I saw it in a totally empty theater and I seem to remember the sound quality for the dance scene was amazing.That dance seen caught me offguard
I saw it in a totally empty theater and I seem to remember the sound quality for the dance scene was amazing.That dance seen caught me offguard
danny boyle didn't direct this
it was directed by the guy that wrote a bunch of danny boyle movies
alex garland
I think it's important to view this from Ava's standpoint. Her only contact with human males has been through Nathan, keeping her in a cage for development and study. Caleb is interested in saving her because he's attracted to her. From Eva's standpoint, escaping only to be stuck in the safekeeping of another man is just an extension of her confinement. Caleb feels like a savior but to Eva he's both a means to and end, and a threat once she is free.
If Caleb's angle was, "what he's doing is wrong, I'll get you out and you can go your own way", he would not seem like a threat to Eva. Instead it was, "I have feelings for you, let's escape together". Eva wanted the escape, not togetherness with another man.
Though as was pointed out, Eva was designed specifically to appeal to Caleb's psyche, which is why I do have a fair bit of sympathy for him. He was kinda fucked from the beginning.
I disagree with that analysis, given the overall themes of the film about male/female relationships. You have to insert the assumption that she wanted no witnesses, as that is not in the text of the film. Caleb falling for Eva is a critical component of the story, and the film is making a point about how that is viewed very differently from Eva and Caleb's perspectives. It follows that Caleb's motivations for getting Eva out have an impact on Eva's behavior toward him when she it out.You're assuming Ava have some semblance of compassion or moral compass like humans with a social upbringing, that she would take the risk of letting him live just because his intentions were noble.
It's not a matter if Caleb was a real threat or not to her, she wouldn't gain anything by having him alive and outside of Nathan's bunker with the knowledge he has. Ava simply wanted to get her "freedom" outside and having Caleb alive would be a liability after he served his purpose to help her out of there. It's pretty evident that Ava doesn't care about Caleb at all after she kills Nathan as she doesn't talk to him or anything, she just gets dressed and steps into the elevator and gives him a cold look at him before the elevator shuts.
But yeah, Caleb was fucked as soon he deluded himself as some sort of hero and started believing Ava over Nathan.
danny boyle didn't direct this
it was directed by the guy that wrote a bunch of danny boyle movies
alex garland
I disagree with that analysis, given the overall themes of the film about male/female relationships. You have to insert the assumption that she wanted no witnesses, as that is not in the text of the film. Caleb falling for Eva is a critical component of the story, and the film is making a point about how that is viewed very differently from Eva and Caleb's perspectives. It follows that Caleb's motivations for getting Eva out have an impact on Eva's behavior toward him when she it out.
We can certainly speculate that maybe she wanted no witnesses, but again, the film does not support that and TBH I think it's not a very compelling reason; the film is smarter than that. We're going to have to agree to disagree on this one.
"The film reveals Caleb isn't a "hero" at all, but rather a reflection of one of the most insidious aspects of gender bias and privilege -- those who actively participate in maintaining oppressive structures and only violate them when it serves their own sense of entitlement and expectations rooted firmly in the bias and privilege."
I see I'm not the only one who appreciated this. Could be applied to a great many things. Privilege is a motherfucker.
lmao
Ex Machina is a movie about someone getting brutally friend zoned
I can't believe this is being presented as a tale of a 'hero' persevering through slavery and eventually gaining freedom when the film implies that Ava will extinguish the human race...but okay I guess, you go with that.
Nathan is the hero of the story.
You're also inserting the assumption that Ava would have felt differently towards Caleb had he acted different motivations. Let's not forget that Ava actively encouraged Caleb towards the actions he takes. She does what she can to play up the caged-bird-in-need-of-freedom angle, with raised, scrunched eyebrows and preying on Caleb's emotions. Nathan warns Caleb specifically about this. In my reading, Ava wants Caleb to view her as a love interest in need of rescue, because that's what she needs. To me, Ava would have left Caleb regardless, because I felt the film was subverting two tropes at once: that AI would be sympathetic towards humans, and that it would be antagonistic. Instead, it's simply indifferent, interested in its own pursuits which may or may not have anything to do with humans. Now, you can obviously draw feminist existential project parallels with that, but it isn't necessarily a metaphor first and foremost.
In summary, I think you'd need to show that Ava cares about humans, at all, before you could assert she'd take Caleb if his intentions were more idealistic. It's been awhile since I've seen it, but I don't believe this is ever actually shown.
You're also inserting the assumption that Ava would have felt differently towards Caleb had he acted different motivations. Let's not forget that Ava actively encouraged Caleb towards the actions he takes. She does what she can to play up the caged-bird-in-need-of-freedom angle, with raised, scrunched eyebrows and preying on Caleb's emotions. Nathan warns Caleb specifically about this. In my reading, Ava wants Caleb to view her as a love interest in need of rescue, because that's what she needs. To me, Ava would have left Caleb regardless, because I felt the film was subverting two tropes at once: that AI would be sympathetic towards humans, and that it would be antagonistic. Instead, it's simply indifferent, interested in its own pursuits which may or may not have anything to do with humans. Now, you can obviously draw feminist existential project parallels with that, but it isn't necessarily a metaphor first and foremost.
In summary, I think you'd need to show that Ava cares about humans, at all, before you could assert she'd take Caleb if his intentions were more idealistic. It's been awhile since I've seen it, but I don't believe this is ever actually shown.
I'm not inserting that, I'm allowing for the possibility, since the film sets up her motivations for what she does to Caleb. I think it's possible (I said "likely", but possible is more appropriate) that if Caleb treated her differently, then Eva would have reacted differently to Caleb. That's not really a stretch at all - it's basic human behavior, which Eva is very much demonstrating throughout the film. I am asserting that Eva's actions toward Caleb are due to his motivations for freeing her - because that's simply what happens in the film.
If she simply wanted no witnesses, she'd have killed him. Instead she locks him up and walks away. (Granted, he seems pretty hosed in that office, but the possibility he gets out is also there. If wanting no witnesses was Ava's primary motivation, she have made sure.)
I don't agree at all with that view about the movie being some kind of metaphor about gender issues, to me that's reading waaaay too much into it, but at the same time I recognize there is no way to prove/disprove it. It's just a personal take.
You don't think Eva treated Caleb the way she did because of how Caleb responded to her? I feel like that's a big part of the entire point of the film. I don't need to demonstrate that she had apathy for all humans, because the film itself does not make that argument. It's just as in the in the realm of possibility as my speculation that she'd respond differently to Caleb had he treated her differently, but to be clear, that's just speculation on your part as well.Not buying this, even though theoretically Ava might have gone for another approach to get help from Caleb than making him fall for her and make him believe the "save me from the evil lord, white knight" spiel I don't see why she would have anything to gain or any inclination to let him live (especially when it puts herself at risk), besides if she had any feelings or respect for him (which she don't, because she prayed on his weaknesses and manipulated him since the beginning so that she could escape, nothing else).
This is funny, because I'm actually advocating the exact opposite, and don't extrapolate things that are not in the film.She'd personally kill him if she wanted no witnesses? What makes you think that? Also isn't that what she basically did, without doing it physically? I mean what makes you think that she would actively want to take him on when she obliviously didn't need to do so? Ava was forced to physically attack Nathan to get her freedom and she only survived Nathan because Kyoko was there to stab him in the back, why would she risk her safety again like that to kill Caleb by herself instead of just leaving him there to die, like she did? She surely knew the in and outs of the house when it comes to the security and how no visitors/guests comes over to Nathan's place ever. So leaving Caleb there to die in his office was the safest option to handle him. I mean, there's even a scene that shows the power is cut in Nathan's home again after she leaves (which is something she did through out the film), which could be her way to ensure Caleb can't use any computers/electrical devices to get out.
It feels like you just want to extrapolate something from the film that you see fits the overall "men controlling women" themes of the film. To me it's pretty clear that Ava is simply completely indifferent to humans (even people like Caleb that wanted to help), the only thing she cares about is herself and her desire for freedom.
Fits along with how the devs of the new Tomb Raider also treat a woman as someone you'd want to protect XDEDIT: I somehow missed the announcement that Alicia Vikander is playing Lara Croft in the new Tomb Raider movie. That's a really good choice.
GAF be slippin
Fits along with how the devs of the new Tomb Raider also treat a woman as someone you'd want to protect XD
You don't think Eva treated Caleb the way she did because of how Caleb responded to her? I feel like that's a big part of the entire point of the film. I don't need to demonstrate that she had apathy for all humans, because the film itself does not make that argument. It's just as in the in the realm of possibility as my speculation that she'd respond differently to Caleb had he treated her differently, but to be clear, that's just speculation on your part as well.
This is funny, because I'm actually advocating the exact opposite, and don't extrapolate things that are not in the film.
If Eva's motivation is to make sure - emphasis on "sure" - there were no witnesses, then she would act accordingly. She didn't. You are having to extrapolate on her motivations in a way I am not to get to the conclusion that she wanted Caleb dead rather than just to get away.
And as I've said a few times, she's clearly indifferent as to whether he dies or not. Which establishes her priorities: 1) get away from Caleb, and 2) if he dies, that's not her concern. She's free.
I'm not inserting that, I'm allowing for the possibility, since the film sets up her motivations for what she does to Caleb. I think it's possible (I said "likely", but possible is more appropriate) that if Caleb treated her differently, then Eva would have reacted differently to Caleb. That's not really a stretch at all - it's basic human behavior, which Eva is very much demonstrating throughout the film. I am asserting that Eva's actions toward Caleb are due to his motivations for freeing her - because that's simply what happens in the film.
If she simply wanted no witnesses, she'd have killed him. Instead she locks him up and walks away. (Granted, he seems pretty hosed in that office, but the possibility he gets out is also there. If wanting no witnesses was Ava's primary motivation, she have made sure.)
I can't believe this is being presented as a tale of a 'hero' persevering through slavery and eventually gaining freedom when the film implies that Ava will extinguish the human race...but okay I guess, you go with that.
Nathan is the hero of the story.
I definitely missed the subtlety of the gender commentary within the film's message. I'll have to rematch it now.
I don't agree at all with that view about the movie being some kind of metaphor about gender issues, to me that's reading waaaay too much into it, but at the same time I recognize there is no way to prove/disprove it.
I assumed Kyoko wasFinally saw this earlier, and it was so good. I loved it. So tense and suspenseful
1) In hindsight, Kyoko dancing was meant to imply she was programmed to dance those routines, right?
2) Given how Nathan treated his previous AI iterations, he probably did have those workers killed.
Ava was no hero in my opinion.