Kinda random, but I've been revisiting the last two Smith Westerns albums for some reason over the past few days. I really like both of them. A shame they disbanded.
Have you been approached by record labels about launching your solo career?
As Smith Westerns ends, I don't really know what label I'll have or whatever. I just think that because we don't live in a city like New York or LA, you can just do your own thing and I'm not being reminded of the rat race of being an indie musician. Before any of the Smith Westerns stuff was decided, I was just working on music to work on music. It was one of those things where at the time, coming off of touring and having all these expectations of being this band, it was kind of cool to not have anything. I was working with my friend at hospitals cleaning stretchers, cleaning blood and shit off stretchers. Wearing like a hazmat suit. We'd go into hospitals at different times of the day. Sometimes we'd go in in the morning and clean the ER. I just wanted to do it. It's not like it was the difference between living at my parents' and living in my apartment. I just wanted to do a job because I hadn't worked in a while. We'd talk and listen to music and listen to sports radio while we repaired these stretchers or wheelchairs in different hospitals. And from there we'd go to my friend's basement and I'd have these two guys, Sam and Adam, who would record and play drums on my recordings. And it was a really cool way to work. It was just on everyone's own time. Instead of having to check on whether or not I could do something, I was able to just do it. Which was great, and I was able to teach myself how to write a fully realized song. I've been doing it since February. And once I started doing it, it was almost like this light went off where I was able to write so much more music than I normally had been able to in Smith Westerns. I've written 12 songs. And not some bullshit 12 songs where eight of them suck.
So you have a complete record?
Yeah, I have a record. It's written. I just need to go to a studio and record. I've been recording super lo-fi like we used to do in Smith Westerns, in basements. I haven't really tried to get a bunch of people on board and try to monetize it. I think it's really important after what happened with Smith Westerns, where we were really at the will of the label or we were being told to go with this person or that person, that I really assess who I work with in a personal way.
Describe the music you're making.
The last song I wrote the majority of for Smith Westerns was "Varsity." I think it was the closest thing to what the new stuff sounds like. I made a very conscious decision to strip back the chord progressions of the songwriting because I felt like with Soft Will there was a little too much of this prog element. I wanted to move back to the simplicity of earlier Smith Westerns songs. For me, the idea of making a pop structurereally listening to Top 40 radio, and I listened to a ton of itis like verse, chorus, second chorus, et cetera. Shit like that. It's about really trying to integrate that structure and the way you use melody and how dynamics change and bring that into how I grew up writing music, which was very 70s influenced or late 80s. I'm trying to find something where it sounds good and poppy, but it's not lame and overdone. I didn't want it to be super sugary. Finding that balance is really cool, and it's something you have to experiment a lot with. I don't want to make anything that is super niche.
Ooh, sounds neat. Hope he puts it out soon.My ranking: Dye it Blonde > Smith Westerns > Soft Will (which is still great)
Fun band and I was sad to see them go, but I'm expecting good stuff from members in the future. Liked this interview with Cullen after the breakup, explains where he thinks he's headed:
http://www.chicagoreader.com/Bleader/archives/2014/12/19/smith-westerns-break-up-an-exclusive-interview-with-front-man-cullen-omori
I actually picked up a Miracle Legion album the other day at the record store... 'Glad.'
Good stuff.
it's a pretty good look at the early band. there are only six songs on the album, and they're all kind of rough in a good way. the title song, 'the backyard' feels strangely out of place and more produced though. may favorite from the album is just say hello
glad came out between 'the backyard' and 'surprise surprise surprise', so it was mostly covers and live performances. 'surprise surprise surprise' was the first lp for the band and was more cleaned up compared to 'the backyard'. there's a lot of great stuff here. with the exception of 'little man', there's nothing i dislike, but storyteller is my favorite from the album.
after 'surprise', two of the band members left, leaving only singer mark mulcahy and guitarist mr. ray. 'me and mr. ray' is sort of an album that feels like an interim between their previous stuff in the 80s and where it would go in the 90s. it's fairly minimalistic, and not exactly my favorite album, but it has some of my favorite songs from the band in you're the one lee and sailors and animals. this is the last album that was made on vinyl to my knowledge.
'drenched' is probably my favorite album from miracle legion, owing to the fact that dave mcaffrey and scott boutier's involvement pushed it towards the 'polaris sound' i was familiar with growing up. this album is a lot more upbeat even when it's being dark, which is a lot of fun. snacks and candy just great, and i have a hard time really singling out anything from this album, like 'surprise surprise surprise'.
although the album wasn't released until 1999, chris viscardi and will mcrobb, who created the adventures of pete and pete, had approached miracle legion to do music for the show. mr. ray declined, but mark and dave were up to the task, and scott boutier joined in after season one. chris and will would ask mark to come up with specific kinds of songs and they would get them done, usually around four a season, until the show was canceled in 1995. 'hey sandy' and 'waiting for october' are probably the two most famous songs from their stint as 'polaris' (in addition to being down one band member, the name of 'miracle legion' was in legal dispute because of record label shittiness). i really liked the monster's loose most, though.
while i originally considered this a bad album, i've come around on it a bit. it's very disjointed, and easily the band's weakest effort, but there's enough here for a couple good listens. over time, i've come to think of please as one of their best, probably because it came from the 'surprise surprise surprise' era, as did 'homer', which makes me think 'portrait' was sort of a collection of unreleased works somewhat cleaned up so that mulcahy's label mezzotint could have ownership of the miracle legion name or something.
thursday april 23, 2015: aladdin theater in portland, or
swervedriver has a new record coming out in march?!
yessss
Moon duo record is good, up my alley. First I've listened to from em. Will need a couple listens to see if it escapes from under its very apparent influences to connect kraut/space/postpunk in a unique way. Off one listen it can be a little samey within the album and to other records (eg half the synth lines made me want to go listen to "Suicide". "Ice" is a monster track
Hanni El Khatib's new album Moonlight was released today on Spotify. Pretty solid desert rock album I would recommend checking out.
Huh Astrobrite?
Yeah most likely. Roskilde is too metal/poppy heavy besides the interesting names for me to compete with Primavera. And OFF usually got the small names but have a too small budget to also have the interesting headliners such as The Strokes. Primavera is the complete package. Only downside might be that they don't have anything really exclusive except for a few names.
Really hope The Replacements and Spiritualized will do more shows.
really digging pinkshinyultrablast's debut. vintage.
This sounds so good just going by the iTunes previews. Definitely going to check it out next week.Really like the pinkshinyultrablast record. I don't know if it was me needing to wake up or warm up to it but I didn't really enjoy it until the second half. Land's End and Ravestar somethingwhatever especially. Slots in well in between Bilinda Butchers' dreamy shoegaze pop and Future Death's candied math/noise rock, and some of the vocals were echoey and cut up in a way that made me think of Arbutus stuff
I've had the same feeling for a while. Silhouettes into Death gets me every time. A review site said it was post-punk for the Canadian winter and I'm inclined to agree.Soooo, Viet Cong got their BNM on p4k. Now the hype can really start building. Even though I've been listening to it since last november I'm pretty sure it will stick with me long enough to easy make my AOTY list. It's just so damn good. Together with Sleater-Kinney I'm almost inclined to see two spots are on lock.
Sleater's first album was great. Debating whether or not to just jump in the new one.