Does it for me every time. Saddest composition I have ever heard while being so beautiful.
Does it for me every time. Saddest composition I have ever heard while being so beautiful.
i always come into threads about a lot of classic music to try to locate this one classical music track I heard when I was a little kid. It was played during the ending of this really short astronomy daily that would air on PBS telling you about what planets and stars you could see in the sky during that time of year. And then later I encountered it while playing some shitty multi-puzzler named HoyleGames 2006 or something, but it didn't have the name of the classic track on it anywhere.
I always fail![]()
That's the show with Jack Horheimer or however you spelled his name. I have fond memories of that show and he used to sit on the rings of saturn while telling you about whatever meteor shower was coming up soon (normally the reason I watched it).
Anyways, I post virtually the same songs in most sad music threads, so here we go again:
Land Of Talk- It's Okay
This Bitter Earth/On The Nature of Daylight
Here's the original version of that song from which the vocals were taken from: Dinah Washington- This Bitter Earth I think it's hauntingly beautiful in its way, too.
Eric Whitacre- October
I've got more if you want to hear, but I hate posting long lists without saying much, so I'll keep it short for now.
The Trans-Europe Express has reached its last stop. And now the train must travel alone to its future, awaiting its future destiny.
My man. I never know what genre this music is, but I love this song.
I love Lisa Gerrard, but I can't stand that other dude's voice in DCD. It's unnecessary.
Yeah sorry about that, I know it's not a popular opinion among Dead Can Dance fans, but Brendan Perry's "bard-style" voice adds an unnecessary degree of pomposity to the music that just doesn't sit well with me. Some of the songs that he sings by himself are unbearable. I saw them live in the early 90s. It was a good show though.
In the first few minutes of "Stella", Kashiwa Daisuke uses the sounds of running water as a sample interlaced with his omnipresent piano and strings. He takes that sound, however, and breaks it up so that the running water no longer runs and instead limps. Music often flows like running water, and with this sample, Daisuke lays out his musical philosophy immediately, showing that he will take the most flowing, beautiful music and chop it up as he pleases. If Daisuke's piano and strings represent a piece of glass, untouched and perfectly clear, then his samples and beats represent a huge sledgehammer with which he destroys the glass and laughs as the glass shatters and falls to the ground. His aim, so precise, causes the glass to fall into a perfect shape in its shattered form, much like Picasso's cubist paintings or Dali's melted clocks.
Each piece of glass, its own unique shape, holds inside its own musical motif. Yet as the shapes of glass all fit together, so do the motifs. In this, Daisuke creates organized chaos of epic proportions, perhaps the most epic the electronic world has seen.
Glad you liked it. I remember when seeing it personally thinking I'll never see a sight half as beautiful for as long as I live... it took my breath away ...
The Master of Hauntingly Beautiful:
Ryuichi Sakamoto - Undercooled
Ryuichi Sakamoto - Bibo No Aozora
Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence
Ryuichi Sakamoto - War & Peace