Anton668
Member
Also who was this Sandy girl?
nobody important / plot device
Also who was this Sandy girl?
Wow that was cray.
Mad Men's truly back.
Is this the last season?
Okay, I thought maybe it was a character I had totally forgotten about.nobody important / plot device
So much for my "death of Don Draper" idea for this season, I guess.One more after this one.
Was about to say, it's the 70s mayne, but you got that covered.Anyway I actually really dislike the new hairstyles. I'm not a fan of the wavy hair of the 70s and much prefer Don & Co. with their early-mid 60s hairdos. Roger's hair was pretty awesome though.
The Peggy scenes were fucking terrible, the story line is very week and the scenes didnt feel like Mad Men at all, they just felt weird.
I like new Betty.
but the fat suit needs to go.
I can definitely see Peggy and Don going up against each other later in the season for the same client/pitch. That would be an electric episode.
"The road to failure is paved with good intentions.""I don't want to do this anymore."
I can definitely see Peggy and Don going up against each other later in the season for the same client/pitch. That would be an electric episode.
Yeah I'm surprised Betty's plot wasn't better received. I thought it was a pretty good character growth moment for her. Man, that scene with Henry in bed though...
I don't know if my favorite scene was the funeral or the Hawaii pitch.
I thought sandy might have been the step daughter but I was like HEW at the end of the episode.Am I supposed to care about Betty? Cuz I don't.
And WHO is Sandy supposed to be?
The episode was pretty masterful in the way it played on the theme of the door. We're passing through into the 70s, and you're seeing a cultural change initially exemplified superficially in the fashion of the times.I didn't think the premiere was that good. Don with dem suicidal thoughts though, that's interesting.
Good points. But to be fair, Peggy certainly does have some fairly major baggage. Never know if that could rear it's head in the future.The episode was pretty masterful in the way it played on the theme of the door. We're passing through into the 70s, and you're seeing a cultural change initially exemplified superficially in the fashion of the times.
Roger's inability to change his person, whether it be from his heart attack, his mother's death, and now his ultimate feeling of hopelessness from changing the inevitable. He tries to change the way he is framed with his daughter, and we see how that ends up. He finally loses it as he comes to a greater realization of how insignificant his passing will be.
Don has lived this transformative experience, obviously, and it completely frames who he is as a human being. He's a pantomime of Don, which is why they called back that Carousel moment again. Here he is again, observing his "life." It's why he's overwhelmed with self-loathing as he continues his contemptable lifestyle. He's awestruck by that surgeon...but not enough to be a decent person.
And now Peggy is a completely new human being. She's the front-facing Don Draper without the baggage of a false life.
Really loved the episode.
Betty's stuff was great. Loved the moment where we as an audience were rolling her eyes at that girl as she was talking about how "authentic" those hippies living in the tenements were. Then we see those same kids trying to recreate Billy's mother's goulash. A constant motif in the show and the episode.
We see these moments where she wants to be a good mother - again, "good intentions...yada yada" - but outside of the auspices of her family unit.
People need to stop getting hung up on Sandy, I doubt she is of any importance or that she will even appear again. She was just there as a catalyst for Betty.
I have to say though, the fact that Linda Cardellini's appearance was kept so well under wraps is mind blowing in this day and age. Matthew Weiner doesn't fuck around.
I didn't think the premiere was that good. Don with dem suicidal thoughts though, that's interesting.
People need to stop getting hung up on Sandy, I doubt she is of any importance or that she will even appear again. She was just there as a catalyst for Betty.
I have to say though, the fact that Linda Cardellini's appearance was kept so well under wraps is mind blowing in this day and age. Matthew Weiner doesn't fuck around.
- Why don't you go in there and rape her? I'll hold her arms down.
Hahaha.... wait whaaaat
- You can stick a rag in her mouth and you won't wake the boys
WHAAAAAAAT
And I didn't even recognize her while watching. And I consider my self to be a huge Freaks and Geeks fan.
I must own those sun glasses Don is wearing - where can I purchase them?
Is there an alternate dimension where this Linda Cardellini is a big deal? So what if her appearance was kept under wraps?
It was the photographer that said, "I want you to be yourself."Well said Talon.
The death theme throughout was handled in a way that almost went unnoticed for me up until Roger broke down in his office. That moment, combined with Don's extended shots where he's just staring, almost lost in his thoughts (out of his office window, Roger's gathering, conference room pitch); plus the idea of this Sandy girl who Betty is seemingly trying to save, but for all we know could be or will be dead - brought it all together for me.
What was the line that someone used towords Don referencing who he is? Maybe it was the doctor or the door man....? I can't remember, which is ashame because it was very profound and setup/summed up Don's portion I felt.
I laughed when Pete said Kamehameha