I know the creator has said that this season's story will get a conclusion, but I hope that doesn't mean that they get rid of Lenny and as a consequence Aubrey's role in the show. She's too good to be a single season villain.
She's been great and memorable, but I think she's gotta go. Or atleast get kicked out of David so we can move the story on.
SK isn't the kind of character you just kill off and forget about.
Was that his Patrick Stewart impression? :lol
I love the metaness of him in his natural British accent being incredulous at his American accent failing at a British accent.
But seriously? Nobody's with me on the "email" drop? With all of the purposeful chronological markers in this show - the beat poetry, the tube TVs, the cars, Melanie's hair in the psych ward, The Eye's hair period (git got, sucka), the big-ass spinning plate psychiatrist recorder, the hippie aesthetic, the every single thing in this show - and this episode goes and drops "email" and then immediately hits us with the "key piece of information truncated by the conversational hard cut due to BIG IMPORTANT ISSUE" trope?
Something still ain't right.
Ptonomy got shafted in this episode. Though I suppose he had a decent flashback in the last episode.
I wouldn't be surprised if this entire season is just some crazy framing device for a larger story, and is just setting up for season 2 or 3 lol. My theory is that David's mind is so fucked,that we as the audience are seeing shit like tube TVs, 60's aesthetics and email because thats just how warped his fucking mind is. Either this how he views things even though they may not actually be like that in reality or he literally has a "reality distortion field" that shapes and molds reality into whatever his mind is comfortable dealing with.
I love the metaness of him in his natural British accent being incredulous at his American accent failing at a British accent.
Oh, and Oliver is a straight up Final Fantasy bard.
Another great thing was the brief flash of Xavier's chair. Just a subtle blink and you miss it detail with a huge impact.
Quoth the showrunner:But seriously? Nobody's with me on the "email" drop? With all of the purposeful chronological markers in this show - the beat poetry, the tube TVs, the cars, Melanie's hair in the psych ward, The Eye's hair period (git got, sucka), the big-ass spinning plate psychiatrist recorder, the hippie aesthetic, the every single thing in this show - and this episode goes and drops "email" and then immediately hits us with the "key piece of information truncated by the conversational hard cut due to BIG IMPORTANT ISSUE" trope?
When I wrote the script I assumed it was set in present day and in our world, and I think the network assumed that too. Then when it came time to make it I thought about it more as a fable on some level and I realized I wanted to make something subjective. Which is to say this whole show is not the world, its Davids experience of the world. Hes piecing his world together from nostalgia and memory and the world becomes that. I found myself watching A Clockwork Orange and Quadrophenia and a lot of 60s British films. Yet there are elements that are futuristic too. Youll notice theres only one car in the whole first hour, and not many in the whole season, because cars really date something. Costume wise Clockwork had a specific look to it that I wanted to play with. I wanted to create a world that had its own rules, and that was about putting you into Davids head and seeing things that are there or arent there. You wonder: Who is this guy if everything hes thought about himself is wrong?
The show is deliberately all over the place in depicting the time period. They've shown modern technology in other spots.
This is awesome, thanks. Guess it really isn't something to concentrate on too heavily, then.
The show is deliberately all over the place in depicting the time period. They've shown modern technology in other spots.
Thanks for that, great read.
"Hes piecing his world together from nostalgia and memory and the world becomes that"
Cool that I wasn't too far off in my interpretation.
This episode used black and white, silent film with title cards, animation, and different aspect ratios as storytelling devices.
Yeah, that's true - there have been a few monitors that have stuck out, like those ones where his sister was being held that seemed to be hi-res, but were also like... projected onto tarp or something? But I didn't know what to make of that. The coffee machine seems retro-futuristic as well, and I'm sure there are plenty of other tidbits. "Email" just seemed like a bit of a hard drop, especially with the quick pivot away from it while I still in the middle of my double take.
I mean, the dude in the very first episode was using a tablet. Modern technology is not a new thing that is suddenly mentioned for the first time...
This fucking show. Watching it with my wife and trying convince everyone I know to watch it, and I'm never That Guy. Hope they're able to retain their confidence and creativity going forward. Honestly could do with near zero exposition and just a ton of impressionistic scenes in jarringly different styles.
Ptonomy got shafted in this episode. Though I suppose he had a decent flashback in the last episode.
This episode used black and white, silent film with title cards, animation, and different aspect ratios as storytelling devices.
She's been great and a memorable villain, but I think she's gotta go. Or at least get kicked out of David so we can move the story on.