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Marvel's Secret Wars Hype Thread - Where we argue about what "reboot" means

Slayven

Member
I dunno man. You put a book w/ JMS & Quitely in one of my hands, and a book with Loeb & Land in the other, guess which one of those books I'm going to throw to the ground first.

(I'll at least thumb through the JMS/Quitely book before dismissing it)

No you won't because it would be so late you will be in an old folks home before it comes out. JMS also have Kevin Smithitis, good writer but can't keep a schedule for shit.
 
Id like to see someone try to do a hard reboot. Like go back and start with ff 1 and make that the origin issue and then next month do spider man etc. After the first year or so they can bring the avengers together for the first time and then after like 3 do the first big universe wide event. Marvel or dc would ever do that though.
 
No you won't because it would be so late you will be in an old folks home before it comes out. JMS also have Kevin Smithitis, good writer but can't keep a schedule for shit.

I don't know that I'd call either of them "a good writer," so much as I'd say they're writers who managed once upon a time to tell a decent story, and haven't been able to replicate the feat reliably ever since.
 

otakukidd

Member
Didn't they say that battleworld is the new marvel universe even after secret wars and the foreseeable future? Instead of nu52 which melded universes together and retconed things. This seems like they jammed them into the same universe and the characters know it with nothing retconed. If it was reboot they would be on earth. An analogy would be if we had the 90s spider-man cartoon. This would be spider-man unlimited (sorry) and not spectacular spider-man.
 
Id like to see someone try to do a hard reboot. Like go back and start with ff 1 and make that the origin issue and then next month do spider man etc. After the first year or so they can bring the avengers together for the first time and then after like 3 do the first big universe wide event. Marvel or dc would ever do that though.

So something like what they did at the start of the Ultimate universe?

Didn't they say that battleworld is the new marvel universe even after secret wars and the foreseeable future? Instead of nu52 which melded universes together and retconed things. This seems like they jammed them into the same universe and the characters know it with nothing retconed. If it was reboot they would be on earth. An analogy would be if we had the 90s spider-man cartoon. This would be spider-man unlimited (sorry) and not spectacular spider-man.

They never said anything to that effect. Battleworld is what the world looks like in Secret Wars, and they were very careful to only hint at what's happening after the event but giving the "wait and see" answer also.
 
This is probably why I prefer Manga. There's something appealing about a self contained story about something other than super heroes (even if a lot of shounen manga the characters have what could be considered super powers).

They're the same damn thing. Retcons, character deaths and rebirths, power creep, overly long dialog at times to explain simple concepts. Subsitute "superhero" with "ninja", "saiyan", "random high school girl who stumbles upon magic powers" and they're all still trying to save the world. Superheroes all but in name.
 

Slayven

Member
I don't know that I'd call either of them "a good writer," so much as I'd say they're writers who managed once upon a time to tell a decent story, and haven't been able to replicate the feat reliably ever since.

My standards are probably lower than yours. Anything above Millar and Chuck Austen, I consider good.
 

Parallax

best seen in the classic "Shadow of the Beast"
Id like to see someone try to do a hard reboot. Like go back and start with ff 1 and make that the origin issue and then next month do spider man etc. After the first year or so they can bring the avengers together for the first time and then after like 3 do the first big universe wide event. Marvel or dc would ever do that though.

why though? the origin books already exists

My standards are probably lower than yours. Anything about Millar and Chuck Austen, I consider good.

bullshit
 
So something like what they did at the start of the Ultimate universe?

Sort of...but better planned out. The ultimate books started with two and they added more when they got popular. Im talking about planning all 50 monthly books from the start.

why though? the origin books already exists

Because it makes continuity a lot simpler. Every time dc reboots it feels like they dont want to commit to a full reboot and it makes things confusing. They do things like leave all the batman continuity but take away all of the superman continuity but leave a few things like death of superman but they dont actually tell you what they are leaving (probably because they don't know) and it does the opposite of what a reboot is supposed to do which is streamline.
 

TalonJH

Member
Id like to see someone try to do a hard reboot. Like go back and start with ff 1 and make that the origin issue and then next month do spider man etc. After the first year or so they can bring the avengers together for the first time and then after like 3 do the first big universe wide event. Marvel or dc would ever do that though.

Thats basically what the ultimate universe was.

Edit: You explained yourself in the above post. Yeah, I would be fine with that, I just don't want to lose the few Ultimate characters that actually work. With Ultimate they had to start slow and gauge interest. Now they can really just completely start over.
 

Parallax

best seen in the classic "Shadow of the Beast"
Because it makes continuity a lot simpler. Every time dc reboots it feels like they dont want to commit to a full reboot and it makes things confusing. They do things like leave all the batman continuity but take away all of the superman continuity but leave a few things like death of superman but they dont actually tell you what they are leaving (probably because they don't know) and it does the opposite of what a reboot is supposed to do which is streamline.

because its a beginning. there is no continuity, and shit can still go off the rails by book 10.
 
because its a beginning. there is no continuity, and shit can still go off the rails by book 10.

Of course it can..that's why quality control and planning would have to be important. If you could plan out the first three years or so it could be beneficial.

Look at it this way...marvel and dc weren't started as planned universes, which is where they run into a lot of trouble. Imagine how beneficial it would be if ypu went back and sorted everything out with a completely clean slate. It would actually probably be more beneficial to dc who's continuity is a clusterfuck...but this is the marvel reboot thread
 

Neoxon

Junior Member
Let's be honest, with reboots, you're really trading one convoluted continuity for another convoluted continuity.

I need Richie back, Mahvel.
 
Deal is reboots will always end up at the same place but typically at a much quicker pace.

See DC and its reboots.

Or how long it took the UU to become an unreadable convoluted mess.
 

Parallax

best seen in the classic "Shadow of the Beast"
Of course it can..that's why quality control and planning would have to be important. If you could plan out the first three years or so it could be beneficial.

Look at it this way...marvel and dc weren't started as planned universes, which is where they run into a lot of trouble. Imagine how beneficial it would be if ypu went back and sorted everything out with a completely clean slate. It would actually probably be more beneficial to dc who's continuity is a clusterfuck...but this is the marvel reboot thread

three years in advance is asking for a whole lot. a basic layout of how you want things to go is one thing. but storylines planned for 3 years? thats asking for a clusterfuck.

id rather marvel go with the themed seasons theyve been doing as of late than that
 

Mudcrab

Member
The question seems to be whether or not you consider the New 52 a "reboot" or not. And if you do - then that's what's happening here with Marvel and Secret Wars. If you don't - then the Marvel Universe isn't rebooting.

Is this the case? I thought the question was if this event would be more like CoIE than Nu52.
 
Let's be honest, with reboots, you're really trading one convoluted continuity for another convoluted continuity.

Difference is a reboot is a good way to get fans off creators' backs about continuity problems. They don't have to worry about something that happened in some obscure issue from the 70's that contradicts with what they write, and its much easier to just make things up as they go.

Guys like Bendis would love this.
 
And which Disney owns because of their purchase of... Fox Kids, not Marvel. Seriously, Disney owned the rights to the original X-Men Animated Series before they even bought Marvel. You think Disney wouldn't use a version of X-Men that they completely own over whatever Fox uses for their films?

Fuck yes they would. I actually forgot that ABC bought fox kids years ago. I'd be super happy if they just use the 90s version since thay version was more popular and sold better anyway.
 

Parallax

best seen in the classic "Shadow of the Beast"
Difference is a reboot is a good way to get fans off creators' backs about continuity problems. They don't have to worry about something that happened in some obscure issue from the 70's that contradicts with what they write, and its much easier to just make things up as they go.

Guys like Bendis would love this.

thats the thing though. fans dont complain about continuity. angry about storylines, no question. but when it comes to continuity, that happens to be people who dont read comics
 
Is this the case? I thought the question was if this event would be more like CoIE than Nu52.

That's a decent question too. And if so - they've got even LONGER to look at what worked & what didn't with that Crisis and adjust accordingly. But I don't think they're going THAT far back as their main basis of inspiration, nor do I think they're trying to change the status quo as sharply as DC did back then, either. It's hard to argue that Crisis on Infinite Earths isn't a reboot (even though nobody was using that term back then) but as has been clearly proven over the course of this thread, it's pretty easy to argue as to the nature of "reboot" here in the 21st century thanks to the ways in which creators AND readers throw the term around.

Also - the Crisis wasn't all that great a read. It's notable for being the first real attempt to sell to readers the chance to completely disappear up continuity's asshole, but aside from that, its biggest benefit isn't even the reset button it applies (which they just kept jamming on for the next decade-plus anyway at various points) but the George Perez art. That's basically its saving grace. The story is a convoluted knot of mostly pointless bullshit, but it looks really cool.

I've gotta imagine nobody at Marvel is looking to replicate any part of THAT particular experience all that closely.
 

Slayven

Member
Difference is a reboot is a good way to get fans off creators' backs about continuity problems. They don't have to worry about something that happened in some obscure issue from the 70's that contradicts with what they write, and its much easier to just make things up as they go.

Guys like Bendis would love this.

Do you have an example of this?
 
Deal is reboots will always end up at the same place but typically at a much quicker pace.

See DC and its reboots.

Or how long it took the UU to become an unreadable convoluted mess.

Yup...thats how it always is. You reboot superman and remove supergirl, superboy, and krypto and then 5 years later another writer comes along and says "I liked krypto" and then thinks of some convoluted way to write him back into continuity. I remember the John Byrne reboot, which removed superboy, reintroduced him in like issue 5 except he was from a "pocket dimension" or something even more confusing then the way it was before.

I dont really like reboots to begin with but if someone is going to do it I would like to see them go all out for once to see what happens.
 
Bendis would but other big writers like Hickman/Remender/Slott/Aaron/Gillen not to mention writers like Yost/Abnett love continuity and then you have rising stars like Spencer/Soule/Ewing who love it as well.

Hell Secret Wars is Hickman putting in as much continuity as possible in one massive story.
 

Afrodium

Banned
Deal is reboots will always end up at the same place but typically at a much quicker pace.

See DC and its reboots.

Or how long it took the UU to become an unreadable convoluted mess.

It's much easier to read ten years of comics to see how the world got as weird and convoluted as it as today than it is to catch up on nearly 60 years worth. The problem only gets exacerbated as time marches on. Whether or not it's actually all that difficult to just jump in and figure out what's going on, it appears to be a daunting task, and the popularity of superhero movies is making now the best time to try to get newcomers into comics.
 
They were cherypicking lines from the press conference to fit the article. They should know better

Pretty much. I'd expect that sort of thing from Bleeding Cool, but not him. (Funnily enough, Rich has actually been fairly adamant that All-New Marvel is closer to 616+Miles than to Marvel's New 52.)
 
The only reason the ultimate universe got fucked up is because they brought Jeph Loeb in who they thought would be a big name and boost sales and instead Loeb had no idea what the fick he was doing and derailed the whole universe and because it was trying to be realistic in the sense of no resurrections or rebooting timelines mark millar and bendis had to try and salvage what was left by changing it into a crazy alternate universe instead of a more realistic modern reboot of the marvel universe in the modern world.

But pre Loeb the ultimate books were selling insanely well and the whole line was far more popular than the 616 books for a time. Almost all of the marvel movies and cartoons (even before MCU) have been influenced by the ultimate books in one way or another.
 
Do you have an example of this?

Not off the top of my head, but Bendis is always talking about it.

Bendis would but other big writers like Hickman/Remender/Slott/Aaron/Gillen not to mention writers like Yost/Abnett love continuity and then you have rising stars like Spencer/Soule/Ewing who love it as well.

Hell Secret Wars is Hickman putting in as much continuity as possible in one massive story.

There are definitely writers who obviously love continuity and those who don't. But lately there seems to be more and more instances of continuity being completely disregarded in order to make things "accessible" (how the Phoenix was treated in AvX comes to mind).
 

anaron

Member
I hadn't really thought about it but bringing miles into the 616, doesn't that kind of diminish him being the Spiderman? I mean, a huge crux of that story is Peter actually staying dead and miles taking the mantle and there's no way in hell that would ever happen and actually stick in 616.
 

Parallax

best seen in the classic "Shadow of the Beast"
I hadn't really thought about it but bringing miles into the 616, doesn't that kind of diminish him being the Spiderman? I mean, a huge crux of that story is Peter actually staying dead and miles taking the mantle there's no way in hell that would ever happen and stay in 616.

not really. miles being in 616 can lead pete to being a mentor to one of his many illegitimate spider progeny. this could be a good thing for both.
 
Not off the top of my head, but Bendis is always talking about it.



There are definitely writers who obviously love continuity and those who don't. But lately there seems to be more and more instances of continuity being completely disregarded in order to make things "accessible" (how the Phoenix was treated in AvX comes to mind).

Deal is outside of Bendis, all the writers who have long years/have raved books/architects like continuity.
 

Mudcrab

Member
That's a decent question too. And if so - they've got even LONGER to look at what worked & what didn't with that Crisis and adjust accordingly. But I don't think they're going THAT far back as their main basis of inspiration, nor do I think they're trying to change the status quo as sharply as DC did back then, either. It's hard to argue that Crisis on Infinite Earths isn't a reboot (even though nobody was using that term back then) but as has been clearly proven over the course of this thread, it's pretty easy to argue as to the nature of "reboot" here in the 21st century thanks to the ways in which creators AND readers throw the term around.

Also - the Crisis wasn't all that great a read. It's notable for being the first real attempt to sell to readers the chance to completely disappear up continuity's asshole, but aside from that, its biggest benefit isn't even the reset button it applies (which they just kept jamming on for the next decade-plus anyway at various points) but the George Perez art. That's basically its saving grace. The story is a convoluted knot of mostly pointless bullshit, but it looks really cool.

I've gotta imagine nobody at Marvel is looking to replicate any part of THAT particular experience all that closely.

I don't mean exactly copying the process more about the end result. I suppose it goes into what you're saying about the difficulty of nailing down what reboot means. When I think of the difference between Crisis and Nu52 its as if the former is somewhat 'softer' than the latter. In Crisis it was more about cleaning up inconsistencies and maneuvering alternate universe characters or properties from different labels into something less unwieldy where as Nu52 did much of the same but the slate was wiped much cleaner. Like say instead of just simply changing the fact the these characters were in their mid-thirties during the Korean War as opposed to saying actually these characters have only existed for 5 years in universe and only a few specific portions of previous character development can be included.
 
not really. miles being in 616 can lead pete to being a mentor to one of his many illegitimate spider progeny. this could be a good thing for both.

Someone earlier in the thread floated the idea that Peter would retire/become a mentor figure.

At which point I'd love the idea of a Spider-Team featuring Miles and Spider-Gwen, really.
 
Deal is outside of Bendis, all the writers who have long years/have raved books/architects like continuity.

I've never heard any creator outright expressing their love for the burden of continuity... There are just guys who use it well and guys who don't, and guys who basically ignore it. But it always seems like it's just something that's part of their job.

Do you have source of them going out and proclaiming that they actually love and enjoy dealing with continuity, and the responsibilities that go with it, ie reading decades of comic books to catch up on a character every time they move to a new series?
 

Slayven

Member
not really. miles being in 616 can lead pete to being a mentor to one of his many illegitimate spider progeny. this could be a good thing for both.
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I've never heard any creator outright expressing their love for the burden of continuity... There are just guys who use it well and guys who don't, and guys who basically ignore it. But it always seems like it's just something that's part of their job.

Do you have source of them going out and proclaiming that they actually love and enjoy dealing with continuity, and the responsibilities that go with it, ie reading decades of comic books to catch up on a character every time they move to a new series?

Fabian Nicenza? Kurt Buisek?
 
I've never heard any creator outirght expressing their love for the burden of continuity... There are just guys who use it well and guys who don't, and guys who basically ignore it. But it always seems like it's just something that's part of their job.

Do you have source of them going out and proclaiming that they actually love and enjoy dealing with continuity, and the responsibilities that go with it, ie reading decades of comic books to catch up on a character every time they move to a new series?

No but just look at there books.

Hickman's entire catalog is taking silver age concepts and modernizing them like Morrison does.

Remender takes 90 concepts, silver age concepts and realistically displays them.

Yost did the continuity porn that was XF.

Spencer threw so much old continuity in his books that he didn't have to cause he could.

So forth. Where Bendis ignores it or does his best to retcon it.
 

Mudcrab

Member
I've never heard any creator outright expressing their love for the burden of continuity... There are just guys who use it well and guys who don't, and guys who basically ignore it. But it always seems like it's just something that's part of their job.

Do you have source of them going out and proclaiming that they actually love and enjoy dealing with continuity, and the responsibilities that go with it, ie reading decades of comic books to catch up on a character every time they move to a new series?

Morrison is a good example. You can't look at something like his Batman or Multiversity and say he doesn't love it. I mean that Thunderworld.
 

Parallax

best seen in the classic "Shadow of the Beast"
Morrison is a good example. You can't look at something like his Batman or Multiversity and say he doesn't love it. I mean that Thunderworld.

i love that multiversity feels like a comics over the decades piece
 
I've never heard any creator outright expressing their love for the burden of continuity... There are just guys who use it well and guys who don't, and guys who basically ignore it. But it always seems like it's just something that's part of their job.

Do you have source of them going out and proclaiming that they actually love and enjoy dealing with continuity, and the responsibilities that go with it, ie reading decades of comic books to catch up on a character every time they move to a new series?

Kurt busiek. Read his avengers run. Read avengers forever.
 
They're the same damn thing. Retcons, character deaths and rebirths, power creep, overly long dialog at times to explain simple concepts. Subsitute "superhero" with "ninja", "saiyan", "random high school girl who stumbles upon magic powers" and they're all still trying to save the world. Superheroes all but in name.

You are talking about about Naruto and the like and I agree (though they usually don't have to deal with the trite secret identity stuff), but there's much more to manga than that.

Even in shounen manga you can have stuff that's a bit more creative, like say Death Note for example. Despite a poster above saying there are all types of comics I've never heard of stuff like that (I'm not actively looking either), but if it exists it takes a major backseat to super hero comics (of which I have heard of, without looking either).

Edit: Oh and the major difference with manga, is time. Time actually passes in manga (however fast or slowly). Therefore every manga story, however long, will eventually have an ending and characters that evolve (or at least grow older). Comics are like the Simpsons, where after like 30 years, Bart is still 9. I like my stories serialized and moving forward.
 

Slayven

Member
Read Thunderbolts period. But Fabien Nicenza took 2 joke characters that were the result of contests Marvel ran years ago and made them interesting characters.

Hell the Thunderbolts period is a love note to continuity.
 

otakukidd

Member
So something like what they did at the start of the Ultimate universe?



They never said anything to that effect. Battleworld is what the world looks like in Secret Wars, and they were very careful to only hint at what's happening after the event but giving the "wait and see" answer also.


This is from the article I saw it.

It was clarified that Battleworld will be the Marvel Universe during, through, and after Secret Wars. None of this is an Elseworlds, What If, or any other kind of alternate reality -- it’ll be the setting for in-continuity stories that will all count going forward.

http://m.ign.com/articles/2015/01/20/the-marvel-universe-is-coming-to-an-end-in-may-2015

This make it seems like this is the marvel universe for the foreseeable future even after secret wars.
 

Parallax

best seen in the classic "Shadow of the Beast"
Edit: Oh and the major difference with manga, is time. Time actually passes in manga (however fast or slowly). Therefore every manga story, however long, will eventually have an ending and characters that evolve (or at least grow older). Comics are like the Simpsons, where after like 30 years, Bart is still 9. I like my stories serialized and moving forward.

time isnt indicative of growth. to say spider man hasnt evolved as a character because he doesnt appear to be aging cuts the character short. same with wolverine, cyclops, dick grayson, tim drake pre nu52 and countless others. hell there are characters like goku are pretty much the same characters despite the time skips and children.
 

Slayven

Member
time isnt indicative of growth. to say spider man hasnt evolved as a character because he doesnt appear to be aging cuts the character short. same with wolverine, cyclops, dick grayson, tim drake pre nu52 and countless others. hell there are characters like goku are pretty much the same characters despite the time skips and children.

Naruto didn't learn one damn thing
 
Read Thunderbolts period. But Fabien Nicenza took 2 joke characters that were the result of contests Marvel ran years ago and made them interesting characters.

Hell the Thunderbolts period is a love note to continuity.


Totes.

Especially that bit when the writer was ditching the series so he had everybody killed and rezzed in a "its just a dream" ish.
 
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