Does Edge of Tomorrow, Speed Racer or The Departed count?Something that seems to go hand in hand with white washing, but people keep doing it
Does Edge of Tomorrow, Speed Racer or The Departed count?Something that seems to go hand in hand with white washing, but people keep doing it
Most People don't care about Whitewashing, it just so happens that most movies with a whitewashing controversy, are also pretty bad.
Most People don't care about Whitewashing, it just so happens that most movies with a whitewashing controversy, are also pretty bad.
So-called progressives revealing themselves as nationalists.
No. No, it's not.
Does Edge of Tomorrow, Speed Racer or The Departed count?
Also, Noah didnt get much blowback that I remember. Definitely less than Exodus.
People also care more if the leads are white washed. Look at the Martian, which white-washed and did great.
Also, Noah didnt get much blowback that I remember. Definitely less than Exodus.
Yes it would. It's just beyond cringe worthy when you have a bunch of white people making themselves feel better for some white washing topics when the people of said race don't give a fuck. This is just a common trend that happens in North America, particularly the States.If there were Asian-Americans complaining (which there are), would it change anything for you? Asian-Americans might not have uniform opinions but I think the ones who worry about minority representation have legitimate concerns that people shouldn't ignore because someone in Asia thinks differently.
this is true to be fair lolMost People don't care about Whitewashing, it just so happens that most movies with a whitewashing controversy, are also pretty bad.
Well aside from the casting controversy, those movies are also crap.
[Impressed] Haha!
I dont know what 100 Alex is, but Mifune Go is a Japanese name.What is adaptation for 100 Alex? And Speed Racer was based on Elvis Presley
Lol at the OP's attempt to dismiss the whitewashing.
I'm not white.Yes it would. It's just beyond cringe worthy when you have a bunch of white people making themselves feel better for some white washing topics when the people of said race don't give a fuck. This is just a common trend that happens in North America, particularly the States.
ScarJo was signed because she's a big name to a movie with niche market potential. It makes sense from a business perspective. But everyone whining about this is ignoring or says it doesn't matter at all for a movie in this position based on their imaginary degree in marketing or business. Diversity is good to have, but there's nothing about this particular, casting choice that's worth throwing a tantrum over. In a perfect world, an Asian chick should have been cast. I fucking hate when they make changes to OG material in regards to any medium (though I come to expect it for manga -> movie adaptations) But you need a star for this particular movie to try to pull numbers, and there's no one out there with that kind of cache. Which of course leads to the annoying spiral of experience -> job -> experience that many people have to deal with. At this point, someone just needs to blow the door open to make it easier for people of a similar race for example, to pave the way by being noticeably better than the competition. It sucks that it has to be difficult, but this is generally the way to break through in Hollywood whose notorious for sticking for what works (just look at the big movies nowadays, the same fucking comic book movies on an annual basis)
this is true to be fair lol
Its an interesting take though, funny how he immediately dislikes the idea of people of another Asian heritage playing the character tbh.
This hurts just reading. You're right. They go for stars in most big movies not because it means shit, but because studios want to spend extra millions on actors instead of spending a lot less money on smaller named actors. One thing studios look at when making movies, is spending more money then they need to.I'm not white.
And star power doesn't mean shit.
Does Edge of Tomorrow, Speed Racer or The Departed count?
Thanks to the cultural and historical tensions in East Asia, Japanese people in general would be more offended if an asian American (that wasn't of Japanese origin) played a Japanese person than, say a white or a black American.
That's just how it is over there, and it's different from our perspective. For most of us (not all of course), there's no problem if a white person played a white person, or a black person played a black person, regardless of nationality.
It's interesting, to say the least.
This hurts just reading. You're right. They go for stars in most big movies not because it means shit, but because studios want to spend extra millions on actors instead of spending a lot less money on smaller named actors. One thing studios look at when making movies, is spending more money then they need to.
Shit its almost​ like a movie stupid enough to do it would have serious problems elsewhere.Most People don't care about Whitewashing, it just so happens that most movies with a whitewashing controversy, are also pretty bad.
What is adaptation for 100 Alex? And Speed Racer was based on Elvis Presley
The Japanese apparently have a much, much, much more different take on identity politics than Asian Americans or any cyber Social Justice Warrior can ever dream of
This hurts just reading. You're right. They go for stars in most big movies not because it means shit, but because studios want to spend extra millions on actors instead of spending a lot less money on smaller named actors. One thing studios look at when making movies, is spending more money then they need to.
Just to throw more on here. Passengers just came out with Jennifer Lawrence and Chris Patt headlining and still bombed pretty badly. Star power ain't shit, straight up waste of money.
Who are these people who wanted to go see Exodus for Christian Bale and Joel fucking Edgerton? Movie execs are still humans who are still prone to bad decision making. A lesson these people should be learning is that a famous actor is not a meal ticket.This hurts just reading. You're right. They go for stars in most big movies not because it means shit, but because studios want to spend extra millions on actors instead of spending a lot less money on smaller named actors. One thing studios look at when making movies, is spending more money then they need to.
Just to throw more on here. Passengers just came out with Jennifer Lawrence and Chris Patt headlining and still bombed pretty badly. Star power ain't shit, straight up waste of money.
While white washing is an issue none of those movies were adversely effected by it that much. Most audiences do not give a shit, they just give a shit about whether they think the movie looks good or not. Every single one of those movies looked like garbage in the trailers, so of course they're going to flop.1) the production company literally said it was
2) do u really think this is just a big coincidence
*snip*
How do you know that this isn't an issue Asian-Americans are concerned about?Yes it would. It's just beyond cringe worthy when you have a bunch of white people making themselves feel better for some white washing topics when the people of said race don't give a fuck. This is just a common trend that happens in North America, particularly the States.
ScarJo was signed because she's a big name to a movie with niche market potential. It makes sense from a business perspective. But everyone whining about this is ignoring or says it doesn't matter at all for a movie in this position based on their imaginary degree in marketing or business. Diversity is good to have, but there's nothing about this particular, casting choice that's worth throwing a tantrum over. In a perfect world, an Asian chick should have been cast. I fucking hate when they make changes to OG material in regards to any medium (though I come to expect it for manga -> movie adaptations) But you need a star for this particular movie to try to pull numbers, and there's no one out there with that kind of cache. Which of course leads to the annoying spiral of experience -> job -> experience that many people have to deal with. At this point, someone just needs to blow the door open to make it easier for people of a similar race for example, to pave the way by being noticeably better than the competition. It sucks that it has to be difficult, but this is generally the way to break through in Hollywood whose notorious for sticking for what works (just look at the big movies nowadays, the same fucking comic book movies on an annual basis)
this is true to be fair lol
It's a Jeopardy jokenot sure what 100 Alex is but Edge of Tomorrow is an adaptation for "All you need is Kill", a japanese light novel by Hiroshi Sakurazaka
I havent read the novel yet, but as far as I know they changed everything to make it western and avoid that weird mix of having a elite team full of Americans inside a japanese special military unit
There's like a 60/40 chance of thatShit its almost​ like a movie stupid enough to do it would have serious problems elsewhere.
Now I'm curious how Speed Racer fared in Japan.
That's not 100% true. I haven't followed the FMA movie, but the AoT movie was raked over the coals, by fans in particular. The casting issue was just one among a plethora of others though.
Now I'm curious how Speed Racer fared in Japan.
Most of the people in the states complaining are not even asian americans, but white people which is comical.
It's just beyond cringe worthy when you have a bunch of white people making themselves feel better for some white washing topics when the people of said race don't give a fuck.
Exactly. I'd say that nationalism and racism are much more prevalent in East Asia than they are in Europe. Nobody in Japan is going to characterize themselves as "Asian" because they see themselves as different for the rest of Asia so there's zero interest in seeing non-Japanese actors portray Japanese characters.Asian isn't a thing in Asia, same way European isn't a thing in Europe.
Not to say it's not thing at all but national identity is much, much stronger.
The issues surround the film for better or worse are American.
Correction: Most people in countries like Japan don't care about Whitewashing. The reason is that they don't have any problem with representation. Japanese people can see tons of Japanese actors in film and TV all the time, and they don't have any issues breaking into their domestic entertainment industries. This isn't true in North America, and that's why Whitewashing is largely confined to Hollywood.Most People don't care about Whitewashing, it just so happens that most movies with a whitewashing controversy, are also pretty bad.
Since the movie only debuted in Japan this past weekend, reactions have been slim in trickling in, but some preliminary reactions:
http://www.hollywoodreporter.com/heat-vision/japanese-fans-react-ghost-shell-992255
Most fascinating part:
The Japanese apparently have a much, much, much more different take on identity politics than Asian Americans or any cyber Social Justice Warrior can ever dream of
This. They don't struggle with representation or identity.Think Japanese people give a real fuck about Hollywood casting when they have their own country and movie industry where they're not marginalized brehs
This too.OP, eat a dick tho
That's only technically true for Japanese audiences. But that's at least partially because they don't give a damn about representation in Hollywood.I suppose its a fair point. If you aren't going to cast an actual Japanese person (the correct choice) then it might as well be literally anything else.
That's only technically true for Japanese audiences. But that's at least partially because they don't give a damn about representation in Hollywood.
This. They don't struggle with representation or identity.
Lucy with ScarJo herselfIt's funny when people assume not casting a big star would have prevented the movie from bombing while criticizing the decision of casting a big movie star in the first place, like, you realize the irony?
Giving that the Wonder Woman movie is also being predicted as another bomb I'm starting to believe there is a real problem of sexism not just in Hollywood itself but in movie audiences, what female lead in a new IP has been successful? I'm struggling to come up with a name.
Why should we let just let trolls be on this forum?I hate how people are actually getting upset over "cyber social justice warrior", when you kneejerk react that way/get your jimmies rustled, don't you think you're letting the trolls win? As soon as I saw SJW I knew exactly what was to follow, can't we stop being so predictable?