I haven't listened to pop music in so long, I didn't realize Soundgarden's Chris Cornell had released a solo album, let alone teamed up with another band to create Audioslave. I've secluded myself in the realm of classical music for the past five years - at least. And I've also started to migrate towards 20th century music, in which the passion of a Chopin, Schumann or Liszt started to dissolve into atonality, before being blown entirely to pieces by the influence of John Cage.. dissonance, distance, isolation and intimacy together..
That's pretty much where I've been for the past several years. No hip-hop, no bubble-gum pop, and I can read through a musical thread even outside GAF and have no idea who anyone listed is or what they sound like. That's the haze I walked out of when I heard "Pleasure is All Mine," a track from Bjork's Medulla album, while channel surfing on the radio. The sound drew me in like a laser. Wow. No instruments. No tonal centers. It seems to me that Bjork has embraced the "emancipation of the dissonance" maxim that Schoenberg aspired to. I listened to samples of the album on Amazon.com and it strikes me as being of unusual beauty throughout - with some tracks that are rather startlingly dissonant, but have their own special effect.
I don't know how many people would sympathize with me, but this is an amazingly pure synthesis of a modern, post-tonal musical sensibility with today's pop-album kind of setting. I wonder how many of Bjork's listeners might realize this.
Of course, she doesn't use serial technique. That's too rigorous, controlled and harsh-sounding to work in mainstream music. But she definitely uses an expanded concept of musicianship, and it startled me to find such a forward-looking musical outlook in a wide-release, and apparently very strong-selling album.
That's pretty much where I've been for the past several years. No hip-hop, no bubble-gum pop, and I can read through a musical thread even outside GAF and have no idea who anyone listed is or what they sound like. That's the haze I walked out of when I heard "Pleasure is All Mine," a track from Bjork's Medulla album, while channel surfing on the radio. The sound drew me in like a laser. Wow. No instruments. No tonal centers. It seems to me that Bjork has embraced the "emancipation of the dissonance" maxim that Schoenberg aspired to. I listened to samples of the album on Amazon.com and it strikes me as being of unusual beauty throughout - with some tracks that are rather startlingly dissonant, but have their own special effect.
I don't know how many people would sympathize with me, but this is an amazingly pure synthesis of a modern, post-tonal musical sensibility with today's pop-album kind of setting. I wonder how many of Bjork's listeners might realize this.
Of course, she doesn't use serial technique. That's too rigorous, controlled and harsh-sounding to work in mainstream music. But she definitely uses an expanded concept of musicianship, and it startled me to find such a forward-looking musical outlook in a wide-release, and apparently very strong-selling album.