I can't believe I typed "CB." Meh.DopeyFish said:down with cb radio!
Regardless of whether or not its good, a lot of pop music is fucked over by dynamic compression on cds.sonarrat said:I'm hoping that the SACD format replaces it, but that doesn't seem to be happening... not even remotely. If the MP3 player replaces it, that can't be a good thing, because it's a very low-quality format by nature... but then again, it's not like most of the music out there demands very high fidelity...
Hitokage said:Regardless of whether or not its good, a lot of pop music is fucked over by dynamic compression on cds.
Reminds me of Patlabor 3 (anime movie) where a monster attacked places with sources of sound under 20.000hz, one of the places was a disco with a DJ using vinyl records, making the monster appear outside and eat a couple in a car. Point being, monsters like quality.Ill Saint said:With regard to CD sound quality, I've read articles that state consumers were pretty much fucked over with that format. Vinyl still sounds much fuller and richer, expressing a greater range of sound frequency. Those HD CDs are much improved, but few players read them to potential.
Hehe, true about the hiss and pops, but a nice clean of the record does help. But that's all part of the character (to me anyway).Winged Creature said:Ive always preferred a nicely mastered cd over vinyl, sure vinyl has warmth and better bass, but cd had much better clarity IMO. I hated the hiss the cracks and pops (yes they happen even with a good needle)
Thing is, though, if "MP3" won I'd take that to mean digital music in general. In which case it would be much easier to support niche ultra high quality formats than to have to press and find a market for higher quality discs.sonarrat said:I'm hoping that the SACD or DVD-A formats replace it, but that doesn't seem to be happening... not even remotely. If the MP3 player replaces it, that can't be a good thing, because it's a very low-quality format by nature... but then again, it's not like most of the music out there demands very high fidelity. Standards have fallen. For now, the CD should remain dominant...
Sorry, my wording was vague. I meant that even on an "uncompressed" CD you can get music that's been fucked over, not just with lossy compression as is par for the course on the internet.sonarrat said:There are ways to make CDs sound absolutely fantastic. The best classical CDs out there are so lifelike that it's hard to believe they're CDs... (a great, cheap example is Konstantin Scherbakov playing the Shostakovich Preludes and Fugues, 2 CDs for 10 bucks on Amazon). So if a pop artist is getting fucked over - and voices are much easier to record than a piano - then it's because of an incompetent studio engineer more than the format.
Ill Saint said:With regard to CD sound quality, I've read articles that state consumers were pretty much fucked over with that format. Vinyl still sounds much fuller and richer, expressing a greater range of sound frequency. Those HD CDs are much improved, but few players read them to potential.
Hitokage said:Sorry, my wording was vague. I meant that even on an "uncompressed" CD you can get music that's been fucked over, not just with lossy compression as is par for the course on the internet.
I'm not a sound engineer, nor do I listen to pop music tailored for play on radio, but I do talk to an awful lot of musicians, producers and label bosses (in various healthy music scenes), and the vast majority swear by vinyl everytime when it comes to sound. But I'm not gonna argue about it. As long as I get to hear the music, I'm happy.gblues said:Bullshit. A CD's dynamic range stops all over vinyl. The problem is that pop producers compress that dynamic range to make it sound louder on the radio.. basically it's an epidemic of incompetent studio producers who think nothing of clipping the hell out of their music to make it seem louder.
I remember seeing an analysis of like 5 CDs from 1980 to 2002 that illustrates this trend. I don't remember where I saw it though.
Nathan