XANDER CAGE
Member
The iTunes preview of On Sight sounds the exact same.
Pitchfork 9.5
wait, what?!
1) On Sight: Kanye West, Guy-Manuel de Homem-Christo, Thomas Bangalter, Malik Jones, Che Smith, Elon Rutberg, Cydel Young, Derrick Watkins, Mike Dean & Keith Carter, Sr.
2) Black Skinhead: Kanye West, Guy-Manuel de Homem-Christo, Thomas Bangalter, Malik Jones, Cydel Young, Elon Rutberg, Wasalu Jaco, Sakiya Sandifer, Mike Dean & Derrick Watkins
3) I Am A God (feat. God): Kanye West, Guy-Manuel de Homem-Christo, Thomas Bangalter, Clifton Bailey, Harvel Hart, Anand Bakshi, Rahul Burman, Ross Birchard, Justin Vernon, Malik Jones, Che Smith, Elon Rutberg, Cydel Young, Mike Dean & Derek Watkins
4) New Slaves: Kanye West, Christopher Breaux, Cydell Young, Gabor Presser, Anna Adamis, Ben Bronfman, Malik Jones, Che Smith, Elon Rutberg, Sakiya Sandifer, Louis Johnson & Mike Dean
5) Hold My Liquor: Kanye West, Mike Dean, Justin Vernon, Keith Cozart, Elon Rutberg, Che Smith, Malik Jones, Alejandro Ghersi, Cydel Young & Derrick Watkins
6) I'm In It: Kanye West, Justin Vernon, Andre Harris, Jill Scott, Vidal Davis, Carvin Haggins, Kenny Lattimore, Jeffrey Campbell, Josh Leary, Malik Jones, Cydel Young, Sakiya Sandifer, Elon Rutberg & Mike Dean
7) Blood On The Leaves: Kanye West, Ross Birchard, Lewis Allen, Elon Rutberg, Malik Jones, Tony Williams, Cydel Young & Mike Dean
8) Guilt Trip: Kanye West, Scott Mescudi, Keith Elam, Kevin Hansford, Dupre Kelly, Chris Martin, Al Terik Wardrick, Marlon Williams, Terrence Thornton, Tyree Pittman, Cydel Young, Mike Dean & Larry Griffin Jr.
9) Send It Up: Kanye West, Guy-Manuel de Homem-Christo, Thomas Bangalter, Michael Levy, Moses Davis, Colin York, Lowell Dunbar, Louis Johnson, Alejandro Ghersi, Sakiya Sandifer, Ab-Liva, Elon Rutberg & Mike Dean
10) Bound 2: Kanye West, John Stephens, Charlie Wilson, Elon Rutberg, Norman Whiteside, Bobby Massey, Robert Dukes, Che Pope, Cydel Young, Malik Jones, Sakiya Sandifer, Mike Dean & Ronnie Self
Well deserved, record is almost flawless for me.
http://pitchfork.com/reviews/albums/18172-kanye-west-yeezus/
http://www.hiphopdx.com/index/news/...n-details-kanye-west-s-production-evolution-/”[West] is more the producer that oversees everybody now," Dean says during the interview. "He gets teams of producers to work under him. When I first started working with him, I mixed two, three songs on his first record at my house in Texas. I'd say, 'Ah, I could help you on this track.' He'd say, 'I make beats. That's what I do.' That was 10 years ago, I guess. Now he lets everybody put input in and he sorts through it. We’ll have eight producers putting parts on one song and then we’ll just pick through it, pick what’s good."
With so many producers working on one song, Dean says the process becomes layered. "Usually one person will start something and eight other people will add parts," Dean says to interviewer Ricky Camilleri. "Sometimes it'll end up [that] the person that started doesn't have anything on the final song, but they're still producing."
It's more Gesaffelstein than Daft Punk
http://www.youtube.com/watch?v=1JeRgKpbUTA
The iTunes preview of On Sight sounds the exact same.
OK, yeah, I hear the beat dropping out in the iTunes preview of I Am a God. Weird.
Charlie Wilson's parts on Bound 2 are so dope.
Yeah, looking at the wave charts, it seems like the iTunes version isn't as brickwalled. It's not a big difference, but not only is the mixing different on some tracks, it's not as mastered as hot. Strange indeed.
Didn't Kanye do this with CS though? (ie. updating tracks on the digital release).
Yeah, that's where all the .1 tracks came from. Sort of surprised Def Jam let him do it again, with a solo no less.
VIBE: You're featured on Kanye Wests Yeezus album on the track Bound 2. Can you explain how that collaboration came together?
Charlie Wilson: Ye, man first he was trying to get me to do some G.O.O.D. Friday stuff in Hawaii, but the day that they called me I was just waking up from anesthesia from having back surgery. At that time, Hawaii really sounded good to me [laughs]. I wanted to get out of there. My people even asked, What do you want me to tell Kanyes people do you want to go? And Im like, Yeah right I cant even get to the door with this walker. So we missed that session. I later asked my manager if Kanye and them ever called us back, then a few months later Ye hits me up and says they were in Paris and wanted me to come there. This was for his new album [Yeezus].
Kanye is an artist that knows what he wants. What type of direction did he give you for Bound 2?
Being in the room with 'Ye, hes very particular about what he wants you to do in the studio. Yes, he listens to me and gets off on the stuff that Im doing, but hes very particular about what he wants you to do. But when you come up with some new lyrics or he comes up with a new adlib he is going to beat that up and keep beating it up until that thing makes sense to him. But its a lot of fun working with him and seeing him jump around when things are coming to life.
It sounds like a party, huh?
When I came in for Yes session, the first thing I did was pick him up and hes like, Whats up family? I just found out that he and [Kim Kardashian] were expecting a baby and I picked him up so high that 'Ye was like, Man you happier than me! [Laughs] When I started singing someone told me that a new life came into the session. One of the people in the house said, Mr. Wilson, before you got here the sessions were kind of dead. You brought so much life everything started changing in the house. They even told me that Kanye was smiling more [laughs]. I was like, Wow. So bringing some happiness to a situation is something I do. Im not the guy coming into the studio with my face all frowned up like Im so hard that I cant say hi.
Charlie Wilson Talks Recording 'Bound 2' For Kanye's 'Yeezus' LP
One of the people in the house said, Mr. Wilson, before you got here the sessions were kind of dead. You brought so much life everything started changing in the house. yeezus[/url]
'Eatin' Asian pussy, all I need was sweet and sour sauce'
Lyrics by Lonely Island.
Which track did Daft Punk work on?
Which track did Daft Punk work on?
MBDTF should never be anywhere higher than last.
The lyrics are pretty atrocious on the whole.
I think it's meant to be dumb and ignorant, album is just about giving no fucks and the production is just godly :O
First three and track 9 (Send It Up), which is surprising.Which track did Daft Punk work on?
Yea Kanyes only like one notch above Lil Wayne lyrically on this album lolI like the production but I think that the lyrics are a bit too much of a sledgehammer at times.
I mean the already-infamous sweet and sour sauce and civil rights sign lyrics make me want to wretch.
That may indeed be the point and in the club drunk off your ass it might be great fun but I don't know if this will stay in my rotation for long.
Differences:
Black Skinhead - louder screaming
I Am a God - "Y'all better quit playing with god" -cut out background noise
New Slaves - Outro remastered
Hold My Liquor - lossless master on iTunes
I'm In It - Slightly changed volume of samples like at 0:37 seconds and 0:44 seconds.
You are joking right?Yea Kanyes only like one notch above Lil Wayne lyrically on this album lol
Lil Wayne being about the lowest of the totem pole
Looks like several difference's on the iTunes release
http://www.kanyetothe.com/forum/index.php?topic=477599.0
what is going on with the itunes yeezus advertisement artwork. lol
So the amazon version has the dropout too but some of the other things aren't there. Seems like there may be more than 2 versions.listening to it on Spotify Premium right now and the sound drops out on I am a God at that mentioned point. So I think it can be assumed that the Spotify one is the same as the iTunes one.
Moreso anti commercial for typical hip-hop listenersIt shits and slays lives. I don't get what's so massively anticommercial about it either. I guess the lyrical themes? But sonically it's not as radio unfriendly as MIA's // / Y / for instance.