ManaByte said:Turn this thread into a big request thread and I hope you die a painful death.
:lol Amen!
ManaByte said:Turn this thread into a big request thread and I hope you die a painful death.
The Bookerman said:
ManaByte said:Turn this thread into a big request thread and I hope you die a painful death.
Mr Mike said:It was a little harsh, but I do agree with his point (and *I* made the request). It'd be foolish to derail the thread after 500 posts. Althought I'd LOVE to see that script if you're got a link ManaBytej/k.
WHAT.IAmtheFMan said:Hey guys, parts of the score have leaked (check the regular channels.) It sounds EXCELLENT.
IAmtheFMan said:Hey guys, parts of the score have leaked (check the regular channels.) It sounds EXCELLENT.
This is some brilliant stuff, and a triumphant return to form for Williams!
teiresias said:Listened to it, eh, it's Star Wars music, not much else to say, the style is pretty much set by now, nothing to really surprise you there. Incredible themes of course, but it's old material.
Yuck. So it reminds you of a mix of Danny Elfman's work on Batman and Men in Black? 'Cause that's all the Spider-Man score was. It annoys me when I hear extremely similar cues in these prequel scores. I could definitely make out some of Elfman's Attack of the Batwing in AOTC's Zam the Assassin. I really enjoy Williams' stuff, but he doesn't seem adverse to slyly taking cues from other people's work. A lot of the original trilogy pieces seem very inspired by Gustav Holst's The Planets, specifically the Mars piece. At least that wasn't from another movie, but when I hear these cues from other scores, it often rips me out of the moment as my mind scrambles to figure out what other movie it recalls.Bacon said:Battle of the Heroes is fucking awesome. The begining of it reminds me of the Spider-Man score.
Dan said:Yuck. So it reminds you of a mix of Danny Elfman's work on Batman and Men in Black? 'Cause that's all the Spider-Man score was. It annoys me when I hear extremely similar cues in these prequel scores. I could definitely make out some of Elfman's Attack of the Batwing in AOTC's Zam the Assassin. I really enjoy Williams' stuff, but he doesn't seem adverse to slyly taking cues from other people's work. A lot of the original trilogy pieces seem very inspired by Gustav Holst's The Planets, specifically the Mars piece. At least that wasn't from another movie, but when I hear these cues from other scores, it often rips me out of the moment as my mind scrambles to figure out what other movie it recalls.
I'm holding off on listening to the score. Maybe I'll be able to last until the movie, although I ended up buying the scores first for the last two.
Oh hell, who am I kidding. I'll hear all of this before the movie, but I'll listen to the whole album at once as Williams intends.
Don't get me wrong, I love Elfman, at least his earlier work. I firmly believe however, that he phoned it in on Spider-Man and just kinda mashed two previous scores together. Hell, I imagine part of the reason he was chosen was because he'd written successful superhero scores and some 'darker' fantasy stuff, so I'd bet he was even asked to do something along those lines. The similarities are really quite blatant. If I hadn't heard those previous scores, the Spider-Man score might work for me, but all it does is recall two far superior films in my mind. Just listen to the Batman theme and the Finale, and then Spider-Man's theme. Very similar overall structure and cues, with a dash of Men In Black.silenttwn said:I think you're being a bit overly critical here. As an Elfman fan... I can hear the Men In Black style percussion in Spider-man... but Batman? Nope. Sorry, I really don't think that's "all" the Spider-man score was and if you think so, you're a pompous ass.
Well, let's just say it strikes me as more than coincidental when I noticed similarities to Batman in AOTC and now someone else is bringing up the same issue with ROTS. I'm not sure what you mean by "limited ways" that film scores can be created. The only limitation is that so many producers and directors feel a need for the huge orchestral pieces that well, John Williams made so popular. Williams' best stuff in recent years is when he's been breaking that mold, like with Catch Me If You Can (not original no, but not his typical score) and AI.And William's borrowing from the Batwing cue... I don't own the Batman 1 soundtrack so I can't see what you're talking about, but I'm pretty sure it's just coincedental similarities. There's only limited ways movie composers write their music... unless we're talking Georgy Litegi, then he's completely unique and original but we're not... so it was probably just coincedence.
It's lame that they don't really say what this is. It could be something really useless or some new piece of music that didn't make the soundtrack for some reason.Simo said:Walmart.com are offering an "Wal*Mart Exclusive" downloadable track too.![]()
Prince of Space said:What was Manabyte banned for this time?