I just finished catching up a couple minutes ago, now I'll be able to watch it live for the first time ^_^
Also, I gotta say I found season 5 to be better than 4 in my opinion. Don't get me wrong, they were both good, but I think 4 started off very strong with several really great episodes in a row (especially The Crysanthemum and the Sword) and then dropped a little bit of steam by the end. Of course, there were a lot of really great moments in the last half of 4 too, like everything having to do with Anna and the episode where Don is afraid to call California, but I felt the main conflict in the last couple episodes was a little less powerful than it could have been. Obviously the loss of Lucky Strike and the widespread downsizing of the company was a pretty big deal (and eventually had many longterm effects for everyone, especially Roger and Layne
), but it didn't have the punch of the departure from Sterling Cooper in season 3. I also enjoyed season 4's focus on Don and his displacement from society/search for a new wife, but I felt it all wrapped up a little too abruptly (although I do like Megan... and also liked the psychoanalyst chick).
Season 5 in comparison started off a little rocky to me, but picked up by the end. In the beginning there were 2 episodes in a short space that were heavily reliant on dream sequences (the one where Don sleeps with that chick and strangles her and the one with Pete going after that highschool chick), and I really really hate dream sequences. I did enjoy what those episodes were trying to say, though, and I felt the overall narrative was served very well with the themes presented in the earlier episodes (especially Pete's relationship with the guy on the train). I felt the show was moving on a more consistent pace in the last half of season 5 than it was in the last half of season 4, with the conflicts and situations growing more and more in intensity. Layne's money issues, Joan's struggles at home and with the Jaguar incident, Peggy's growing distance from Don, Don's conflicts with his wife, Pete's growing reputation and power, etc. I felt like it all came together pretty smoothly and satisfyingly, almost in a manner reminiscent of season 3's stellar last half, but not quite as spectacular. I'm ready for 6, baby.
As for the whole issue of race in Mad Men, I really can't see it as much more than a non-issue, and I'm half-Puerto Rican, half-Haitian. I've heard one of my friends pretty much going on about the same thing and I'm just like "It's a show about an ad agency in the 60's". Not only that, the show goes way out of their way to show not only the detriments of the business culture of this time, but the racial and gender tensions and movements of the time. Just because there aren't black actors in the vast majority of scenes doesn't mean they're just focusing on whites in order to cater to a white audience. While that's an accusation that applies to television and movies as a whole, I can't see why anyone would direct it at Mad Men, which again, has never really shied away from the issue of race and focuses on an ad agency in the 60's. Even if you did wish minorities had more of a presence in the show, I feel like labeling the situation of a character like Dawn "disgusting" is going a bit too far. And then to compare Dawn to Ginsburg? Obviously Ginsburg is annoying, but he is a much more integral part of the business than Dawn is and was already more important the minute he showed up.
Docking the show for not placing an inordinate amount of focus on a secretary when they don't really have to (unless the script calls for it) seems a little silly to me.