Love me some Stephen Colbert and I, much like the interviewer, found many of his responses fascinating and I actually took things from this interview that I will use to live through my daily life. Highly anticipating The Late Show now more than ever.
Source: http://www.gq.com/story/stephen-colbert-gq-cover-story
On Only in Monroe
On Learning to Love Failure:
On Dealing with the Suffering That Came with His Father and Two Brothers' Death:
There is much more in the interview such as the influence of Jon Stewart, how the Ed Sullivan theater is being worked up, more emphasis on the technicalities of The Late Show and more philosophy on life and comedy. I would also highly recommend The Late Show podcasts. Commence the Colbert gifs.
Source: http://www.gq.com/story/stephen-colbert-gq-cover-story
On Only in Monroe
They did the public-access show live at midnight, with no advance publicity and no Twitter or Facebook posts afterward. The only way the world would ever know that it happened is if someone, an insomniac or an inmate or one of the show's twelve viewers, looked up at the screen at some point and recognized Colbert hanging out with Eminem next to the potted plant. Maybe that person would tell somebody, and maybe that other person would tweet about it.
I have to check right now to see how many people have seen this fucker, Colbert said. When we showed it at midnight, nobody watched it. I mean nobody.... We dug a hole in the backyard, yelled a show into it, then covered it up with dirt and said, Don't tell anybody.
Someone must have spotted him on the show's morning rerun, because Twitter was beginning to light up in confusion and amazement. YouTube has frozen the count, he said. They usually do that when people are hitting it so fast they go, Wait, this might be bots. He seemed really pleased with how this experiment in pure virality was playing out. We worked really hard for no one to know it was happening, he said, to see if anybody would know that it was happening.
On Learning to Love Failure:
And then he met Del Close, the legendary improv teacher and mentor and champion of the idea that improvisational comedy, when performed purely, was in fact high expressive art.
I went, I don't know what this is, but I have to do it, he said. I have to get up onstage and perform extemporaneously with other people. He was part of the same Second City class that included Amy Sedaris and Paul Dinello and Chris Farley. Our first night professionally onstage, he said, the longtime Second City director Jeff Michalski told them that the most important lesson he could pass on to them was this: You have to learn to love the bomb.
It took me a long time to really understand what that meant, Colbert said. It wasn't Don't worry, you'll get it next time. It wasn't Laugh it off. No, it means what it says. You gotta learn to love when you're failing. The embracing of that, the discomfort of failing in front of an audience, leads you to penetrate through the fear that blinds you. Fear is the mind killer. (You're welcome, Dune nerds.)
On Dealing with the Suffering That Came with His Father and Two Brothers' Death:
He was tracing an arc on the table with his fingers and speaking with such deliberation and care. I was left alone a lot after Dad and the boys died.... And it was just me and Mom for a long time, he said. And by her example am I not bitter. By her example. She was not. Broken, yes. Bitter, no. Maybe, he said, she had to be that for him. He has said this beforethat even in those days of unremitting grief, she drew on her faith that the only way to not be swallowed by sorrow, to in fact recognize that our sorrow is inseparable from our joy, is to always understand our suffering, ourselves, in the light of eternity. What is this in the light of eternity? Imagine being a parent so filled with your own pain, and yet still being able to pass that on to your son.
It was a very healthy reciprocal acceptance of suffering, he said. Which does not mean being defeated by suffering. Acceptance is not defeat. Acceptance is just awareness. He smiled in anticipation of the callback: You gotta learn to love the bomb, he said. Boy, did I have a bomb when I was 10. That was quite an explosion. And I learned to love it. So that's why. Maybe, I don't know. That might be why you don't see me as someone angry and working out my demons onstage. It's that I love the thing that I most wish had not happened.
I love the thing that I most wish had not happened.
I asked him if he could help me understand that better, and he described a letter from Tolkien in response to a priest who had questioned whether Tolkien's mythos was sufficiently doctrinaire, since it treated death not as a punishment for the sin of the fall but as a gift. Tolkien says, in a letter back: What punishments of God are not gifts? Colbert knocked his knuckles on the table. What punishments of God are not gifts? he said again. His eyes were filled with tears. So it would be ungrateful not to take everything with gratitude. It doesn't mean you want it. I can hold both of those ideas in my head.
He was 35, he said, before he could really feel the truth of that. He was walking down the street, and it stopped me dead. I went, Oh, I'm grateful. Oh, I feel terrible. I felt so guilty to be grateful. But I knew it was true.
It's not the same thing as wanting it to have happened, he said. But you can't change everything about the world. You certainly can't change things that have already happened.
Consider that this is coming from a man who millions of people will soon watch on their televisions every nightif only there were a way to measure the virality of this, which he'll never say on TV, I imagine, but which, as far as I can tell, he practices every waking minute of his life.
The next thing he said I wrote on a slip of paper in his office and have carried it around with me since. It's our choice, whether to hate something in our lives or to love every moment of them, even the parts that bring us pain. At every moment, we are volunteers.
There is much more in the interview such as the influence of Jon Stewart, how the Ed Sullivan theater is being worked up, more emphasis on the technicalities of The Late Show and more philosophy on life and comedy. I would also highly recommend The Late Show podcasts. Commence the Colbert gifs.