I like 1D tho ;_;
Stefan;93287128 said:Applause is still a legitimate bop if I blast it on my speakers.
I already explained this before, but seeing as you have the memory of a goldfish I will do it again.
1. It is selling too well now while its streaming and airplay are lagging behind.
Believe it or not the group of people who buy pop music is relatively small (I would guess 8-10 million)
2. Ballads never tend to do great stream wise generally to begin with. The video is a snooze and isn't going going to be contributing much.
3. It will probably peak as far as sales go during the holidays. During this time AC stations (which should be a bastion for this track) are playing Xmas music. This will hinder its airplay for the rest of the month and ensure no #1.
4. Its Airplay is doing well, but not THAT well. You guys act like it is shooting up the chart.... when really it is behaving like an average top 5 hit. 1-2 million updates are solid and make it a hit, but other massive songs that went #1 (Roar, Royals, and maybe The Monster/Timber) all were receiving 3-4 million updates.
5. Honestly. The Monster is a huge Multi Format smash that could achieve 220 million AI for radio and is slaying streams despite the fact that the video has not dropped yet. It could easily be a 5-10 week #1.
That said. There is a SMALL outside shot of SS hitting #1.
This would occur the week after Xmas during the year end countdowns. All the top songs will have their airplay diminished. This means sales will be even more important and if SS is THE breakout song of the week after Xmas it has a small shot.
The only other option would be to outlast The Monster and Timber and go #1 in late January or February before the new releases start hitting. I don't see it happening though for various reasons. It is hard to imagine the song lasting that long.
Give me a break. I highly, HIGHLY doubt you know more about the charts than I do.
hihihihi the receipt clocking if that shitty song doesn't go #1 will be merciless.
As you should
Tbh Taylor is probably my #3 after 1D and Kellegend.
Oh and Frozen > Tangled.
hihihihihi the back-pedalling was swift.
]The Top 10 songs probably move between 1-2 million depending on the time of year and whether there's a heavily promoted debut. It's not a significant amount.
No way. The #1 song on pop radio right now gets about 120 million audience impressions, and while I don't know how many downloads the top X pop songs sell a week, it's certainly in the millions. Per week.
And it's Christmas season, sis.
Don't even try it sis. SS is behaving like a future #1, but I would never assume a song is guaranteed to go number 1. We're talking about someone thinking the song has no shot at the top spot, let's not spin things and act like the discussion about the reverse.
Does anyone have any songs to recommend from Jessie Ware?
Also, isn't Waffles like this thread's sort of HDD/BB? Seems like he's usually right.
Koo is right tho. You went from saying "It's definitely going to be a #1 hit" to "It might be a #1 hit".
Perhaps, but he's letting his bias get in the way of what's right in front of him.
Does anyone have any songs to recommend from Jessie Ware?
Seems like he's usually right.
and while I don't know how many downloads the top X pop songs sell a week, it's certainly in the millions. Per week.
kiii
but speaking of that, Waffles who had the closest Britney Jean prediction?
can i ask what this service/software is?
Isn't that...exactly what you're doing?
That is 21 hours a week. That means they would mean that EASILY they heard the song 21 times since the #1 song is almost always on hourly power rotation. I will be generous as just say they heard it 10 times. Something a supposed insider such as yourself would surely know.
That means only about 12 million unique listeners at most.
2. Then you have to take out people who are radio only (they are out there), illegal downloaders, spotify users, etc.
A more rational look at that number would lead to a 5-6 million purchasing listener pool for pop-radio.
Completely untrue. The average #1 selling pop song in any given week is around 250k.
Spotify. It's a free music streaming service.
I dunno, you tell me:
a) A song rocketing up radio and number 1 on iTunes has a good shot at the top slot
b) A song rocketing up radio and number 1 on iTunes has no shot at the top slotNow amended to say it has a small one
thanks ive never used it, im using apple radio...so safe to say spotify is superior?
I dunno, you tell me:
a) A song rocketing up radio and number 1 on iTunes has a good shot at the top slot
b) A song rocketing up radio and number 1 on iTunes has no shot at the top slotNow amended to say it has a small one
I didn't claim that 120 million people heard the song via radio, but "12 million unique listeners" number is pulled out of your butt and is way too low.
It's common sense: The number 1 song in the country has more than 12 million unique listeners on the radio.
You're confusing the ceiling we've seen for songs to sell on iTunes with the listener pool you speak of.
It's not the same 5-6 million people buying all the pop songs on iTunes, which are not the same 5-6 million people who go to iTunes because they are the only ones listening to Pop radio.
That tells me nothing about the question I asked you.
When you are looking at that 1-2 million sales before the song has a legit shot at #1 (which it won't have for about a month at best as it waits for radio to catch yup) that is a significant chunk. gone.
You need to look no further for examples of this than Roar. The song just passed the 4 million mark. Yet it only went #1 for two weeks while Royals went #1 for almost 10 with slightly less sales.
The difference? Roar peaked early sales wise and declined before it peaked on radio.
Yup. Say Something is approaching the saturation half-life for sales and is past saturation on streaming.
Oh sorry, the answer to your question to me was no.
Oh? In what way?
I'm absolutely perched to hear you try to backpedal out of this.
Yup. Say Something is approaching the saturation half-life for sales and is past saturation on streaming.
Hew needs to backpedal?
I know all about wishful thinking as a Christina fan. You don't need any wishful anything here.
My analysis isn't driven by optimism. I'm saying it can go number 1 because, quite literally, of how the song is performing. It's common sense. The song is a proven smash. It's connecting. It's rocketing up radio and selling extremely well.
Saying a song performing like this doesn't have a shot at #1 is driven by a deliberate rose-colored glasses in not wanting to see it go number 1.
There's no such thing as a "standard" or an "objective".
But since we all only have context at our disposal, you need to stretch way further to say Say Something has no shot at number 1 in the context of its performance than to say it does have a shot at number 1.
Simple as that. This isn't rocket science. The figures and numbers are a way of measuring how much people like the song. The charts and figures are a means to an end, they're not THE end.
You don't count out obvious smash songs from reaching number 1. When you do, you look like you have an agenda at play.
Hence, Wafflecakes is pressed.
In its first week, Christmas With Love has sold 11,000 more copies in the US than Glassheart did.
Not answering any follow-up questions.
Waffle isn't pressed, we've already proven that he likes the song and wants it to succeed.
Your entire argument is you stanning Xtina to high heavens and refusing to acknowledge the patterns that have followed countless songs as they progress through the charts.
Stefan;93292261 said:Um.. was Glasshorse even...
Nevermind.
1. That is because I am sales/chart obsessed. I have spent many more pages arguing over songs I care far less about.Which is why he spent pages arguing with me about the song's success.
*shrug* I'm the one who is. You two are the ones who are not.
Which is why he spent pages arguing with me about the song's success.
1. That is because I am sales/chart obsessed. I have spent many more pages arguing over songs I care far less about.
2. No. You aren't, and in a month or two the proof will be in the pudding as its sales will not be high enough to sustain it by the time The Monster fizzles out at #1.
I love when Qazaq visits the thread. *.*
I love when Qazaq visits the thread. *.*
I feel like it is fallowing a similar chart path as Stay did. 3 million in sales and a #3 peak.
5. Honestly. The Monster is a huge Multi Format smash that could achieve 220 million AI for radio and is slaying streams despite the fact that the video has not dropped yet. It could easily be a 5-10 week #1.