Imp the Dimp
Member
wasnt this free on bandcamp?
I'm fine with paying
wasnt this free on bandcamp?
...lol this makes all the sense in the worldshould've known not to fuck w/ them Wyatts![]()
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Yeah lol, April Fools joke from a time a few years ago when I got like 30 different GAFers to swap avatars.
I see these as one off songs appealing to that eminem, Macklemore mainstream fanbase where it's better to do that sort of thing. I expect his album to be more varied and cohesive, I expect some smooth west coast beats with Quik and I guess q-tip as well as more agressive songs like that snippet we heard from the beats commercial also no fake Nate dogg please.
Damn I posted that shit like a day or two ago and no one noticed.
Gaf-Hop ain't shit
But yea Kendrick's been using the Eminem (yelling) a bit too much where it doesn't really fit. Here's not that bad, but the Backwards track he did for that other movie (Divigent or some shit), that verse didn't fit the tone of the track at all. We'll see where he goes with it though. This will make it his 3rd more mainstream verse that has had him using that screamish type flow. It might be that he just doesn't know how to rap over those type of tracks properly, who knows dawq.
His other guest verses on rap tracks have been good though. Really Be, Jealous and Two Presidents were all great.
I'm not saying Kanye doesn't surround himself with popular acts. However Kanye is a creative. He surrounds himself with people who have hold of the musical zeitgeist and makes good music with them. Jay is a reactive. He looks at the charts for what's hot and finds a way to attach himself to it, thus making him hot. Again, there's a difference between the creative process of bringing people together to make music (LR, Graduation, Dark Fantasy, Yeezus) and someone throwing a bunch of hot people on a record to get a verse or hook (BP3, MCHG). And yes I still think Dark Fantasy is bloated but it's definitely an ambitious record. Jay hasn't done anything ambitious since KC, and we know how that turned out.
Kanye is largely the reason Jay Z is Jay Z right now. I'm not going to deny Hov's hook writing and beat selection, but Kanye is the one who has changed hip hop. Hov was smart enough to tie himself to him, and since then what has Jay's contribution to the genre been outside of dick riding? Dude is out here swag rapping and talking about taking Advil, breh. As a 50 year old man. Fuckouttahere...
Kanye naysayers are still salty. The name jay-z in itself is a swagger jack. The only thing jay has built on his own is his money. I can respect that. but his whole rap career has been staying relevant by jumping on what's hot at the time. It's smart, but C'mon that's the damn truth.
Lol, this is a funny way of saying white people like rappity rap. I hope his album is varied. I get the feeling its going to have a lot more throwback producers on it, and idk how i feel about that. I like the TDE production crew, and I hope Kendrick continues to give them shine.
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I think you should take a look back at this post, and really look hard at the disingenuous spin. I've gone to the trouble of bolding it for you. Like I said, hilarious double standard for what constitutes content mining and what doesn't. You sound like Enzo right now.
There isn't a question about Jay being reactive to keep himself hot.. I mean, he's done that his entire career, not just post-Kanye. Like 50 said too, probably the reason why he took a shot at Drake. Also probably why he signed J. Cole at all, to have his foot in the game when his attempt to sign Drake didn't work out.
Jay-Z is the only major rapper that gets slated for collaborating and working with other people.
Does Eminem ever get trashed for being launched and supported by Dr. Dre?
Does 50 Cent ever get trashed for being launched by Dr. Dre and Eminem?
Does Kanye get trashed for being launched by Jay, Dame, and the Roc, or NO ID? Did Kanye not benefit from his association with Jay? Does he still not?
The real question is, can you name any emcee whose success or relevancy was not in turn spurred, created, or sustained by a label, rapper, or access to industry assets?
I'll wait. Nas, maybe?
There isn't a question about Jay being reactive to keep himself hot.. I mean, he's done that his entire career, not just post-Kanye. Like 50 said too, probably the reason why he took a shot at Drake. Also probably why he signed J. Cole at all, to have his foot in the game when his attempt to sign Drake didn't work out.
Effzee makes some good points about production but yeah I pretty much think it's true. It's funny because you've got the backpack, rappity rap guys who can barely break out of bandcamp, then you've got the mid tier that mainly consists of trap and get a lot of play in the clubs though some barely make more money on their label deals. Then you've got the guys who somehow broke through and are in the mainstream consciousness and suddenly lyrics, bars seem to matter. They don't matter in the sense of holding serious weight or being godlike, more that the mainstream love the summa lumma rap god style and it somehow makes hiphop less 'offensive' to listen to when you rap in a somewhat angry tone and fast.Lol, this is a funny way of saying white people like rappity rap. I hope his album is varied. I get the feeling its going to have a lot more throwback producers on it, and idk how i feel about that. I like the TDE production crew, and I hope Kendrick continues to give them shine.
No? It's not that deep. Jay has a very clear foothold on the game, he makes decisions strategically. J. Cole was instrumental in building up Roc Nation and maintaining the strength of his brand that he can leverage elsewhere, be it with Roc Nation or not. Intelligent businessmen don't just sign people because they think they're hot, but because they think they'll go somewhere and do well for the business. The entire industry geared up for Drake. They knew if they couldn't have him, they needed a slice of the pie that would be created.The psychoanalysis is amazing. Now we going deep into the psyche of why he signed J. Cole? I mean does it really need an explanation? So any up and coming artist he signs is because some evil plot he has to keep himself hot?
See its all in how you word it. If any other label mogul signs hot up and coming artists, then its seen as something cool, exciting, and paying it back. But when Jay Z does it, its only because he wants to remain relevant.
Yo the new Ratking should be listened to even by previous naysayers.
His voice sounds slightly lower too, definitely less abrasive. I don't want to hype this too much because I think people will enjoy it more if they don't expect to get what I got out of it, but this is a top three 2014 hip-hop album for me.
I hold Kanye to a different standard because as a producer, he is more in tune with the creative process than 99% of rappers or singers. That's not me dick riding Kanye's talents, I hold the same position about all noteworthy producers who aren't just "beat makers." Same applies to Timbaland, Rick Rubin, Q Tip, Madlib (when he isn't high/sending beats in email) etc.
2014 so far:
1. Gibbs x Madlib - Pinata
2. Ratking - So it Goes
3. Lil Herb -Welcome to Fazoland
4. Rick Ross - Mastermind
5. YG - My Krazy Life
6. Isaiah Rashad - Cilvia Demo
7. Black Milk - Glitches in the Break
8. 100s - IVRY
9. Dag Savage - E&J
10. Vince Staples - Shyne Coldchain
Tomb Raider is a pretty good ride, it's long though, perhaps longer than it should be.Rented Anchorman 2 from Redbox... it was pretty good, although many of the jokes fell flat and the cameos felt pretty forced and pointless. The overall story was done pretty well.
Got a free game rental so I picked up Tomb Raider. Any fans of the game?
lol how is it a copout, he's a producer. I'm not denying rappers are "artists" I'm saying a producer of Kanye's caliber is more in tune with the creative process. Look at Wu: is anyone going to deny RZA was the creative force behind them? Without him you get Immobilarity at best, The Lex Diamond Story at worst.
No Lord Steppington bruh? Drive In Theatre?
Rented Anchorman 2 from Redbox... it was pretty good, although many of the jokes fell flat and the cameos felt pretty forced and pointless. The overall story was done pretty well.
whatever breh. You know I'm FAR from a Kanye stan, and I reiterated I apply the same criteria to other noteworthy producers including Timbaland, who you know I'm not a fan of. I don't think Kanye or Timbaland have a problem staying relevant, and both have had success with non-popular artists (Common, Nelly Furtado, etc) just as they've had success with popular artists (Hov, Justin Timberlake, etc).
My problem with Jay Z is that his music almost never sounds sincere. Much of his career is Diddy-esque in terms of attaching himself to a hotter person (Kane, Jaz, Biggie, Kanye) to advance his own relevance. Eminem has his own identity outside of Dre. Justin Timberlake has his own identity outside of Timbaland. What is Jay without Kanye, in 2013/2014, creatively? MCHG was largely reviewed poorly. So was BP3, which had limited Kanye influence. WTT was well received and MOST people felt Kanye carried the project.
How is it hating on Jay to say he hasn't had a good album since The Black Album? We gonna pretend like most people here won't either agree with that statement, or say American Gangster was the only good one? And most people here aren't even Nas stans like me.
whatever breh. You know I'm FAR from a Kanye stan, and I reiterated I apply the same criteria to other noteworthy producers including Timbaland, who you know I'm not a fan of. I don't think Kanye or Timbaland have a problem staying relevant, and both have had success with non-popular artists (Common, Nelly Furtado, etc) just as they've had success with popular artists (Hov, Justin Timberlake, etc).
My problem with Jay Z is that his music almost never sounds sincere. Much of his career is Diddy-esque in terms of attaching himself to a hotter person (Kane, Jaz, Biggie, Kanye) to advance his own relevance. Eminem has his own identity outside of Dre. Justin Timberlake has his own identity outside of Timbaland. What is Jay without Kanye, in 2013/2014, creatively? MCHG was largely reviewed poorly. So was BP3, which had limited Kanye influence. WTT was well received and MOST people felt Kanye carried the project.
How is it hating on Jay to say he hasn't had a good album since The Black Album? We gonna pretend like most people here won't either agree with that statement, or say American Gangster was the only good one? And most people here aren't even Nas stans like me.
-enters stan wars-And we just gonna pretend 808s, MBDTF and Yeezus weren't received with mixed receptions? People in the game fall off. One dude started about a decade before the other. In ten years, if Ye is still relevant, then I guarantee you with 100 percent certainty there will young cats who will deny he ever had an impact on the game because of their own reasons. I mean, you will because it fits in with the weird outburst of Kanye Created Jay fuckery that is some layered, PD laughing about it on a 3rd GAF spawned board somewhere.
I mean, how twisted is a point of view that attempts to rewrite the space time continuum? Jay begat Kanye. This shit isn't even up for debate.
Rocky did good.Chill bro.. It's a Murse