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Earlier this week, The Hollywood Reporter ran a story proclaiming that the new Power Rangers movie breaks ground with [the] first queer big-screen superhero. Which sounds like a huge deal as dominant as the superhero genre has become, its been slow to open up in terms of LGBT inclusion, at least on the big screen. According to the THR piece, theres a scene in which the titular heroes learn that the Yellow Ranger, Trini (Becky G.), is coming to terms with her sexual orientation. Really shes questioning a lot about who she is, director Dean Israelite is quoted as saying of Trini. She hasnt fully figured it out yet.
So, heres how the sequence actually goes: Trini and the other Rangers are sharing personal stories around a fire, and Trini explains how shes preferred to keep her family out of her day-to-day life and her relationships. Boyfriend trouble? Black Ranger Zack (Ludi Lin) asks. Yeah, boyfriend trouble, Trini says maybe sarcastically? Its hard to tell, as Becky G delivers 99% of her lines with a sardonic lilt. Zack squints, then asks, Girlfriend trouble? Trini doesnt respond.
Its a minimal beat that opens up the possibility that Trini has been romantically involved with a woman without providing concrete confirmation if anything, its as notable for the way Zack doesnt assume straightness as for Trinis silence. She doesnt say anything more about her sexuality and doesnt have a romantic interest in the movie (none of the Rangers do, though theres some Red-Pink flirtiness). But that half-minute exchange is all it took for a story to spread to dozens of outlets proclaiming Power Rangers as a landmark for representation in the genre. While, to be sure, even incremental progress should be celebrated any forward movement is better than none this is an incredibly unsatisfactory beat to go on to be widely disseminated as a breakthrough for inclusivity.
But then, so is the exclusively gay moment in Beauty and the Beast in which the Gaston-adoring sidekick LeFou (Josh Gad) shares a two-second dance with another man in the movies finale. Its a scene, as Pop Culture Happy Hour panelist Glen Weldon put it when he tweeted, thats exactly the kind of throwaway gay joke Hollywoods always churned out, just without the gay panic. It wasnt the only one either LeFous dance partner is a character who, in an earlier scene, is shown being unexpectedly pleased with the womens clothing hed been forcefully clad in by a combative Madame Garderobe. Yet that was enough, apparently, to mark LeFou as Disneys first openly gay character in a wave of coverage that director Bill Condon himself described as overblown.
Then there was last years Star Trek Beyond, which, also before its release, made the reveal one treated as a bigger deal in interviews than it ended up being onscreen that its incarnation of Lt. Hikaru Sulu (John Cho) was gay. It did this by introducing a never-named-on-screen husband, played by screenwriter Doug Jung, who Sulu was shown pulling into an affectionate but not especially nonplatonic embrace during a visit as they strolled away with their daughter. If you blinked, you missed it, said George Takei, who played Sulu on the original Star Trek television show. There are others who are dealing with LGBT issues much more profoundly.
Which is inarguable. Its not news that indie films like this years Best Picture winner, Moonlight, have always been leaps and bounds ahead of mainstream ones with regard to LGBT representation and storytelling. What is notable is the degree to which TV has also left blockbusters in the dust. And not just cable in a world in which How to Get Away With Murder plunked a scene of implied rimming between Jack Falahee and Conrad Ricamora onto primetime network TV two years ago, it seems particularly eyerolly to give a studio movie a pat on the back for including a shot of two men with their arms around each other, in a totally gay way, they swear.
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