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K-Pop Fanboy/Fangirl |OT5| Controversies Over Nothing

llehuty

Member
[Rookie boy group alert] 전설 Legend - 미.남. (미련이 남아서) Left Out
Nice debut. At first I thought it was going to be this, but oh well, I'll take it.

GIRL'S DAY - DARLING(달링) TEASER
Henry 헨리_Fantastic_Music Video Teaser
[Teaser] Glen Check (글렌체크) - Pacific Remixes

#hashtag(해시태그): FIESTAR(피에스타) _ One More

TABLO & TAEYANG - EYES, NOSE, LIPS (Live) 20140708
TAEYANG - EYES, NOSE, LIPS (Live) 20140708
EPIK HIGH - Fly (Live) 20140707

Edit: New page?, take this selca combo:
Seunga said:
BsElnRFCEAE1DDN.jpg
 

No No Eul

Member
Survey Results Part I



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Q1. The Best of 2014 Thus Far
List anywhere between one and ten of your favourite tracks to come out of Korea in the last six months. Pop, indie, hip-hop; anything goes (including some stuff from Japan apparently :p).


271 votes, 117 songs, 74 artists. The songs that recieved the most votes are as follows:

1st with 13 votes:
Catallena - Orange Caramel
MV

2nd with 9 votes:
Gotta Be You - 2NE1
MV

3rd with 8 votes:
Mr.Mr. - Girls' Generation
MV //
One More - Fiestar
MV

—

5th with 7 votes: 1AM - Taeyang // B.B.B - Dal Shabet // Good-night Kiss - Hyosung // Never Ever - Jiyeon

9th with 6 votes: Marionette - Stellar // Red Light - f(x) // Spellbound - TVXQ

12th with 5 votes: Full Moon - Sunmi // MTBD - 2NE1 (CL solo) // Overdose - EXO

15th with 4 votes: 200% - Akdong Musician // Come Back Home - 2NE1 // Eternity - Vixx // It's You - Neon Bunny // Love You to Death - Taeyang // Mr.Chu - Apink // My Old Story - IU // Thank U Very Much - BESTie // Uh-ee - Crayon Pop

24th with 3 votes: Masayume Chasing - BoA // Metronome - Jay Park // Miniskirt - AOA // Peppermint Chocolate - Mamamoo // So Wonderful - Ladies' Code // Something - Girl's Day // Whatcha Doin' Today - 4Minute // Yum Yum Yum - Lip Service

32nd with 2 votes: 1004(Angel) - B.A.P // Abing Abing - Orange Caramel // Baby I Miss You - 2NE1 // Big Man - Mr.Mr // Can't Hide It - 15& // Cha Cha - Rainbow Blaxx // Europa - Girls' Generation // Eyes, Nose, Lips - Tablo X Taeyang // Eyes, Nose, Lips - Taeyang // Flower - IU // Good Luck - Beast // Just One Day - BTS // Love Letter - Berry Good // Mr. Ambiguous - Mamamoo // Some - Soyou X JunggiGo // Soul - Girls' Generation // Your Scent - Jung In & Gary

And the rest: A Midsummer Night's Sweetness - San E, Raina // Again - Davichi // Beautiful You - Crush feat. Sulli's Man // Bounce - M.I.B // Boy in Luv - BTS // Close To Me - BoA // Come Back Home Unplugged version - 2NE1 // Cried Uncontrollably - Orange Caramel // Crystal - Apink // Cypher PT.2 : Triptych - BTS // Dance With U - Beast // Delicious - Toheart // Domino Game - Kiss&Cry // Frozen in Time - Sunmi feat. Jackson of GOT7 // Give It 2 U - GLAM // Give Love - Akdong Musician // Good Morning Baby - Apink // Heaven - After School // Hold Me Tight - Loco // Home - Bumkey // Hoo - J-Min // If I Were You - 2NE1 // If You Want - J-Min // Jackpot - Block B // Jump - BTS // Just the Way You Are - Lady Cube // Keep Smiling - Topp Dogg // La Song - Rain // Last Romeo - Infinite // Let It Go - Hyolyn // Like Oh - GOT7 // Little Gals - The Barberettes // Love Satellite - Clazziquai Project // Meaning of You - IU // Meet Him Among Them - Lee Sun Hee // Melted - Akdong Musician // Milk - f(x) // Night and Day - Wheesung // Not Today and Not Tomorrow - 15& // Only Gained Weight - 4Minute // PiKa-BurnJack - GP Basic // Set Me Free - Taeyeon // Shh - After School // Short Hair - AOA // Shout It Out - BoA // Shower Later - Gary // Singing Got Better - Ailee // Stay With Me - Taeyang // Stop and Go - J Rabbit // Summer Time - Dynamic Duo // Sunday Monday - Apink // Sunset - Kasper // Swing - Super Junior M // This Isn't It - Taeyang // Thunder - EXO // Tomorrow - BTS // Truth or Dare - Gain // Video Games - Boys Republic // Wake Me Up - Kitty B // Where Did You Come From - BTS // Whistle - Girl's Day // Who Am I - Sunmi feat. Yubin // Wild Flower - Park Hyo Shin // Yasisi Areia Remix - NS Yoon-G // You Don't Love Me - Spica // Zotto Mola - Gary

—

Other comments: I don't really remember songs I just look at girls

As an aside, the top 4 artists were as follows:

1st with 22 votes:
2NE1
2nd with 16 votes:
Orange Caramel
3rd with 15 votes:
Taeyang
4th with 12 votes:
Girls' Generation



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Q2. A Linguistic Minefield
6muses member 경리 can't decide how to romanize her name. Give her a helping hand.


1. Kyungri 67.6%
2. Kyungree 5.9%

Other suggestions included:

경리 MOTHER****ER
Gyueongree
Who?
Princess Consuela Bananahammock
Not Dead Pixel Girl
poop
What did you say?

—

More to follow later.
 

luso

Member
I had a blank voting the songs, I didn't remember any, I had to do a quick review...
Also Red Light is from July, people, save it for the next survey.
 

llehuty

Member
I had a blank voting the songs, I didn't remember any, I had to do a quick review...
Also Red Light is from July, people, save it for the next survey.

Yeah red light and new fiestar song are from july.
The only reason I didn't vote for them.
 
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Taeyang's Interview with GQ Korea said:
Do you remember the texts we exchanged the morning of the album’s online release?

Yes. “This is the way you did it? Congratulations.”

And your response to that text?

(Laughs) “I didn’t do it like this. It just turned out like this,” I said.

Should we start from there?

After [the last album] , I didn’t really think much about what to do as far as the next album was concerned. I just went on a lot of trips. As to the next album, I figured I’ll just do whatever I want. The music I was into at the time was very dark, cold underground R&B, and when I tried to make that kind of music, I ended up butting heads with our company a bit.

You didn’t think that would happen?

In hindsight, I don’t know why I thought this, but I thought I would be able to do whatever I wanted for the next album. No one would care…

You figured YG’s commercial expectations wouldn’t extend to Taeyang’s album?

Right. That had been the case up until then. And I guess I ended up going too far.

When you say underground R&B, do you mean artists like The Weeknd?

Yes. At the time, I found it very fresh, and I felt it was my direction. I’d always done R&B, but in the last five years, R&B music had become kind of ambiguous. Melodic, medium-tempo songs had already reached their apex. It had lost its spark, even for me. So I wanted to be the first one in Korea to release this new kind of music. (Laughs)

You wanted to release it before Frank Ocean’s came out, essentially.

Yes. Right. (Laughs)

But the company, or more specifically, Yang Hyun-Seok, felt differently.

The company’s wish was for my music to appeal to more people. It was hard for me to accept at first. But I realized that, if I continued to be stubborn, the album would never come out. And I thought… My obstinacy, my inclinations are only going to grow stronger with time. The things I don’t want to do, I’m going to want to do even less and less. And if that’s the case, maybe I should try to accept things when I can still be a little open-minded. And I changed the way I approached making this album. I think, as I made each song, I lent an ear to what a lot of people had to say.

With YG, there’s this strong image that, compared to other companies, their artists are unrestrained and allowed to express themselves freely.

(Laughs) I think there’s a misperception. There can’t help but be a difference from what you see from the outside, looking in. In the end, this place, too, deals with mainstream music and deals with the general public. To compare, I’m the gambler, but I’m not the one who actually decides how to bet. I make the moves, but it’s the company that looks at those moves and makes the bet. And as the company continues to grow in scale, its musical colors have become more varied. Sometimes, it’s still hard to believe a group like Akdong Musician is in our company. Anyway, now that the album is out, the thought that comes to mind is that, maybe, this method suits me. There may be a difference in my level of satisfaction, but I didn’t do anything I didn’t want to do. What did you think of it?

I suppose you could say this with most music, but it’s an album that reveals good things the more you listen to it. When I watch Yuna Kim’s competition performances over and over, I start seeing little moves, nuances that I hadn’t noticed before. It’s similar. I discover these moments that show me that you really put a lot of care into it. That you didn’t just brush past anything. What interesting pronunciation. What interesting choice of word.

Hearing you say that makes me feel like the things I took such care to express came through after all.

Have you listened to the album since its release?

I think I still need some time before I could listen to it [objectively] with a cold heart. I don’t know if we’ll have a chance to talk about it when that time comes.

You can still speak about it without being cold-hearted.

So far, I just… For now, I just want to let the album lay. I just want to hear what people have to say. I don’t have much to say. If possible, I don’t even want to do interviews this time.

Goodness… Then aren’t there ways to release the music you originally wanted to do?

Honestly, I’ve thought about it, but that would be a last resort. ‘Fine, then I’ll release it on my own,’ is not the way I want to go about it. When they’ve acknowledged it, or when I’ve convinced them, I feel that’s when it should be released as a proper album.

You’re getting the best reception of all your solo songs so far. So what’s with the tone of this interview?

I know, right? (Laughs) That’s why I didn’t want to say too much, but here I am saying it all. (Laughs)

What was the first song you made?

‘Intro (Rise).’ When we first made it, I thought, this is it. As soon as I listened to it, I could visualize the track arrangement [album structure?], even the album packaging.

It grabbed me. The sound was sophisticated, and there was a feeling of big dreams, of moving through large, expansive spaces that I liked. And the phrase, “Put your hands in the air” – it conveys that sense of travel. But when the intro ends, it’s followed immediately by ‘Eyes, Nose, Lips’ and ‘1AM.’ It’s like the journey ends abruptly, and we’re suddenly somewhere here in Hapjeongdong.

It’s true. In this album, dreams and reality coexist like that. (Laughs)

You and Teddy wrote the lyrics to ‘Eyes, Nose, Lips’ together, right?

As the album kept getting dumped and delayed, Teddy hyung and I talked a lot. Our conclusion was, let’s make a song that’ll have people saying, “Oh, he’s a really good singer.” Okay, so let’s make a love song. Over the last four years, I’ve loved, and I’ve parted. And the things I had jotted down on my notebook became this song. It’s just my story.

You sang the song beautifully during your debut stage.

Did I?

You didn’t know? Because you’ve always emphasized performance, I think your voice and your singing were, in a way, things enjoyed only among those who seek out your music. But with this song, you sing it in its entirety. There’s not even a chorus even.

Yes, I have to this time. To be honest, when I’m performing, I don’t have the compulsion that I have to sing everything well. But I try because then people make a fuss, “Why does he sing so carelessly?” So there was a little bit of, “Okay, then I will just focus on singing this time. What do you say now?” (Laughs)

I could feel you singing with such care. I may not be able to explain it clearly like an audition program judge, but it’s the kind of thing you can just feel. A part of me thought, “Here’s a guy singing about heartbreak, so what’s with all the earrings? The tilted hat? Did he get dumped because of that?”

Haha. But it’s my experience that when you break up, you really do start taking care of your looks more. When things are going well, you go around wearing whatever, but when you break up, you start to care. You really do. I don’t know if it’s because you want to mend the relationship, or because you can’t stand to see yourself crumble, but you really do.

Then when you went to Paris Fashion Week dressed up like a peacock was when you [broke up]…?

(Laughs) If we’re going to talk about Paris Fashion Week, it’s a lot of fun watching the shows. But, the whole time, I was uncomfortable with the appearance that I was there just to be seen, a celebrity wanting to be photographed. When, really, if you’ve been invited to a show, it’s simply courtesy to wear their clothes and try to look good… To be honest, the first time I went, it was an escape, in a sense. I would stress and stress about the album and just feel stuck, never getting anywhere. So I left to refresh myself and have a change of pace. But the second time I went, I realized it. What this is about. I don’t think you’ll see me [in that kind of setting] again.

‘Eyes, Nose, Lips’ is followed by ‘1AM.’ But why is it 1 o’clock?

Actually, for me, it would be more like 4 or 5AM, but I figured 1AM would make more sense for most people. When you come home a little later than usual. You take the last bus home, and you’re a little drunk or your head’s just starting to clear a bit.

I guess that’s how lyrics are. When it’s written from personal thoughts and experiences, you can relate to it more. These two songs about love start the album. Their position at the start – was it simply because they were the title tracks?

Basically. Since the track order does influence the songs’ sales. My idea originally was to follow ‘Intro’ with ‘Love You to Death,’ but to say let’s open the album with a song that barely made it into the album was… In the end, the ‘Intro’ and ‘Love You to Death,’ the two songs closest to the music I originally wanted to do, ended up book-ending the album.

The first two songs are followed up by ‘Stay with Me,’ ‘Beautiful (Body)’ and ‘Ringa Linga’ – a set of songs with fast tempos and a club feel. I think ‘Stay with Me’ is your best collaboration with G-Dragon so far. It’s like a photo in which both of you came out good.

Yes, I think so, too. That song came about because, well, the album I was trying to make originally had no featurings. And that, from the company’s point of view, was another matter of concern. (Laughs) I gave it some thought. I would have loved to sing ‘Let Go’ with Cho Yong-Pil sunbaenim, so I pursued it, but we were pressed for time and couldn’t make it happen. I went to him with the song, and he told me the music was good, but that he didn’t have the time to sing on it. In a way, I was grateful he declined because I understood that he’s not someone who does anything casually. I didn’t want to rush it either. Anyway, I needed to include a featuring,and Ji-Yong is the person I spend the most time with, both in and out of the studio. Ji-Yong is very adept, you know. He’s my closest friend, but [it amazes me] how he’s able to take in everything and process it in his own way. I watch him, and it influences me. He goes with the flow and yet still maintains his own color. With Ji-Yong, I really share my inner thoughts. I can’t whine to the composer hyungs after all. If things aren’t going well, as the artist, it’s my position to cheer them up and say, “Let’s try again.” But to Ji-Yong, I can act my age. I can say whatever is welling up within, and he listens. And we talk about women, dating issues and stuff. ‘Stay with Me’ came about really late in the album’s progress. I like it, too.

Last year’s ‘Ringa Linga’ is a little different though. Listening to you, Tayeang, sing, “Ladies cry over my body” made me, I’m sorry to say, giggle a little from embarrassment. On the other hand, in terms of style, choreography and performance, it was the most intensity you’ve shown.

True. I agree that, lyrically, the words and content weren’t something I related to. But I think that song was important in a way, timing-wise. In terms of timing, it wasn’t bad. I was going to the Paris Fashion Show and stuff (laughs), so it didn’t seem like a bad move to sing this trendy club tune. The lyrics are a little different from my style, but I was confident in the way I expressed it through performance.

And with that, we move onto the second half of the album. ‘This Ain’t It’ was the most unexpected song on the album and, personally, the song I listen to the most.

It was unexpected for me, too. I heard it by chance and liked it, but it didn’t occur to me to sing it. It’s a song that CEO YG said would sound fresh if I sang it, so I said I’ll try.

It’s a different genre from what you’ve done, and I find your way of pronouncing, your way of phrasing things expressively, refreshing. As the one singing it, how did it feel?

Unfamiliar. Since there is no rhythm [to latch onto], you have to rely purely on emotion to guide you to the end. I was lost at first. I tried just singing it my way. Then I tried singing it as if I were crying. But emotions are subtle. About the fifth time I sang it, I think I found my way.

I found your pronunciation particularly intriguing. You pronounce [the vowel] ‘eo’ as something between ‘eu’ and ‘eo,’ making use of the Seoul Kyeonggi area dialect.

That was… I told you I just sang it my way at first. But I guess it was really extreme. The people listening were like, “Why are you singing with such a strong accent?” I’d never heard that before. I’m not sure how to explain it, but it’s just how it came out naturally. Not intentionally. I didn’t try to sing that way on purpose. That would have felt forced. I only realized after recording it. “Why did I pronounce it like this?”

What an amusing story that only a singer from Euijeongbu could tell.

(Laughs) Pronunciation is so important. I’m not saying you always have to speak precisely. It’s like being able to understand with your head what you’ve expressed instinctively. ‘This Ain’t It’ was, in many senses, unexpected for me, too.

‘This Ain’t It’ is the first song of yours that I would want to listen to alone on my way back home from a trip. I can’t help thinking that’s something quite meaningful for the singer, Taeyang.

It’s something I’ve thought about, too. So when I hear you say that, I feel good.

You mentioned the featuring earlier, but the next song ‘Let Go’ makes me think of Cho Yong-Pil.

I remember hearing this song’s melody for the first time. I heard it on the stairs on my way down from the third floor to the second, and I really liked the sound of it. I only realized after recording it that it reminded me of Cho Yong-Pil sunbaenim’s song. “Oh, it really does.” But I never used it as a motif or anything. Later, I even considered changing the arrangement, but I seemed to be the only one thinking that. (Laughs)

And then the final track ‘Love You to Death’ begins. Right after the album’s release, you said at a press conference that it is your favorite song. And that it barely made it into the album. I think that could be interpreted two ways. That you included it because it was your favorite song out of the music that you had originally wanted to do. Or that it was the one song that at least somewhat fit in with the album.

It’s true that it’s a song I really like. But there’s actually another song I like even more out of the work I did with [Happy Perez]. The reason I chose ‘Love You to Death’ is because it suited the album best. More than anything, I like the lyrics. It’s passionate. You’re saying you’d die for this woman. And the sound is masculine, too.

Are you passionate?

Yes.

Is that something you realized after experiencing love?

I think so. When you like somebody, you definitely become [passionate]. Knowing that about myself now, I feel like I should control myself in advance so that I don’t fall so deeply.

If it were that easy, why are there so many love songs in the world?

True. I’m not even aware of it – it just happens…

One time, I was listening on iTunes, and, like magic, The Weeknd’s ‘Wicked Games’ came on after ‘Love You to Death.’ It felt disconcertingly good, as if a film that had ended restarted in a fresh and strange way?

I do think… I’d like to present this album in a different way somehow.

You’re being quite cagey.

You know. An album’s only out when it’s out. A concert only happens when it happens. (Laughs)

You’re doing a tour in Japan, right?

I wanted it. My biggest motivation for releasing an album is to perform. Since the album’s out, the next step [is to perform]. I think, after touring in Japan, I’ll be able to show a more seasoned concert in Korea.

So what’s next for you?

It’s hard to say. Whether it’s through this album, or through each and every performance, or, even through any misunderstanding and by clearing up the misunderstanding, I hope it’s all a process of approaching my true self as an artist. I think, possibly, I discovered a lot of different sides of myself through this album. You could call it confidence. Maybe it was an image of my own making, but I don’t want to make music while feeling trapped by the attention of people who seek only that image in me. All the time and opportunities that come my way, I want to confront them. Whatever my image, whatever the reaction, I think I have to go all the way. Whether through inner struggle or through traveling, ultimately, my disposition or color as a musician is going to keep growing stronger. No matter the song, I want to persuade people with music and project myself within it.

“More so than to anyone else, to me. I’m singing to myself,” is the impression I get.

That’s true.

“Not to you as much as to [me].”

Right.

Do you approve of the singer, Taeyang?

To tell you the truth, before, like when I was doing ‘Where U At,’ for instance, I think I was very satisfied with the idea that I was doing what I wanted to do. But if you were to ask me now whether I like who I was as a singer back then, I’m not sure. But I could tell you I like myself as a singer now. And I think I’ll like myself even more in the future.

I feel like I should shout, “Fighting!”

(Laughs) Before I look at myself as a singer, I look at and study the people I feel are true singers. Cho Yong-Pil sunbaenim is one. And also Kim Choo-Ja sunbaenim, having listened to her album. And I feel like I start to understand things I didn’t understand before, and I start to take after them. If, in the past, I may have thought, “That’s so cool. I want to be like that,” now I find those sides within me naturally. And that makes me think I’m on the right path as a singer.

Kim Choo-Ja’s album came out on the same day as yours. As a listener, I found it a very fun coincidence.

I didn’t know Kim Choo-Ja sunbaenim before. But listening to this album, I marveled at her way of expression. That there is a singer who could express herself like this. It made me feel deeply what it is to sing something your own way. Why that’s important and so difficult. My dream is to create music and performances that persuade everyone without a doubt. I’m sure I’ll come across some stumbling blocks along the way, but there’s something cool about having no fear. Really, a singer just needs to be cool. It seems artists who persevere like that receive less attention from the public. Not many people take notice. And because of that, standards go down.

All you can do is just keep going forward, continue along your path. You are fortunate and blessed that you can walk that path with the people who blazed the trail and with other cool contemporaries.

Yes.

Earlier, didn’t you claim that you didn’t have anything to say?

I don’t.

Should we talk about gardens and interiors? You’re very engrossed with them these days.

Yes, I’m moving to a house with a yard, so I started getting interested in these things. There’s a table I’ve been wanting to get, but it’s so expensive that I couldn’t even consider buying it new. But I heard you can buy it cheaper if it’s vintage, so I’ve been combing the internet lately.

There’s a bonsai tree here.

It’s a cherry tree. For some reason, cherry blossoms touched my heart this spring. I watched the petals falling along the streets and thought, “They blossom once a year and then disappear with such beauty.” I had never felt that way before. So I bought this bonsai, and I plan to plant a cherry tree in the yard in my new house.
 

No No Eul

Member
I had a blank voting the songs, I didn't remember any, I had to do a quick review...
Also Red Light is from July, people, save it for the next survey.

Yeah red light and new fiestar song are from july.
The only reason I didn't vote for them.

Yeah, some stuff from July got mixed in with all the rest. I vaguely considered removing them along with the Japanese tunes but then I thought, nah, it's nothing to worry about really.
 

No No Eul

Member
Survey Results Part II



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Q3. 2NE1 vs. Girls' Generation
SM and YG spent the month of February embroiled in a spectacular battle to see who could delay their upcoming release the longest. When all was said and done, which of the two records did you enjoy the most?


1. (41.2%) 2NE1's Crush
2. (38.2%) Girls' Generation's Mr.Mr.
3. (14.7%) I didn't really care for either of them
4. (5.9%) I liked them both

Crush comes out on top but the voting was much closer than I would have guessed.



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Q4. Apparently Instagram is a Thing Now
Over the last year or so, dozens of idols have discovered the joy of sepia-toned jpegs. Who, though, is the undisputed K-pop Queen or King of social media?


1. (35.3%) Taeyeon
2. (14.7%) Hyeyeon
3. (8.8%) Dahye

Honourable mentions: Min, Yura, Hyuna, Hyunyoung, Jaekyung, Key, Minzy, Sungah, Sunny, Yuri

The winner was inevitable really. It's a pretty strong result for BESTie though.

Other comments:

I want to say Hyoyeon but that's me being a fanboy instead of being honest. So, pass
jose's mom
MOTHA F***IN BESTie
yo momma
What's Instantgram



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Q5. See Me After Class
Girls' Generation's most recent comeback was somewhat... troubled. Taking into consideration the concept, songs, teaser campaign, music video, choreography etc. how would you grade SNSD's Mr.Mr. promotions overall?


A - 0%
B - 24%
C - 38%
D - 15%
FUBAR - 24%

Oh dear.



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Q6. Everybody's Dating
To quote josecitoxnyo, "5 down, 4 to go. Who's next? Place your bets!"


1. (50%) Jessica
2. (32%) Yuri
3. (9%) Sunny, Seobot

Jessica's not fooling anyone.
 

Eldren

Member
SNSD will cover Only One for upcoming SM TOWN ?

No that was only a rumour, thank god. There was a post on that celebrated kpop forum OneHallyu that was like "wouldn't it be cool if they all covered each other's songs? Here's what I'd like to see..." and then someone else made a new thread saying "omg they're doing covers!" with that original post as the "source". Gullible sones.

Thanks again for the survey, No Eul. I think the results are about as expected so far, and I'm glad to see
Catallena
reigning supreme. Only 2 other votes for Miniskirt though?! Shame on you people. I'm predicting a strong showing from f(x) and Fiestar in later surveys.

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👭 🍔 🍟 🍴 🍹 🍛 🍝 🍴 🍹 #Tokyo

I think she just discovered emojis. They're basically unemployed between tours, they have so little to do they're literally just hanging out in Tokyo eating burgers.
 

Pendulum

Member
Just saying question was not for albums.

This one:
Q3. 2NE1 vs. Girls' Generation
SM and YG spent the month of February embroiled in a spectacular battle to see who could delay their upcoming release the longest. When all was said and done, which of the two records did you enjoy the most?


1. (41.2%) 2NE1's Crush
2. (38.2%) Girls' Generation's Mr.Mr.
3. (14.7%) I didn't really care for either of them
4. (5.9%) I liked them both

Crush comes out on top but the voting was much closer than I would have guessed.

I'm not surprised at the close gap, but I am disappointed. If people had to listen to both and then pick one, I'd be interested to see those results.
 

luso

Member
Is all about perception. 3 good songs and 3 meh songs are differently perceived from 6 good songs and 6 meh songs.
 

Fafnir

Member
J&K episode 6. Queen Victoria saves the show from boredom while Sica eats/shops in Japan and Krys tries in vain to call her the whole episode. J&K show needs to be canceled and replaced with the "Victoria and the f(x)s" show.

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J&K episode 6. Queen Victoria saves the show from boredom while Sica eats/shops in Japan and Krys tries in vain to call her the whole episode. J&K show needs to be canceled and replaced with the "Victoria and the f(x)s" show.

I'd watch the hell out of that. Victoria is stupidly pretty and the way she talks is the cutest thing I've ever heard imo.
 

ramyeon

Member
Is all about perception. 3 good songs and 3 meh songs are differently perceived from 6 good songs and 6 meh songs.
I like SNSD too, been following since their pre-debut days, but I'm not going to pretend Mr Mr was a good release. It doesn't even hold a candle to Crush. Crush was back to back great songs, most of which were title track worthy (And there were only 9 tracks so I'm not sure where you're getting "6 good and 6 meh" from) while pretty much the entirety of Mr Mr is forgettable.
 

luso

Member
I like SNSD too, been following since their pre-debut days, but I'm not going to pretend Mr Mr was a good release. It doesn't even hold a candle to Crush. Crush was back to back great songs, most of which were title track worthy (And there were only 9 tracks so I'm not sure where you're getting "6 good and 6 meh" from) while pretty much the entirety of Mr Mr is forgettable.
So we have different tastes, what's new. But I was also giving a general example.


Also the other category was not about selca queen, but social media overall. It's boring looking at selcas if they look all the same.
 

Pendulum

Member
Quality > Quantity.

I agree. There's quality in Hyeyeon's social media updates that is more than turning the camera on a pretty face (that sounds like I'm bashing Dahye. Look what you made me do. And why are we even talking about this? :/ Let's instead listen & watch this "mixtape" from yet-to-debut A.KOR)
 
Did you see the video until the end?

Nope, was too focused on her lips waiting for the moment she mouths "He Who Must Not Be Named" and fortunately, I don't think that happened.

The way she waved her hand is probably a secret sign for Baekhyun.

The B word is banned from this thread.

LOL.

So much shade in this industry lately. smh.

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This gal is just drumming up more controversy, why would she partner with a company that starts with the letter B? Seriously, she be trolling her fans hardcore yo.

Anyway, I do agree with Ramyeon. Crush IS definitely a better collection of songs than Mr Mr(let's call it a collection to avoid the mini/album argument). I personally think Europa is memorable but Gotta Be You is one of the freshest tracks I've heard all year. I'm still bumping it 6 months later, whereas Europa is on the playlist but I don't actively look for it. And whenever Gotta Be You comes up, you bet your ass I'm enjoying every moment of it, with Europa I've got this reaction: "wait a minute, this song is actually pretty good!" type of thing.

Humming Urban Stereo, Mamamoo and K-hiphop dude Crush are my fave albums of the year so far though.
 

No No Eul

Member
I've only just gotten around to listening to that Kasper EP that someone (Peru?) posted ages ago. The first track, Midnight, is gorgeous. I love it so much.


Fiestar's management reponds:
It’s something we have to accept but it’s a little puzzling. The song just portrays playing a smart phone game in a witty way, and it’s a shame that our intent was misinterpreted.

lol

Sistar comeback on the 21st.

I swear, if that song makes any reference to the phrase 'yoohoo', there will be tears.

Talking of summery songs that contain the forbidden phrase, Park Ji Yoon's latest MV has been released.
 

llehuty

Member
Younha fancams showing tha she is better than our faves:

Waiting
Comet
Umbrella
빗소리

Fiestar's management reponds:
It’s something we have to accept but it’s a little puzzling. The song just portrays playing a smart phone game in a witty way, and it’s a shame that our intent was misinterpreted.
LMAO. This has to be the best PR statement I've read in a long time (and weeks ago I read AOA's lore in wikipedia, so that's saying something).
 
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