*throws rocks at the viet cong hype train*
Yea what album are they listening to?*throws rocks at the viet cong hype train*
Even in the moments I like it, I can't understand calling it an all-timer best ever. oh well I guess. I can only see them getting as big as someone like Iceage and having more noisy post-punk bands being at least competent-to-good while making money isn't bad. I just can't get behind VC in any wayYea what album are they listening to?
I can't reflexively hype anything that didn't get BNM'd. A man's got to have a code.Wow, I guess people like to ignore Menace Beach when talking about the hot bands right now, huh?
Linius, I am disappointed. By far the best album so far this year was made by them.
I can't reflexively hype anything that didn't get BNM'd. A man's got to have a code.
I was more excited about No Age when they first dropped Nouns and Abe Vigoda when they dropped Skeletons than VC tbh. Iceage too.Even in the moments I like it, I can't understand calling it an all-timer best ever. oh well I guess. I can only see them getting as big as someone like Iceage and having more noisy post-punk bands being at least competent-to-good while making money isn't bad. I just can't get behind VC in any way
Revisiting this since I just heard the full thing: damn it's good!Really like the pinkshinyultrablast record. I don't know if it was me needing to wake up or warm up to it but I didn't really enjoy it until the second half. Land's End and Ravestar somethingwhatever especially. Slots in well in between Bilinda Butchers' dreamy shoegaze pop and Future Death's candied math/noise rock, and some of the vocals were echoey and cut up in a way that made me think of Arbutus stuff
Even in the moments I like it, I can't understand calling it an all-timer best ever. oh well I guess. I can only see them getting as big as someone like Iceage and having more noisy post-punk bands being at least competent-to-good while making money isn't bad. I just can't get behind VC in any way
think I needed to sit on it the rest of the day to evaluate--and yeah, I really like it. Gonna revisit soon.Revisiting this since I just heard the full thing: damn it's good!
All-timer best ever of what? Other than more people calling VC for their AOTY lists I don't think I've seen anyone on the internet claim it's a best album ever or shit like that. You go to dark places man, it's just a great album from an exciting new band
Menace Beach ain't out yet. But the singles I've heard are good. Haven't got around checking the leak that's floating around.
And Girl Band is also great. Will they release their debut this year? They play the old blue last on the 27th Farid, you should go.
In what world is Blue under-appreciated, dawg
In what world is Blue under-appreciated, dawg
Tonight I'm seeing my first gig of 2015: Interpol
The Pop Group dripped, and somehow, against the odds of being a reunion album after 35 years, it's not disappointing. it's even good.
Ooh, thanks man. Haven't heard some of these, will check them out.Recommendations include artist names followed by their best albums in my opinion
Under Appreciated Classics
- Al Stewart - Year of the Cat (1976); Modern Times (1975); Past, Present & Future (1973)
- Exuma - Exuma (1970); Exuma II (1970)
- John Martyn - Solid Air (1973); Bless the Weather (1971)
- Loudain Wainwright III - Attempted Mustache (1973); More Love Songs (1986)
- Mark Hollis - Mark Hollis (1998)
- Vashti Bunyan - Just Another Diamond Day (1970)
Psychedelic Folk
- Amen Dunes - Love (2014); Through Donkey Jaw (2011)
- Collie Ryan - Indian Harvest (1973)
- Devendra Banhart - Nino Rojo (2004); Rejoicing in the Hands (2004)
- Itasca - Unmoored by the Wind (2014)
- Jesse Sykes - Reckless Burning (2002); Oh, My Girl (2004)
- Robyn Hitchcock - Black Snake Diamond Role (1981); Eye (1990)
- Scout Niblett - This Fool Can Die Now (2007); It's Up to Emma (2013)
- Six Organs of Admittance - Dark Noontide (2002); School of the Flower (2005)
- Smoke Fairies - Through Low Light and Trees (2010); Blood Speaks (2012)
- Woods - How to Survive In / In the Woods (2005); Bend Beyond (2012)
- Weyes Blood - The Innocents (2014)
Modern Folk (Female-led)
- Alela Diane - The Pirate's Gospel (2004); To Be Still (2009)
- Ani DiFranco - Ani DiFranco (1989); Out of Range (1994); Imperfectly (1992)
- Angel Olsen - Half Way Home (2012); Burn Your Fire for No Witness (2014)
- Broken Twin - May (2014)
- Diane Cluck - Boneset (2014); Monarcana (2007)
- Emily Jane White - Dark Undercoat (2007); Victorian America (2009)
- Emily Wells - Beautiful Sleepyhead and the Laughing Yaks (2006)
- First Aid Kit - The Lion's Roar (2012); Stay Gold (2014)
- Jana Hunter - Blank Unstaring Heirs of Doom (2005); There's No Home (2007)
- Joanna Newsom - Ys (2006); The Milk-Eyed Mender (2004)
- Juana Molina - Tres cosas (2004); Un Dia (2008)
- Laura Marling - Once I Was an Eagle (2013); Alas I Cannot Swim (2008)
- Mariee Sioux - Faces in the Rocks (2007); A Bundled Bundle of Bundles (2006)
- Marissa Nadler - Ballads of Living and Dying (2004); The Saga of Mayflower May (2005)
- Mirah - Advisory Committee (2002); C'mon Miracle (2004)
- Nataline Merchant - Tigerlily (1995); Ophelia (1998); Motherland (2001)
- Ruby Throat - The Ventriloquist (2007); O' Doubt O' Stars (2012)
- Sharon Van Etten - Epic (2010); Tramp (2012)
- Serafina Steer - The Moths are Real (2013)
- Waxahatchee - American Weekend (2012); Cerulean Salt (2013)
Modern Folk (Male-led)
- Andrew Jackson Jihad - Knife Man (2006); Can't Maintain (2009)
- Bon Iver - For Emma, Forever Ago; Bon Iver, Bon Iver
- Daniel Rossen - Silent Hour / Golden Mile (2004)
- Daughn Gibson - All Hell (2012)
- I Am Oak - On Claws (2010); Nowhere or Tammensaari (2012)
- Keaton Henson - Dear (2011); Romantic Works (2014)
- Kevin Morby - Still Life (2014); Harlem River (2013)
- Low Roar - 0 (2014)
- M. Ward - Transfiguration of Vincent (2003); Post-War (2006)
- Mark Eitzel - Lover's Leap USA (1997); Don't Be a Stranger (2012)
- Mutual Benefit - Spider Heaven (2010); Love's Crushing Diamond (2013)
- Songs: Ohia - The Lioness (2000); Didn't It Rain (2012)
- Strand of Oaks - Pope Kildragon (2010); Heal (2014)
- Sun Kil Moon - Ghosts of the Great Highway (2003); April (2008)
- Timber Timbre - Creep On Creepin' On (2011); Hot Dreams (2014)
- Volcano Choir - Repave (2013)
- Will Oldham a.k.a. Bonnie 'Prince' Billy - I See a Darkness (1999); Joya (1997)
- Wooden Wand - Harem of the Sundrum & the Witness Figg (2005)
...I'm sure you're familiar with many of these, but how can one give a good thorough recommendation without making sure?
Damn. Liked the few tracks I heard but had no idea they were top tier live. Hype increasing.
All-timer best ever of what? Other than more people calling VC for their AOTY lists I don't think I've seen anyone on the internet claim it's a best album ever or shit like that. You go to dark places man, it's just a great album from an exciting new band
Menace Beach ain't out yet. But the singles I've heard are good. Haven't got around checking the leak that's floating around.
And Girl Band is also great. Will they release their debut this year? They play the old blue last on the 27th Farid, you should go.
I don't live in the UK m8. Menace beach comes out the 28th here.
What's up with that folk post missing Fleet Foxes? Or is that not considered folk?
Interpol was great!
I'm not into that bubblegum jaunt
I don't live in the UK m8. Menace beach comes out the 28th here.
Figured I should see what all the Viet Cong talk was about. Listened to a few tracks, literally cannot understand why this band even exists. They bring nothing to the table other than, "hey here are some bands we idolize and want to sound like."
Sounds pretty spot on to me, though the same could be said of many bands I like too.Talking of speaking in hyperboles :lol
It wasn't hyperbole for me, personally; I genuinely don't get why these guys thought they needed to start this band. I also didn't say they were bad or untalented (save that for people like Tuneyards), only that their music serves no purpose and adds absolutely nothing to the landscape -- and yes, that could apply to many other bands, both now and in the past.
One example that actually bugs me recently is "Uptown Funk," which is crazy fun and infectious, but it's so blatantly wearing influences on its sleeve that I sometimes feel faint guilt at enjoying the song so much. At the very least, I just hope people feel compelled to hit the back catalogs to check out why all this new stuff sounds the way it does.
OK, that shit won't fly.
I am Livid now.