Nothing with Harry Fraud on it belongs on the left side of such a statement.SAAB Stories >>>>> Yeezus
Nothing with Harry Fraud on it belongs on the left side of such a statement.SAAB Stories >>>>> Yeezus
Plz bruh
SAAB Stories >>>>> Yeezus
how much coffee were you sipping on your first play through macca?Born Sinner >>>> Yeezus >>>>>>>> XXX
I spread it over 4 days. Averaged 2 cups per track.how much coffee were you sipping on your first play through macca?
No fucking way. And Macca I love you.
Swag Jesus > Macca > Llexh
I hope you played it during the day for optimum coherency.I spread it over 4 days. Averaged 2 cups per track.
Shoutouts to Enzo on the OT. Looks great. GAFHop OTs always look slick.
Reasonable Doubt is one of Jays worst albums. Shit was a chore to listen to today in my friends car
This is the best Whiskey music.I need good music for this whiskey high/low. Recommend me shit, please.
Wasn't Llexh and Swag Jesus the same person?
Wait.... What?... I'm Done
What the hell really? Oh but you're a Cole guy right? Makes sense nvm.
GTFO
The line before it says it allThis change up in On Sight. God damn it Kanye.
So good. The particular lyrics fit so well with the song too.This change up in On Sight. God damn it Kanye.
This change up in On Sight. God damn it Kanye.
IT MAY NOT BE WHAT WE WANT.The line before it says it all
How much do I not give a fuck?
Let me show you right now before you give it up
How much do I not give a fuck?
Let me show you right now before you give it up
Then the sample is
He'll give us what we need
It may not be what we want
I really like Yeezus, but damn, I swear some of you getting a cut of his album sales with how much hyperbole is being spewn. Genius? I dont know. Good album? Sure, might be great.
I really like Yeezus, but damn, I swear some of you getting a cut of his album sales with how much hyperbole is being spewn. Genius? I dont know. Good album? Sure, might be great.
It's really good, not great to me as well. Keef, and having Bound 2 as the ender kind of ruins the flow for me.
I feel what you're saying. It's why MBDTF is way above it for me.I've been really critical of a lot of Yeezus. It lacks the substance that will make it stick for most against the rest of his legacy TBH. I think it's another sort of experiment, that probably needed a bit more time to cook, but the stuff Ye gets right on here he gets REALLY right. Pretty much everything on the production end save for Bound 2 is absolutely top notch.
TBH whenever I think about the album I think it's less than stellar vs. even Graduation, and then I listen to a track from it and I'm like fuck that's delicious AOTY AOTY.
I love the Keef feature. It hads a certain something to it. I also like Bound 2, that sample is fucking catchy as hell.
I think all of Ye's albums are truthfully so different. This doesn't go for Ye's discography exclusively, as you could say this for any other artist with a strong library like the Wu, but there are really so many decisions and ways Ye has approached each album that tickle different people's fancies, and at different times. It really is just what you prefer.I feel what you're saying. It's why MBDTF is way above it for me.
Albums like graduation are far more... Polished? Or refined maybe? This is some stark minimalism shit. It's just very different.
Why? I don't mean it as "J Cole tried to make a concept album." He wanted to make a very cohesive, "serious" album that would secure his place as one of the top rappers. Remember, Cole has said multiple times that he views himself and Kendrick as being the new Nas or Jay-Z of this generation. With all that in mind, you don't think Cole was heavily influenced by the impact of GKMC, and wanted to essentially respond to it with a record?
I don't think he cares about the Yeezus shit; he probably thinks his album is better but his idols aren't his rivals (as he says on Let Nas Down). He's concerned about his own legacy, specially in relation to Kendrick. Born Sinner didn't make much of an impact, and guess what. In a couple months when Drake sells like 500k first week with a huge album, Cole will once again be the odd man out.
I'm also kinda disappointed Ye's attempt at creative, strong, black history themed album has sorta fizzled in the face of probably better song concepts he threw on there that deal with different topics. It's just a strange project in general.
i dont get why Bound gets so much praise. it's looped sample and the transition to Charlie Wilson is fucking nonexistent. I bet Heatmakerz destroyed that sample before Rick Rubin came in and ruined it
Heatmakerz OG beat was probably verrryyyy quality. It was also probably a beat we've heard 100 times.i dont get why Bound gets so much praise. it's looped sample and the transition to Charlie Wilson is fucking nonexistent. I bet Heatmakerz destroyed that sample before Rick Rubin came in and ruined it
We've seen serious Cole and he shows up at times on Born Sinner but ultimately that's not the tone he takes with the album. This album is just a continuation of what J. Cole is comfortable with; he plays it extremely safe here. And while he is very concerned with carving a legacy for himself, Cole has to know that the best way to go about it is on his own terms. Any inspiration he takes from GKMC is a loose theme of redemption, but that theme is vague enough that Cole could run with it and do his own thing.
Remember, J. Cole and Kendrick have a collab album in the lab, so it stands to reason some overlap will shine through in their respective works.
His blunt and visceral and shallow lyrics do the subject matter less favors than Lupe's goody two shoes preachy flow. I'm of the mind it's just not something people are trying to hear nowadays unless it is elaborately veiled.