Dude, why are you still on my case about that film?
I'm not on your case at all.
You just seem like a decently thought out joke poster, so I was wondering.
If you're serious, you're serious. Which is cool. I responded to you in that Cloverfield thread seriously as well, just in case you're not some sort of weird gimmick "persona" or whatever. You bounced immediately afterwards.
I mean, if you don't really wanna think about the shit you're saying or why you say it, that's on you, but it
seems like you do? So I'm asking. It's a discussion board. If you're just gonna short-circuit the discussions you start with "I don't give a fuck, I'm not here for enlightenment" you're basically advertising that you're
probably just here as a joke.
Anyway, comparing Renner's Bourne to Hardy's Max doesn't make sense for a couple reasons, most of which have already been pointed out. And the point you were trying to make was also addressed in that Damon came back for Bourne (with Greengrass) and amazingly, turned out a movie that was just as "eh" if not actually
worse than Renner's Bourne.
Your personal favorite is Thunderdome. Bourne's last two movies are worse than Thunderdome. Both the Bourne's IN those "thunderdomes" are not as good as Hardy in Fury Road.
The idea that Fury Road would have made more money with Gibson in the lead
really doesn't make any sense. It likely would have tanked, not only because Gibson isn't the draw he used to be, Gibson doesn't have the presence he used to have, but for a movie as unabashedly fucking feminist as Fury Road is, Gibson simply would have kneecapped a large part of why people enjoyed the film.