute monster girls.
His disapproval is my gain!
Imagine how disapproving he'd be if they were cute monster girls.
Dibs on the second OT for fall. I need it for reasons.
Wan?
Yeah, wan reason.
EVERYBODY START POSTING.
Everyone stop posting.
This is a show about cute girls so it already has :woofdawg seal of disapproval.
Imagine how disapproving he'd be if they were cute monster girls.
That sounds like a much more entertaining product than the criminally unfunny Nichijou that we got.If Nichijou had been about cute monster girls doing robot chicken humor I wouldn't have watched it
Kinmoza FINAL THOUGHTS
So, this show is amazing, let's get this out of the way right away. OP is good, ED is incredible and jazzy. Everything is incredibly cute, the characters are all lovable and the humor is wonderful. And the Engrish, oh my god the Engrish! And then there's the finale, which I won't spoil here, but it is the single best episode of anime this side of Gurren Lagann! If you can stomach the cute, WATCH THIS SHOW! It's on sale at RightStuf right now for $24 ($20 for DVD)!
Special shoutout to Woofdawg, who I'm sure would love this if he hasn't seen it already.
Yeah, wan reason.
In all I thought it was a better show than Zeta, but I can see why its not well liked. A lot of throw away characters, stuff just happens, random slapstick inserted, characters die with no consequence or real reason, and in general the entire cast had no real reason for being there. Like I said better show than Zeta mostly cause the main character is not freaking insane, but it honestly does very little for the lore of the UC Gundam Universe aside from Haman, Glemy, and the Puru clones most of which do not appear/become significant til near the very end of the series.
Second best Puru, Puru Two and the Red Qubely which lasts like 30 seconds...
Most 80s character ever
My favorite waifu Haman in her Queen of Space clothes
Glemy gets killed by the woman he lovesbut I thought it was a very good way to take him out.stalks
Haman dies in a dissapointing final battle
Reunites with his sister, rest of the cast is happy shes alive, apparently rescued by Sayla from the first Gundam series... none of the how is explained, we are just supposed to accept it, like sooooo many fucking things here.
What does the Legend of Korra have to do with this?
Does anyone else like perusing the Manga section at your local Chapters/other book store?
It's amazing to just walk around and see all the colourful art and styles at work. I noticed that most of the manga there had animated adaptions and it got me thinking about how much of an honour it would be to have a show created from something that you've spent countless effort and time toiling over.
Gundam ZZ 38-47 END
In all I thought it was a better show than Zeta, but I can see why its not well liked. A lot of throw away characters, stuff just happens, random slapstick inserted, characters die with no consequence or real reason, and in general the entire cast had no real reason for being there. Like I said better show than Zeta mostly cause the main character is not freaking insane, but it honestly does very little for the lore of the UC Gundam Universe aside from Haman, Glemy, and the Puru clones most of which do not appear/become significant til near the very end of the series.
I burned Z and ZZ fairly back to back, I need a break from Gundam now... like... I need a super cute moe/pervy silly anime to that makes even less sense than ZZ taking 47 episodes and only about 5-8 of them were important the Gundam universe.
So I'm not saying that Leina's survival wasn't Tomino having his cake and eating it too, but I do think it's interesting how Leina actually is shown alive several episodes before Judau starts talking to her and making people think he's crazy.
ZZ's my favorite UC Gundam, but I get why a lot of people don't take to it. Mostly I'm in it for Judau and Haman.
Same here. The Leina thing bothered me so much, cause it literally just scene transitioned to showing her alive and well... and moved on like it wasn't a pretty damn big deal. It handled stuff like that way to much. But I liked a good bit of it.
I burned Z and ZZ fairly back to back, I need a break from Gundam now... like... I need a super cute moe/pervy silly anime to that makes even less sense than ZZ taking 47 episodes and only about 5-8 of them were important the Gundam universe.
Same here. The Leina thing bothered me so much, cause it literally just scene transitioned to showing her alive and well... and moved on like it wasn't a pretty damn big deal. It handled stuff like that way to much. But I liked a good bit of it more than I thought I would.
ZZ had weird issues with that.
Hayato in particular.
So I finally got around to watching this tonight. I've been looking forward to this for the longest time partially due to the artstyle but also because I've always really enjoyed Takahata's films, although I still need to see a couple. It's a movie based around The Bamboo Cutter and the Moonchild, a famous Japanese folklore that I've never read. I was tempted to read it before watching but held off as I felt it would make for a more powerful watching experience, and I was right.
So this is a triumph. I can't help comparing it to The Wind Rises as they're both Ghibli films but since they're very different works with different goals, I won't belabor much on it. This beats the shit out of The Wind Rises on a directorial front and really is a much stronger work as a whole. There are so many elements in The Tale of the Princess Kaguya that come together to create a really strong cohesive work. While in The Wind Rises, so many bizarre directorial decisions create a miss-mash of ideas and concepts that don't come together. If The Wind Rises is fire, The Tale of the Princess Kaguya is water in that it all flows.
The most distinguishing characteristic of the movie is the visual style. There is ample use of watercolors, charcoal, and pastels. It gives the movie a very unique look that adds to the folklore element of the story. The movie uses a lot of white, especially near the edges, to give it a surreal feel and adds to the mysticism. I think a different artstyle would have completely shifted the tone of the film. It really does look like an old folklore brought back to life. So for the first 50 minutes, while I was blown away by the strong artistic direction, I wasn't wowed by the animation itself. There wasn't anything as good as Shinya Ohta's cuts for example in The Tale of the Princess Kaguya. Then Shinji Hashimoto's cut happened. Anybody who has seen the movie knows exactly what scene I'm referring to. Absolutely powerful on a visual level and the way that the visuals reflect the emotions of the character is a vindication of why I love hand drawn animation in the first place. That might be my favorite Ghibli scene period. There's also some cuts later in the film that I loved, mainly because of how fluid the hair is. The artstyle really elevates some of the higher level animation sequences.
The music is very soft for the most part as so it really blends into the work. I did like a couple of pieces though, one of which was at the end as it's very vibrant and is almost African to an extent. The music is very big on folksongs and acoustics, and can be really tranquil. Another aspect of sound I thought was exceptional was the voice acting. I thought there were a couple of sequences where it really felt like voice acting and not some famous seiyuu reciting lines off a page, one of which was the father calling her Princess while she was walking to him and he started crying.
Now the narrative itself isn't very unique. I'm pretty sure I've seen similar stuff in Mushishi (which this movie elevates for me) and other works, possibly Western as well. What matters for me isn't the originality of the work but rather the execution. Here the writing (and visuals) really makes Kaguya a fun and dynamic character. While I started to hate the father, I understood that he loved his daughter and his motivations behind his actions. The story doesn't feel messy and everything ties together on multiple thematic levels. While there isn't that much depth to those themes, the movie doesn't highlight a new angle or make things that complex, I feel those themes are fleshed out fairly well. The themes in the movie surprisingly feel modern for a Japanese folklore in that they indict old Japanese society/culture and the restrictions placed on women. After reading the original folklore story, there seems to be a heavier emphasis in the movie compared to the original. It's more about Kaguya and her own priorities and goals. This is a bit why I'm not that happy with the ending as
Kaguya da master troll
One interesting thing about the direction of the story is how the portrayal of time is handled. It's very subtle and so sometimes it can be a bit disorienting as it seems like things are all happening at once. It both adds and detracts from the film in that it does portray being mono no aware but hard to keep track of how old people are at the same time. The other thing is the dream sequences. They really threw me for a loop as looking back, it's fairly obvious what they were but watching it the first time you roll with it until it snaps back. Those sequences again really add to the surreal feeling.
Even after watching some great animation films in the past few years such as Wolf Children, this in some ways feels the most mature. There is such a confident feeling to how things are framed and animated, all the while there being bursts of energy that reflect the emotions of the characters. This really feels like a film that only Takahata at Ghibli could do, nowadays. It simply is a fantastic film on so many fronts. If this is Takahata's final work, he can walk away with head held high.
About Kaguya's ending:I cried, a lot. I'm tearing up just thinking about it. It just wasn't fair, you know? Yet the execution of it was perfect; it didn't feel "cheap" in any way. I still feel that there's some hope at the end of it. Despite being taken away from Earth, forced to return to the moon, when Kaguya looks back at the Earth, I felt as though perhaps the Robe of the Moon didn't work entirely. Perhaps she retained a bit of the memories of her family in the end. It's a sad conclusion, but that small, ambiguous hope is good enough for me.
Ginko had a gripe about what happened just after the accident.. and like "..oh"
Ginko seem completely aware the reason the kids gone because he already involved too much with the mushi, but seem not consider that when considering treatment, I don't know man, but the kid apparently can live longer despite the side effect.. but Ginko's "total treatment" completely whoop him away..
Based Trigger.
Gundam ZZ 38-47 END
I burned Z and ZZ fairly back to back, I need a break from Gundam now... like... I need a super cute moe/pervy silly anime to that makes even less sense than ZZ taking 47 episodes and only about 5-8 of them were important the Gundam universe.
Are you a bad enough dude to Stand Up To the Victory?
Cross Ange 10
Ahem...I've said this before, but confrontations in Cross Ange are at their best when it doesn't involve the mechs. .
Dibs on the second OT for fall. I need it for reasons.
Aniplex & Key are joining up for a new project, oh boy: http://otakomu.jp/archives/190743.html
She swears all of her people were killed horribly and scattered to the winds, but they weren't. They just live in the same place. She might as well be whining that they're all dead by the 20th century.
Its not like its just that. That's just a minor complaint about it. There's a ton of reasons why Saber's whole goal is kind of nonsense.
Pretty much.You're ignoring the whole bit about how the Saxons, Arthur's enemies, eventually took over Britain...
Gunslinger Stratos TV anime in April 2015. Staff:
Director: Shinpei Ezaki
Series Composition: Norimitsu Kaiho (Nitroplus)
Character Designer: Shinichi Yokota
Music: Tetsuya Kobayashi
Production: A-1 Pictures
Nitroplus is listed for scenario, Urobuchi is credited as original creator. PV: http://www.dailymotion.com/video/x2c5gkx
Does that actually mean he's for once responsible for the entire script or is he mostly just lending his name as usual lately?
Does that actually mean he's for once responsible for the entire script or is he mostly just lending his name as usual lately?
Series Composition: Norimitsu Kaiho (Nitroplus)
It seems like it's just lending his name. The main script writer likely will be that one.
Gunslinger Stratos TV anime in April 2015. Staff:
Director: Shinpei Ezaki
Series Composition: Norimitsu Kaiho (Nitroplus)
Character Designer: Shinichi Yokota
Music: Tetsuya Kobayashi
Production: A-1 Pictures
Nitroplus is listed for scenario, Urobuchi is credited as original creator. PV: http://www.dailymotion.com/video/x2c5gkx
Gunslinger Stratos TV anime in April 2015. Staff:
Director: Shinpei Ezaki
Series Composition: Norimitsu Kaiho (Nitroplus)
Character Designer: Shin’ichi Yokota
Music: Tetsuya Kobayashi
Production: A-1 Pictures
Nitroplus is listed for scenario, Urobuchi is credited as original creator. PV: http://www.dailymotion.com/video/x2c5gkx
Had me at girl in over-sized sweater shooting from her sleeves.Gunslinger Stratos TV anime in April 2015. Staff:
Director: Shinpei Ezaki
Series Composition: Norimitsu Kaiho (Nitroplus)
Character Designer: Shinichi Yokota
Music: Tetsuya Kobayashi
Production: A-1 Pictures
Nitroplus is listed for scenario, Urobuchi is credited as original creator. PV: http://www.dailymotion.com/video/x2c5gkx