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Now this aint so bad. Props
Quik yeah..
TtC.. Uh no..
this shit is also pretty dopeNow this aint so bad. Props
Takeover and Blueprint 2 title track are my favorite disses on wax in the beef.
Takeover and Blueprint 2 title track are my favorite disses on wax in the beef.
No Vaseline?
I don't know who does the beats but MixedByAli does a great job on the engineering side of things. I heard Kendrick passes all his features by him will be interesting to see if Dre completely takes over his role for Kendrick's album.Tyler, the Creator
DJ Quik
Whoever does TDE beats (if they'd release a fucking real CD with linear notes I might know)
Just listened to Stillmatic. Eh, it was okay. Not as bad as I Am or Nastradomus, but not as good as Illmatic or It Was Written, not even close. Listening to The Lost Tapes, and hoping for something better.
Oh, and The Take Over is better than Ether too.
No Vaseline?
Ether had a bigger impact overall.
Takeover is a better song. No childish namecalling, real rapping. And Kanye killed it with the production.
My Melody still the most underrated diss track in existence
Takeover was like Jay's hit em up, that shit was vicious, and he hit several targets with it. All of em hurt.
I wish Ether had a less shitty beat.
Ether sounds like a 12 year old wrote it. and made the beat.
Russian Roulette is pretty dope.
I mean, it sucks ass. Or something.
enzo reverse opinion test still falls within +/- 5% margin of error, even with this minor setback
edit: Birdman.... lost?
5 hot producers from the west huh?
DJ Fresh
DJ Mustard
AK-47
Squadda B
Young L
And if i'm allowed to mention a production duo i'd throw in The Mekanix as well. Of course the west isn't really in it's heyday at the moment, but couldn't you say that about every coast?
I'll give Drake props for not being a dumbass dope head like Wayne, willingly getting jerked out of money by Baby
I'll give Drake props for not being a dumbass dope head like Wayne, willingly getting jerked out of money by Baby
Prince is suing for royalties... Nothing about Drake leaving.
Dear Messrs. Bryant and Roberson:
We have been retained as litigation counsel by Aubrey D. Graham p/k/a “drake.” Reference is made to the Exclusive Recording Artist Agreement, as amended on February 11, 2011 (hereinafter the “Aspire Agreement” and the tri-party distribution agreement dated as of June 16, 2008 between Mr. Graham, Aspire, and Cash Money Records, Inc./Young Money Entertainment, LLC (hereinafter “CM/YM” (the “Cash Money Agreement”.
As you may know, Mr. Graham’s long-time counsel, ChrisTaylor, has been in discussions with Ron Sweeney concerning a possible renegotiation of the relevant agreements, discussed below. Those negotiations, ending in Mr. Sweeney’s last counteroffer from April 10, have not resulted in an acceptable resolution. Please consider this formal notice that Mr. Sweeney’s counteroffer is rejected.
In addition, and for the reasons explained in further detail below, please consider this formal notice that (1) the Aspire and Cash Money Agreements are terminated by the self-effectuating terms thereof, and (2) the respective terms of such agreements have otherwise expired and/or our client’s album commitment has been satisfied
Aspire has not paid Mr. Graham any of his 80% share of Aspire’s Share at any time during the Term of the Aspire Agreement , and at least three Albums and one EP have been commercially released which have sold in excess of 5 million units without so much as one royalty check flowing to Mr. Graham. Thus we believe that at least one such accounting/payment omission by YM/CM occurred more than 9 months ago.
nder the Aspire Agreement, Mr. Graham is only required to deliver an aggregate of forty (40) masters, or the equivalent of four “Albums” 2 containing at least ten (10) Masters each with a total duration of at least forty (40) minutes per Album. By these standards, inclusive of tracks that YM/CM and Aspire chose to package on a series of EPs, mix tapes, and formal album released, Mr. Graham has already delivered more than an aggregate of forty (40) tracks totaling over one hundred and sixty (160) minutes, thus satisfying his commitments.
Neither Aspire nor CM/YM have accounted to or paid Mr. Graham the artist royalties that are due and owing to him. Therefore, Aspire and CM/YM are in material breach of their obligations under paragraph 8 as well […] Aspire has never accounted to or paid Mr. Graham any royalties received from the sales of his records in Canada. This constitutes an additional material breach of the Aspire and Cash Money Agreements
Accordingly, both Aspire and CM/YM have wholly failed or refused to properly account to and pay Mr. Graham the amounts due to him from the sale of his recordings. As discussed in further detail below, for all royalty periods beginning in 2009 and continuing to the present, Aspire and/or CM/YM have either failed to render accounting statements, or have rendered inexcusably delayed, incomplete, confusing and misleading statements of account. In addition, Aspire’s and CM/YM’s continuous thwarting of Mr. Graham’s efforts to perform a formal audit – primarily through the unwarranted and dilatory interference of their common attorney Ronald Sweeney – have rendered the precise amount due and owing to Mr. Graham impossible to determine at this time. Worldwide sales of Mr. Graham’s EPs, albums or album equivalents are in excess of 5 Million units. It is inconceivable that Mr. Graham’s royalty account has not been recouped
Mr. Graham has authorized us to accord you five (5) days from the date hereof to schedule a meeting to discuss a resolution and settlement of the above-referenced warren of contractual breaches and business abuses[…]In the absence of an acceptable prospective restructuring of the now terminated business relationship, Mr. Graham will be forced to pursue all applicable rights and remedies to their decisive conclusion, including without limitation, the filing of litigation against Aspire, CM/YM, and any other parties as we may deem appropriate
Production wise? No you cannot say that about every area...
excerpts from Exhibit F (the letter written by drake's lawyer back in april)
I kinda meant all round from a whole music coming out of each region standpoint but fair enough, which area do you feel has better production nowadays than before? I realise the word 'before' is pretty vague in this context but hopefully you understand what I mean.
You give Drake props for being sued by Rap-a-Lot?
word is that they are still on the fence for suing... I am sure Birdman will cash out before then.. unless he just pulls a Suge Knight..
No, the royalty situation. Sounds like he'll at least challenge it, unlike Wanye. Remember there were rumors back in late 2011 that Drake was leaving YM over this
Name five hot producers from the west.. Quick!
Yeah I am stuck too..l
quik, daz dillinger, terence martin, Johnny "j", alchemist, DJ khalil, battlecat, warren G.
I think the east of a whole has really tightened up their production
No one got baited by this except me, really.On the real tho, drake has got to be in the top 10 GOAT just cause of how well he sings and does hooks, plus he's a real good rapper
Daz hasn't made a beat in a decade
Battle cat was just in japan DJing..
what you saying... he recently produced Currensy's fast cars faster women:
http://www.youtube.com/watch?v=4fkeQ3_TnKA
but yeah he doesn't produce much anymore, but by this track you can tell he's still got it.
Birdman NEVER loses. He is the grandmaster of stiffing muthafukkas out of money. Belee dat plehboi.
Well i've certainly been loving Harry Fraud's production this year. Clams is still doing his thing wherever and some good shit has come out of the east this year but I don't know if I could claim the production has tightened up since people such as DJ Premier, Prince Paul, RZA, Pete Rock, J-Zone etc. were in their primes.
I dont see how the east can't be #1.The classics, the role as a foundation for the genre, the overall emcee level... The east is gonna come back soon, hard, once it fully realizes that its OK to devour and incorporate sounds from the other scenes instead of trying to recreate the glory of the old days. It's already happening.
The South is essential, theyve been running shit for pretty much the entire 2nd half of the naughties and are still commercially on top now.
charisma matters so much. the reason BIG >>>> Pun for example is charisma. The reason tupac approaches any top 10 list is charisma.