Caught up on the last two episodes. What a show. The show does this "this could erupt into violence at any moment" thing so well. So many scenes are just full of tension because of that. Like, it doesn't make plot sense (and would cause a time paradox) for Lou to get gunned down by the brothers at the type writer store but this show makes it feel like it could absolutely happen.
I wouldn't it past the show to pull something like that. Or just kill Lou off anyway and be like "well it's a different story" or "the names were changed, it says that right at the start".
Much more via the link.If you see Woodbine's name in the credits of a film or TV show, you don't necessarily think, I bet he's playing a funny chatterbox autodidact whose very presence makes the audience grin. But that's not Woodbine's fault it's the industry's. Woodbine, like a lot of actors, battles typecasting. (According to Danielle Henderson's interview with Woodbine, the role was originally written for "a 50-year-old, potbellied Italian cat," but his agent urged him to audition for it anyway.) At a recent Paley Center panel discussion about the new season of Fargo, he told me that when he was offered Mike, he spent several days staring at the title on the cover of the first episode's script. He was a fan of the original Fargo film and was stunned that anyone would think of him for a role like that, given his long history of playing characters who are less eloquent and more volatile brutes sometimes.
It happens all the time, typecasting. No actor wants it, but it's a fact of life in show business. And who knows how many great, surprising performances we've been deprived of as a result of it?
Maybe 20 years ago, I asked an experienced character actor how typecasting happens, and he said it was because casting directors didn't want casting failures to seem like their fault. If they cast somebody who'd never played a cop and it turned out to be a bad choice for whatever reason, they might be blamed, but if they cast somebody who'd played eight cops and it didn't work out this time, they could shrug and say, "I don't know why he didn't work out he's played eight cops."
But when you dont take the safe route, you might end up with a performance like Woodbine's. Or, for that matter, Danson's performance as Hank, a reassuringly kind, wise, and gentle man who has nary a trace of the weirdness or volatility or sexuality that Danson has brought to roles stretching from Cheers and Cousins through Damages and Bored to Death. Or Jean Smart's chilling performance as Floyd Gerhardt, the matriarch of the Gerhardt crime family, who takes over for her stroke-addled husband and brooks no nonsense from her blustering, macho sons; Smart has played dramatic roles before, including serial killer Aileen Wuornos in a 1992 TV movie, and First Lady Martha Logan on 24, but she's more often typecast as tart-tongued sitcom oddballs, as on Designing Women, Frasier, and Samantha Who? On Fargo, she's playing the sort of role that Margo Martindale got typecast in after her breakout performance on Justified, which, ironically, we never would have seen if that series hadn't decided to take a chance on Martindale instead of handing the part to somebody better known.
Mike Milligan is distinct among Fargo's ensemble, but also in the landscape of your career.
When I first heard about the role and I got the e-mail saying I had to audition for it, I thought it was a mistake. I called my agent and said, "Hey, this is an audition for a 50-year-old, potbellied Italian cat. [Laughs] And their answer is generally, Well, thats what they have written, but just go in there and show what you can do and maybe you can change their mind. Rarely does it happen, but Ive been able to sway people. Fargo is such a specific thing and has such a specific resonance that I really didnt see myself in that world, and the material that I got was so limited, so it really struck me as odd to say the least. But at the same time, being a Fargo-phile and having so much respect and reverence for the film -- and things that it represents as far as pushing the envelope -- I was definitely compelled to try.
So I dialed in, and 48 hours later I was in the room with Noah [Hawley, the series creator], and I read for it. I actually kind of flubbed the line; I put one word in a different space, and I kind of rearranged the line. So I figured its not happening. And then 48 hours after that, I got the call saying that I had the gig, and it was just crazy. Getting to play Mike Milligan was unexpected. This whole thing has just been a fantastic experience, and at the same time, so strange -- almost like an episode of Fargo in real life.
I think both Lou and Hank have the misfortune of being career police with the inherent biases that come with the job. As Hank points out, what kind of person would drive home with a body hanging off their car? To him it seems unlikely. To Betsy, it works simply as a solution. She doesn't care about likelihood. I mean, Hanzee and Lou basically figure out what happened to Rye around the same time though Lou had quite the headstart. I think people have to keep in mind that a lot of this is obvious to us because we are armed with info the characters don't have.
That said, Betsy is almost a savant. Molly got her courage from her dad, but her detective skills owe a greater debt to her mother.
We'll just have to agree to disagree I guess.Nah. Evidence were all pointing that way. It's just the show's tendency to insult the intelligence of cops and viewers. I guess they wanted too hard to have the cops and the bad guys zone in on Ed and Peggy at the same time.
I still think it's strange as hell that the crime scene has been blocked off for days, and not a single other cop exists in the area who went to check it out. It's just Becker and Nighthawk running the show, and they only look for evidence one time at night with small flashlights.
There's nothing to base your disagreement on. Sudden skid marks on the road, shards of glass all around, an unaccounted for person's boot found on a tree - plain and simple evidence that should make any cop entertain the idea of a hit-and-run and work to confirm or refute the theory. Betsy's father did nothing one way or another even after what she said at the saloon.We'll just have to agree to disagree I guess.
It's not an argument, I just don't agree.There's nothing to base your disagreement on. Sudden skid marks on the road, shards of glass all around, an unaccounted for person's boot found on a tree - plain and simple evidence that should make any cop entertain the idea of a hit-and-run and work to confirm or refute the theory. Betsy's father did nothing one way or another even after what she said at the saloon.
Your sole argument is to discredit this investigative line because the cop would go 'who would drive with the body in a hit-and-run?'. The cop's job is to follow wherever the evidence lead him; not to rule out leads pointed out by evidence over personal assumptions. We've seen how easy (and convenient) it was to have Lou reach the same conclusion in mere seconds after he examined Peg's car.
For all i care, they should just have had that UFO come down and tractor beam Rye away..
Though now it seems things are going to follow Peggy to Sioux Falls where the aforementioned massacre will happen. Could still have worked: regular hit-and-run, UFO picks up Rye, Hanzee still targeting Peggy and Ed because of the car and thinking they are hiding something and were responsible for Rye's disappearance.
Anyhow, i'm not clearer about the Peggy characterization and her decision now. If i am to follow official interviews and speculation then Peggy has a mental sickness? She harbors psychopathic tendencies? She's this season's psychopath? She wanted to go home first to decide if to go to the police or the hospital (but then 'let it slide'?). This whole side of the season is just blah to me. Certainly wouldn't mind seeing her on the casualties.
skyler was hated because she opposed and disabled walt, and many liked walt and could not see she was right.
Peggy is completely different, she does not oppose a likeable character. she is just a bit weird and honestly I love her.
She murdered a guy and got her husband to chop up his body, she used their money to go to some dumb seminar instead of buying a store and she's taking birth control when her husband thinks they're trying to get pregnant.
She's not just a bit "weird", she's completely insane like Walter. At least it took a few seasons for Walter to become a sociopath, she's been one since episode 1.
I just said she was no skylar. but I don't think she is a Walter either. but yeah, she is kinda insane, I agree on that.
but the money was hers if I understood the conversation with her boss correctly. the way I understood he wanted to take her money for the shop, or he expects her to give it to him.
So far season 2 is wayyyy better than season 1. Only character I don't care for is Kirsten Dunst. Felt bad for fat Damon. He seemed like he was going to come clean at the end.
He seemed like he was going to come clean at the end.
Watched two episodes. Liking it so far.
Kirsten Dunst could do an ABBA musical right after the Fargo shoot.
She gained some real weight for Fargo and it looks much better than prostetic/ fake fat like Betty Draper in Madmen. She looks good with a couple of extra pounds imo.
Watched two episodes. Liking it so far.
Kirsten Dunst could do an ABBA musical right after the Fargo shoot.
She gained some real weight for Fargo and it looks much better than prostetic/ fake fat like Betty Draper in Madmen. She looks good with a couple of extra pounds imo.
In todays installment of our analytical sparring program, Polite Fight, video producer Gus Spelman and editor-in-chief John Teti look at Hahnzees Waffle Hut snooping session from this weeks episode of Fargo, Fear And Trembling. As Ian McShanes Stache noted in a comment on Zack Handlens episode review, time jumps ahead two hours during this scenes UFO encounter, and John has some other insights into the way time slips around leading up to that moment. John also brings a new theory about the function and meaning of the shows split screens into the mix, while Gus continues to argue that the stylistic shots give us glimpses into the characters thought processes.
Gus and John cant find common ground on one of this seasons other great mysteriesPeggys motives, or lack thereof. Gus believes shes driven by a secret the show has yet to reveal, but John sticks to his interpretation of Peggy as a character who feels compelled to resist anyone else trying to lay down a narrative for her. A close look at Kirsten Dunsts multi-layered performance fails to provide definitive evidence either way, and so our hosts agree to wait and see. The show wraps up with a final shout-out to CaliCheeseSucks, for pointing out the difference between Mike Milligan and last seasons Lorne Malvo when it comes to their digital stimulation preferences.
So Bruce Campbell's episode is next week? Dude is gonna be in two of the best shows this year.
This is the best show on TV right now. It's not even a competition. Waiting a week between episodes is getting so hard
So Bruce Campbell's episode is next week? Dude is gonna be in two of the best shows this year.
This is the best show on TV right now. It's not even a competition. Waiting a week between episodes is getting so hard
What's with them showing asses all the time and no nips?
Asses aren't against the rules. Tits are.
Actually, FX could show full on hardcore porn if they wanted to as a cable channel. They just probably wouldn't get any advertisers or any good will from it.
I just wish they'd stop splitting the fucking screen in half. I don't need to see the Indian dude's face and the back of his head at the same time. I get it. He's looking at something.
Asses aren't against the rules. Tits are.
I just wish they'd stop splitting the fucking screen in half. I don't need to see the Indian dude's face and the back of his head at the same time. I get it. He's looking at something.
One learns something new everyday.
I haven't been able to catch any of this season, but how's Jeff Donovan been? He's kind of an underrated actor imo and he seems to have a big role in this, so I was just curious.
This episode will run 21 minutes past the hour.The Gift of the Magi
Floyd takes action and Charlie tries to prove himself; Peggy and Ed disagree about what to do next; Lou finds himself sidelined during Ronald Reagan's campaign tour.