Yeezus is less sprawling than My Beautiful Dark Twisted Fantasy, and maybe more sonically cohesive than 808s & Heartbreak.
Electro. That was the running theme. Whether it was EDM, industrial, Moombahton or 80s-style synths, theres a preponderance of squelching and pulsating here. Interestingly, Kanye prefaced the album by saying he listened to some Joy Division and realized hes not a soul guy anymore, hes New Wave. Id posit hes more darkwave.
9. In a rather sneaky move, the album ends like old Kanye.
The song with the sample-heavy snippet (one of which was Brenda Lee) that was featured on Wests official site closes out the album. Its a wonderful nod to the Kanye of 2004-05, like he wanted to give us a sign that the sample-screwing underdog is still alive under all that Givenchy and leather. But even the way he uses the samples has changed: rather than helping to bolster the hook (this is basically an album with no hooks), here they serve as abrupt breaks in the action to let you gather yourself.
10. Kanyes albums streak is alive and well.
As I said up top, its impossible to evaluate an album after two listens, especially under such strange circumstances. But its clear this is not a dud. It may not be as fun as his old ****, it may not be as epic as his last one, but its harder, faster and stronger. Time will tell if its better.