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Also new shots! You have to view them on the site though for now.
Also new shots! You have to view them on the site though for now.
Since the release of the original GODZILLA (ゴジラ, Gojira) in 1954, nearly 100 million people have bought tickets to see Godzilla in Japanese cinemas. The monsters popularity has spread far beyond Japan, resulting in the 2014 Hollywood version of GODZILLA which grossed approximately ¥57 billion ($529 million) worldwide, making him the international King of the Monsters. The Japanese governments Ministry of Economy, Trade and Industry has even presented Godzilla as one of the symbols of Cool Japan, a campaign promoting the countrys growing impact on world culture.
And now, Toho answers the growing demand for the Japanese version of Godzilla with their first new Godzilla movie in 12 years.
In the years since Toho put the Godzilla series on hiatus following the 50th anniversary production GODZILLA: FINAL WARS (ゴジラ ファイナルウォーズ, Gojira Fainaru Uoozu, 2004), the Japanese film industry has made a tremendous leap in visual effects technology. Toho has been involved in a number of high quality works and, with pride in the growth of Japanese film, has taken up the challenge to produce a new Godzilla.
The writer and director of GODZILLA RESURGENCE is Hideaki Anno, the renowned creator of the anime NEON GENESIS EVANGELION (新世紀エヴァンゲリオン, Shin Seiki Evangelion, 1995) whose works has earned him fans all over the world. In 2007 he revived his franchise with the first in a series of Rebirth of Evangelion feature films that have all been major hits as the box office EVANGELION: 1.0 YOU ARE (NOT) ALONE (ヱヴァンゲリヲン新劇場版: 序, Evangerion Shin Gekijooban: Jo) earned ¥2 billion (approximately $19 million), EVANGELION: 2.22 YOU CAN (NOT) ADVANCE (ヱヴァンゲリヲン新劇場版: 破, Evangelion Shin Gekijoban: Ha, 2009) ¥4 billion ($38 million) and EVANGELION: 3.0 YOU CAN (NOT) REDO (ヱヴァンゲリヲン新劇場版:Q, Evangerion Shin Gekijooban: Kyuu, 2012) ¥5.3 billion ($50 million). Despite this success, Anno decided to postpone the fourth and final Rebuild in order to make GODZILLA RESURGENCE.
Co-directing GODZILLA RESURGENCE is Annos longtime ally, Shinji Higuchi. Shortly after graduating from high school, Higuchi joined the film industry as a staff member on THE RETURN OF GODZILLA (ゴジラ, Gojira, 1984). After working with Anno on EVANGELION, he directed the special effects on the acclaimed Gamera Trilogy (1995-99). He has also directed blockbusters; SINKING OF JAPAN (日本沈没, Nihon Chinbotsu, 2006) made ¥5.34 billion ($50 million), THE FLOATING CASTLE (のぼうの城, Nobo no Shiro, 2012) ¥2.84 billion ($27 million) while the two live-action ATTACK ON TITAN (進撃の巨人, Shingeki no Kyojin, 2015) movies earned a combined ¥4.93 billion ($46 million).
Anno and Higuchi will introduce the largest Godzilla to date. Standing 118.5 meters (389 feet) tall, the new Godzilla takes the crown from the previous record holder: the 2014 Hollywood Godzilla (108 meters/354 feet). The monster also features a new design to instill great fear in its victims.
While previous Godzilla movies have linked back to the 1954 original, the makers of GODZILLA RESURGENCE chose to present a story in which Godzilla appears in Japan for the first time. With a staff of 1000 peopleand shooting on an unprecedented scale for the franchise, Anno and Higuchi aim to bring the overwhelming reality of Godzilla to the big screen.