Yep, made famous more recently (though still a while ago now) by O Brother, Where Art Thou?Amazing episode. My favorite so far this season. Nick Offerman was so, so good.
Is this the name of that song at the end? Thank you if so!
Edit: Yes it is. Thanks!
And yeah, Dunst was great too.
Yep, made famous more recently (though still a while ago now) by O Brother, Where Art Thou?.
Was this the first episode without an Alien reference?
And does anyone else think Rob McElhenney could have played the Dodd role, if Donovan hadn't been cast?
Was this the first episode without an Alien reference?
Sometimes the threat of violence can put your characters in quite the interesting sport story wise. I'm not all too familiar with Nick Offerman. What I saw here though, was very impressive. His drunken stupor, and pure way with the English vocabulary, saved countless lives. In the end it's the best for Rye too. A victim of circumstance is better off not going down the path of his father and immediate relatives.
And does anyone else think Rob McElhenney could have played the Dodd role, if Donovan hadn't been cast?
That's a helluva long phone cord Mike. Could you imagine him with a cellphone?!!?!
Rob's a really funny guy but I haven't seen much acting chops from him in It's Always Sunny. Like Danny Devito obviously has them, and there are points in the show where you can see some pretty good ones from Glenn Howerton and to a lesser extent Charlie Day, but Rob McElhenney and Kaitlyn Oslon haven't really shown they have acting chops on par with the others. Comic ability? Certainly. But not acting, at least not that has needed to be shown in that show.
Someone from It's Always Sunny I do expect to show up is Jimmi Simpson (Liam McPoyle). He's got that combination of acting chops and comedy that most the actors in Fargo have.
Video essay via the link.The characters in FX's 'Fargo' wage a steady war against each other--a quiet war, but a persistent one. Just as fervent and just as persistent, however is the clash between the show's interior rooms and businesses and the sublimity lying just outside them. The tranquil diners, the bland living rooms, the weirdly sleek mansions push stubbornly against the windswept plains and long, frosty highways of the most deserted part of the midwest, where anything could and will happen. You feel cold just looking at the screen. Roger Okamoto does a wonderful job, in this video essay, of juxtaposing inside vs. outside, shelter vs. storm, civilization vs. primordial wilderness, showing that what Noah Hawley and the show's DP, Dana Gonzales, have created here is not so much a "prestige TV" drama as an ode to the human urge to punctuate silence, either with gunfire, laughter, or good old-fashioned conversation.
If there’s one thing the aesthetics of the Coen brothers’ film FARGO share with the FX drama of the same name based very, very loosely on its premise, it’s a juxtaposition of the project’s interior spaces against its exterior spaces.
In the world of FARGO, interior spaces are supposed to be a refuge, they are quiet and quaint, they are unadorned with opulence, rather a collection of simple comforts: a steaming cup of coffee in a small diner, a set of car keys on a bedside table, a doily thrown over the back of a sofa or a cup full of half-used pens by a telephone. These are spaces in which intimacy occurs, both of the pleasurable and the excruciating sort. This is where love and death happen, these are spaces you sometimes don’t want to escape, and sometimes you can’t.
Then there’s the biggest, most influential character of the movie or series: Fargo itself, or, the exterior spaces. They are vast and flat and stark and white, endless stretches of openness reaching from horizon to horizon, seemingly set to reveal every secret under a sun hidden by dense white cloud cover that mirrors the earth, creating an infinite canvas of nothing. These landscapes are cruel, they are unforgiving, and they are something to be protected against, like a constant storm or something seeking vengeance. When you see a landscape in FARGO, either FARGO, often times it’s an indication that something wicked this way comes.
In a new video essay for Indiewire’s excellent Press Play column, Roger Okamoto has collected a series of interior and exterior images from the two existing seasons of the FX series (beware of spoilers) to reveal the contradictions between interior and exterior spaces, as well as the types of actions each contains and sorts of tone each produces. Series director Noah Hawley and series D.o.P. Dana Gonzales, as Okamoto points out, have created “not so much a ‘prestige TV’ drama as an ode to the human urge to punctuate silence, either with gunfire, laughter, or good old-fashioned conversation.”
Whats it take to create the perfect 1970s town? The Fargo locations team reveals how they stepped back in time for the new season.
I am one of the few people that love Peggy as a character. Most characters I can kind of pin down with some tropes and such, but with her, she's pretty dang unique. Especially in a crime drama.
Holy shit, that was one of the most tense episodes of TV I've ever seen. My stomach was in knots the whole time
Seriously? Mac?
There's probably an easter egg somewhere. Episode one has an alien toy in the background as well as the huge reference. With Peggy's hoarding, they likely snuck one in somewhere.
Rob's a really funny guy but I haven't seen much acting chops from him in It's Always Sunny. Like Danny Devito obviously has them, and there are points in the show where you can see some pretty good ones from Glenn Howerton and to a lesser extent Charlie Day, but Rob McElhenney and Kaitlyn Oslon haven't really shown they have acting chops on par with the others. Comic ability? Certainly. But not acting, at least not that has needed to be shown in that show.
Someone from It's Always Sunny I do expect to show up is Jimmi Simpson (Liam McPoyle). He's got that combination of acting chops and comedy that most the actors in Fargo have.
The author of that review believes Mike stormed the house intentionally, regardless of Simone being there. What does everyone else think?
Thanks for that GIF btw.
Besides Peggy every character is amazing. Season 2 is much better than season 1 so far. Loved the latest episode with all the tension and near deaths.
Every week on "Aw Jeez: A 'Fargo' podcast," hosts Tracy Mumford and Jay Gabler recap the latest episode, and interview experts about the mayhem, the mob and the Minnesota moments in season two of "Fargo." Listen to the audio for more analysis and speculation on last night's goings on.
Peggy is the continuation of "regular person gets in over their head by one bad action"
Jerry Lundegaard in the movie
Lester in Season 1
Is it just Peggy or is it Peggy and Ed.
I mean, clearly Peggy has done more to turn this situation into a mess, but Ed's doing some pretty inane stuff too.