manzoman96
Member
FFXV well deserved at number 1. Yoko Shimomura delivered big time in her FF debut.
Really enjoyed The Last Guardian's soundtrack as well.
Really enjoyed The Last Guardian's soundtrack as well.
Merits of voting for an OST without playing the game aside, there's a few aspects to the example of P5. In my case I've listened to most of the P5 OST, but like I said without voting for it, I don't feel comfortable voting for it. I doubt that it'll fall through in execution within the game, but I'd like to make absolutely sure for myself. Which gets to the other point, which is that I'm going to be playing the game this year, barring any unforeseen catastrophe. So it made more sense for me to wait anyways when I'm guaranteed to be playing it in 2017. And I'm pretty sure many other people feel the same way, and might have avoided listening to the OST to avoid potentially spoiling even the smallest aspect of the game for themselves.We've had this discussion year-in, year-out. On one hand, the whole point of video game music is to support the medium, that being video games, hence it really should be judged in context of how it works in the game. On the other, it's also completely possible to judge music on its own merits, whether it comes to composition, production values, how it works standalone, etc. And it really isn't possible to expect any one person to have played every single piece of entertainment released in a year.
I don't think GAF votes have had any clear guideline saying you have to have played a game to vote on its soundtrack, but it also is generally what most people gravitate towards when voting, hence it does turn into a popularity poll of sorts, with more niche games getting 'overlooked' just by sheer fact you can't make up that number of warm bodies.
I mean, yeah, bemoaning the fact Cold Steel 2 isn't represented is fine and all, but it is what it is. What does amuse me though is when people bring up niche titles being overlooked, when they pretty much fall into that same issue of essentially being out-of-sight, out-of-mind, just with different titles.
There's a lot of good music out there to be discovered. Always has been, always will be.
It was on my honourable mentions list but: 25 points, 5 honourable mentionsWow, no one voted for Let It Die? That surprises me. I probably should have lol.
I didn't vote for OST this year since I knew it'd be tricky, but poor, poor Virginia.
Just missed the Top 15 with 25 points, 4 honourable mentions.I didn't vote because I completely forgot about it, but where the fuck is Virginia.
No but if you'd like to pass the results on to her that would be lovely.i don't have to make some kind of proxy acceptance speech do i
I feel similarly in terms of FF, though I love 13-2's quite a bit. Definitely looking forward to Stormblood stuff during the EU fanfest.I think XIV is the latest SQEX OST that I've genuinely enjoyed since XIII.
13 points, 8 honourable mentionsI'm surprised Civilization VI didn't make it at all since I loved the soundtrack. I'm bookmarking the thread to check out other stuff though. Thanks for running this!
Stellaris: 17 points, 3 honourable mentionsThis forum is too console leaning unfortunately. Stuff like Stellaris and Planet Coaster were good too but not enough people here played and voted for them.
Merits of voting for an OST without playing the game aside, there's a few aspects to the example of P5. In my case I've listened to most of the P5 OST, but like I said without voting for it, I don't feel comfortable voting for it. I doubt that it'll fall through in execution within the game, but I'd like to make absolutely sure for myself. Which gets to the other point, which is that I'm going to be playing the game this year, barring any unforeseen catastrophe. So it made more sense for me to wait anyways when I'm guaranteed to be playing it in 2017. And I'm pretty sure many other people feel the same way, and might have avoided listening to the OST to avoid potentially spoiling even the smallest aspect of the game for themselves.
I wasn't talking just about just FFXV's OST. I was responding to you saying that small JRPGs have superior OSTs vs. bigger JRPGs as if that's some general state of the JRPG VG music industry, when that's just unarguably not true.I wasn't wowed by XV's OST, so this isn't really going to move me. I think XIV is the latest SQEX OST that I've genuinely enjoyed since XIII.
I'm frankly too tired right now to go crawling the web for pieces of music to make this point since this is a matter of opinion anyways. But, I do think there's something about the flexibility that smaller games have that does allow for some more interesting music, and I feel like I often end up with that feeling in bother Western and Eastern titles. And to that point Western AAA games often get shit on for their samey OSTs, but I don't necessarily find that huge of a difference in terms of there feeling like a more staid quality among larger games in the JRPG scene either. And that stuff doesn't interest me as much as smaller studios doing more unique or experimental or just plain different music.I wasn't talking just about just FFXV's OST. I was responding to someone saying that small JRPGs have superior OSTs vs. bigger JRPGs as if that's some general state of the JRPG VG music industry, when that's just unarguably not true.
I don't really see what a game like Cold Steel II is supposedly doing so much better than "bigger JRPGs" (note: again, not just talking about FFXV) in a way that could be elaborated by arguments & examples that supports that kind of general statement. Of course what we like ultimately comes down to preference/taste, but I personally think that we can, to some degree, evaluate music somewhat objectively based on a variety of factors and from that POV it's not like big JRPGs' OSTs are some generic throwaway pop songs of the week vs.small JRPGs' OSTs being the revered masters of their genres.
Like... the world has its Nickelbacks that do the most unimaginative, basic, generic rock there is and its Tools that have far more variety, complexity & not-bog-standard melodies/rhythm within a single song than Nickelback has in their whole discography... Nothing wrong with liking Nickelback's music, but I'd say that objectively Tool's compositions are far better than Nickelbacks stuff. I don't think similar divide can be drawn clearly between bigger JRPGs and smaller JRPGs, that big JRPGs are the Nickelbacks of VG OSTs while small JRPGs are where the true possibilities of music creation is realized.
You're right that some games will just attract more votes by virtue of being more known, regardless of their soundtrack quality. I've been counting the votes this year, and saw some pretty interesting movement in the rankings as the time went on. Games like Uncharted and The Last Guardian were faring much better early on in the voting process. Presumably because they were still in their Game Of The Year frame of mind. A solid week in the new year however, they not only would be mentioned far less frequently, but if lists were altered, it was usually to get rid of these such games as well. The upside is that they almost always got replaced by infinitely more obscure indie titles. This makes me believe people do scope out what's out there, and give things a moderately fair chance.I thought TLG's score was more affecting than FFXV but I'm guessing more people played XV and Doom. Either way they are all incredible works and deserve to be on that list
Great job!
[B]Single Issue Voters (Top games according to people who only voted for a single game):[/B]
1 DOOM
2 Final Fantasy XV
3 The Last Guardian
4 Dark Souls III
5 Furi
[B]Passion votes (Only the games of which the majority of its votes were 3pt votes):[/B]
1 Final Fantasy XV
2 Fire Emblem Fates
3 Virginia
4 Let It Die
5 Paper Mario: Color Splash
6 The House in Fata Morgana
7 Kirby: Planet Robobot
8 Samorost 3
9 Brigador
10 Mafia III
[B]Nobody's favourite (Top games without [I]any [/I]3pt votes):[/B]
1 Steins;Gate 0
2 Persona 5
3 King of Fighters XIV
4 Quantum Break
5 Zero Escape: Zero Time Dilemma
6 Bravely Second: End Layer
7 Shadow Tactics: Blades of the Shogun
8 Tyranny
9 Unravel
10 7th Dragon III Code: VFD
[B]Early birds (Early results after the first 50 votes):[/B]
1 The Last Guardian
2 Final Fantasy XV
3 DOOM
4 Furi
5 Uncharted 4: A Thief's End
6 World of Final Fantasy
7 Dark Souls III
8 Fire Emblem Fates
9 VA-11 Hall-A: Cyberpunk Bartender Action
10 The Legend of Heroes: Trails of Cold Steel II
[B]Most Mentions, regardless of placement:[/B]
1 Final Fantasy XV
2 DOOM
3 The Last Guardian
4 Furi
5 Dark Souls III
6 Pokémon Sun/Moon
7 Fire Emblem Fates
8 Uncharted 4: A Thief's End
9 VA-11 Hall-A: Cyberpunk Bartender Action
10 Hyper Light Drifter
Merits of voting for an OST without playing the game aside, there's a few aspects to the example of P5. In my case I've listened to most of the P5 OST, but like I said without voting for it, I don't feel comfortable voting for it. I doubt that it'll fall through in execution within the game, but I'd like to make absolutely sure for myself. Which gets to the other point, which is that I'm going to be playing the game this year, barring any unforeseen catastrophe. So it made more sense for me to wait anyways when I'm guaranteed to be playing it in 2017. And I'm pretty sure many other people feel the same way, and might have avoided listening to the OST to avoid potentially spoiling even the smallest aspect of the game for themselves.
I wasn't wowed by XV's OST, so this isn't really going to move me. I think XIV is the latest SQEX OST that I've genuinely enjoyed since XIII.
I'm a bit disappointed about the absence of Thumper and ABZÛ, but that's how it goes.
Abzu is wonderful but I'm guessing not enough people played it. Sucks but it happens.
My slapdash Furi quote alongside the FINAL schala analysis, I'm honoured!Also, this is probably my final soundtrack thread on this forum.
Also, this is probably my final soundtrack thread on this forum. I've asked someone else privately if they would like to take over and it's up to them to accept or decline. If not, I'll open the floor up to volunteers but I am still waiting on an answer.
I don't understand the love for JRPG music, and at this point, I'm too afraid to ask why people love it.
It was on my honourable mentions list but: 25 points, 5 honourable mentions
You're all sleeping on Thumper.
Not a bad list, though- I need to play more of those top games.
This is such a meaningless statement lol.
"I don't understand the love for FPS music."
"I don't understand the love for RTS music."
"I don't understand the love for open-world music."
JRPGs can consist of entirely different settings, composed by people with very different styles, and are made at very different scales of development.
What exactly is the same about the music of Shin Megami Tensei IV: Apocalypse and that of Final Fantasy XV (which we'll count as a JRPG because it's a FF)? Neither of these games are even set in the typical anime-meets-DnD or magical Renaissance most Japanese "RPGs" are set in, and their music reflects that. Even pop music heavy Tokyo Mirage Sessions #FE is very different from Apoc and that's pretty much the same series! Pokemon, the next JRPG listed after FFXV, also takes an approach different than the games I've mentioned so far.
Between all JRPGs your best bet to finding consistency is considering a structure of distinct musical themes for story scenes, exploration, and battles, but this also describes most music in games to begin with, so it shouldn't be that hard to understand.
Your contrarian streak gets way too silly sometimes. Lol
Anyway, thanks for putting in the work.
I felt it worked better in game. Couldn't get into it on its own.
It's a nice OST, but it's not one that I really feel compelled to listen to again and again. XIII is actually something I return to again and again, and the same goes for XIV's stuff. It doesn't really mean much, but to my disregard of XV, as I've said before it didn't wow me enough to stop me from listening to XI, XIII, and XIV's OST over it.So you didn't check out Nier I guess. Cause its the best OST from SQEX since Chrono Cross.
Dis was me!Kind of a weak year for game music IMO... XV had some standouts but I spent the majority of the game driving around and listening to the old soundtracks in the car. The problem with XV was most of the music you heard tended to be the twangy country-esque song in the rest stops, or the Lestallum song which sounded like the "Samba" preset on a Casio, or silence as you wander the countryside.
lol
It's a nice OST, but it's not one that I really feel compelled to listen to again and again. XIII is actually something I return to again and again, and the same goes for XIV's stuff. It doesn't really mean much, but to my disregard of XV, as I've said before it didn't wow me enough to stop me from listening to XI, XIII, and XIV's OST over it.