Two days.
So a simultaneous worldwide release? Awesome.
I read your post from January 12 just today, wow did it make me hyped.
This one specifically:
I just came back from it.
I bawled like a fucking baby throughout the entire second half of this film. It was like Scorsese was whispering the deepest desires of my own heart back to me. This is no joke. It was a good thing I was wearing those polarised lenses. I haven't seen such an earnest love letter to the magic of movies since Agnes Varda's One Hundred and One Nights. It was absolutely beautiful.
Melies' entire flashback was revelatory. I pity those people naive enough to have missed watching this film in 3D. And that sequence should be proof enough for anybody the power it can have on transporting you and thus - especially in the case of this film, serving the narrative. The photography itself was gorgeous. In the innards of the train station I have to say it felt similar to the three-colour tinting effect had employed in The Aviator, only it was achieved through the lighting and set design itself, rather than seeming like anything done after the fact in post.
Kingsley was brilliant. Chloe Moretz was a joy to watch any time she was on the screen, which I'm very happy about. I wasn't convinced about her based on Kick Ass, but she really is one to watch. Asa Butterfield was okay. I might have had him under a larger microscope since I knew he had been cast as Ender, which I just don't see at all.
I agree about the first forty-five or so minutes seeming to drag, but after that it is all gravy.
I will never buy this film unless I have a 3D TV in which to watch it. I can't imagine watching it any other way.
I've yet to see The Artist, The Descendants and The Girl With the Dragon Tattoo, but Hugo has quickly shot straight to the top of my best of 2011 list, with Tintin and The Tree of Life in tow.